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Academic research tends to overlook what happens when night falls. This special issue aims to bring the space–time of the urban night to the fore by asking how nocturnal cities are produced, used, experienced and regulated in different geographical contexts. Despite local variations and specificities important similarities and ongoing transformations are identified regarding the long-term trends in the formation of the space–times of the urban night. We have structured this special issue on the basis of four important focal points of research for studying the night: (1) changing meanings and experiences of urban darkness and nights; (2) the evolution of the night-time economy; (3) the intensification of regulation; and (4) dynamics in practices of going out. By bringing different sets of literature and theoretical perspectives together this special issue provides a relational perspective on the urban night.
Urban Studies
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DOI: 10.1177/0042098014552933
published online 9 October 2014Urban Stud
Ilse van Liempt, Irina van Aalst and Tim Schwanen
Introduction: Geographies of the urban night
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Special issue article: Geographies of the urban night
Urban Studies
ÓUrban Studies Journal Limited 2014
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DOI: 10.1177/0042098014552933
Introduction: Geographies of the
urban night
Ilse van Liempt
Utrecht University, The Netherlands
Irina van Aalst
Utrecht University, The Netherlands
Tim Schwanen
University of Oxford, UK
Academic research tends to overlook what happens when night falls. This special issue aims to bring the
space–time of the urban night to the fore by asking how nocturnal cities are produced, used, experienced
and regulated in different geographical contexts. Despite local variations and specificities important simila-
rities and ongoing transformations are identified regarding the long-term trends in the formation of the
space–times of the urban night. We have structured this special issue on the basis of four important focal
points of research for studying the night: (1) changing meanings and experiences of urban darkness and
nights; (2) the evolution of the night-time economy; (3) the intensification of regulation; and (4) dynamics
in practices of going out. By bringing different sets of literature and theoretical perspectives together this
special issue provides a relational perspective on the urban night.
governance, night-time economy, night-time spaces, nightlife, urban darkness
Received July 2014; accepted July 2014
The special place of the night
Night-time has been consistently neglected in
the field of Urban Studies. A major part of
academic work within Human Geography,
Sociology and Planning suffers from nyctalo-
pia: night blindness. Day is often the domi-
nant discourse focusing on urban daily
activities and geographies of everyday life.
Academic research tends to overlook what
happens when night falls. The current special
issue aims to bring the space–time of the
urban night to the fore by asking how noc-
turnal cities are produced, used, experienced
Corresponding author:
Ilse van Liempt, Department of Human Geography and
Planning, Faculty of Geosciences, Utrecht University,
PO Box 80.115, Utrecht 3508 TC, the Netherlands.
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and regulated. This collection of articles is
inspired and partly based on a series of ses-
sions, organised by the guest-editors, about
the geographies of urban nights. The sessions
took place during the Annual Meeting of
the Association of American Geographers
(AAG) in April 2011 in Seattle.
What makes the night so different from
the day? Is it the presence or absence of sun-
light, with variations in season and latitude
around the globe (Gallan and Gibson, 2011:
2510)? Robert Williams (2008) has already
pointed out that the night is much more
than the absence of daylight. He emphasised
that, when night falls, a variety of practices
and emotions gain traction within a particu-
lar space–time which generate a special
atmosphere associated with particular activi-
ties, experiences and possibilities, ‘whether
they entail criminal acts, a rendezvous for
lovers, nonconventional behaviours, or
organizing rebellion’ (Williams, 2008: 518).
Murray Melbin (1978, 1987), a pioneer in
research on the sociology and geography of
the night, found that people relate differ-
ently to each other at night because night-
time has a more relaxed and permissive
social atmosphere than the day as a result of
an easing of the flows and pressures of the
city. In his study, people reported a feeling
of relief from the crush and anonymity of
daytime city life and a special type of soli-
darity simply because they ‘share the night’
(Melbin, 1978: 16). Urban nightlife has
much potential as a time of social transac-
tions, as a realm of play, as ‘the time of
nobody’ which is free for one’s own personal
development, as a time of friendship, of
love, of conversation (Bianchini, 1995;
Lovatt and O’Connor, 1995). All these fac-
tors are important social strengths of the
night. They allow forms of sociality and con-
viviality to emerge that are not normally
encountered during daylight hours.
