There has been a recent resurgence of interest in the evolution of adaptive coloration and a new appreciation of the mechanisms, functions, and evolution of crypsis, aposematic coloration, and mimicry. I here apply these principles to the acoustic modality using insect examples and discuss adaptive silence, acoustic crypsis, stealth, acoustic aposematism, acoustic mimicry, and sonar jamming. My goal is to inspire students of bioacoustics to explore the full richness of the acoustic interactions between predator and prey in behavioral, physiological, and evolutionary contexts similar to those used by visual ecologists.