Other researchers, however, have high-
lighted the intense, rather than relaxed,
emotional experiences which people may
have at night (e.g. Hubbard, 2005) – from
pleasure, excitement and adventure to fear
and distress. Compared to the daytime, the
night offers a time for trying to be someone
the daytime may not let you be, a time for
meeting people you should not, for doing
things your parents told you not to do
(Lovatt and O’Connor, 1995). Nightlife
areas with bars and clubs are often emotion-
ally charged spaces offering many chances
for the transgression of social norms that
are taken for granted during the day. It is
therefore not surprising that certain forms
of violent crime, criminal damage and anti-
social behaviour are concentrated in and
around nightlife areas (Bromley and Nelson,
2002; Nelson et al., 2001).
Theoretical considerations
In The Production of Space, Henri Lefebvre
(1991[1974]) was one of the pioneers seeking
to explain how certain activities (especially
illegal ones) came to be permitted in particu-
lar areas at night. Williams (2008) builds on
Lefebvre’s framework and argues that night-
time spaces are socially mediated and consti-
tuted: night spaces do not exist prior to, or
apart from, human practices and the atten-
dant social relationships that seek to appro-
priate, even to control, the darkness. Night
spaces are constituted by social struggles
about what should and should not happen
in certain places during the dark of the night
and who is welcome where (Williams, 2008:
514). The Lefebvrian perspective espoused
by Williams is very useful in understanding
the social construction of the night. The pro-
duction of nightlife is, however, more than a
struggle over ideas and representations and,
as the contributions to this special issue
attest, other theoretical perspectives can be
brought to bear productively on the social
construction of the urban night. These
include, but are certainly not limited to,
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political economy (e.g. Chatterton and
Hollands, 2003; Talbot, 2004); assemblage
thinking (Brands et al., 2013; van Liempt,
2013); Foucauldian scholarship (Gallan,
2013); actor-network theory (Shaw, 2013);
and a range of theorisations of social prac-
tices, encounters and rhythms (e.g. Edensor,
2013; Middleton and Yarwood, 2013;
Roberts, 2013).
More specific conceptualisations of gov-
ernance have also been employed in studies
of the urban night (e.g. Hadfield and
Measham, 2014; Hadfield et al., 2009; Tadie
and Permanadeli, 2014). Among the latter,
thinking that builds on Foucault’s concepts
of ‘governmentality’ and ‘biopower’ can be
particularly useful.
This is, amongst others,
because they highlight that governing can be
undertaken by any agent (and not just the
state) and draw attention to the interplay of
rationalities– discourses about human health
and wellbeing, light and darkness, urban
competitiveness in a globalised world, and so
forth that are considered truthful and legiti-
mise certain forms of authority; strategies
for intervention upon the night-time spaces
of the city in the name of wellbeing and com-
petitiveness; and modes of subjectification
through which actors – residents and consu-
mers visiting night-time entertainment estab-
lishments but also police officers and private
security staff, entrepreneurs and public offi-
cials – are brought to work on their own
actions in the name of their own wellbeing
and/or that of others, the collective and
indeed the night-time spaces of the city
(Rabinow and Rose, 2006). This perspective
allows the politics of governing the urban
night to be foregrounded, especially if gov-
erning is seen as an unfinished process and
ongoing practice that not only co-evolves
with the specific (night-time) spaces in
which it unfolds and on which it bears, but
also helps to constitute socio-spatial differen-
tiation along lines of gender, class, ethnicity,
age, sexuality and so forth (see Legg, 2011;
Rutherford, 2007 for similar arguments).
Nonetheless, since every theoretical per-
spective comes with its inevitable blind
spots, none can be privileged a priori when
it comes to understanding the urban night.
Any perspective that draws attention to the
formation of urban night-time spaces in the
myriad ongoing and contingent processes
across multiple timescales through which
those spaces obtain stability and change
would seem useful. It is for this reason that
a range of theoretical perspectives feature in
the current special issue. The collection of
articles is united in a focus on the complex-
ity, messiness and local specificity of the for-
mation of urban nights.
Transformations and previous
Despite local variations and specificities in
how nocturnal cities are produced, used,
experienced and regulated, there are also
important similarities regarding the long-
term trends in the formation of the space–
times of the urban night across the global
North and increasingly – though by no
means in a linear fashion – the South. These
similarities critically revolve around broader
processes of the rise of consumer culture(s),
ongoing commodification, advancing securi-
tisation, and intensifying transnationalism
and the emergence of the ‘super-diverse’ city.
The equivalent trends in the context of the
urban night are:
The global diffusion of the urban night-
time economy: originating in the UK’s
post-industrial cities, strategies to (re)po-
sition the urban night in terms of eco-
nomic opportunity and revitalise (parts
of) city centres, which are underpinned
by rationalities of urban competitiveness
in a globalising economy have steadily
Van Liempt et al. 3
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diffused through Europe, North
America and Australasia and are now
also pursued, albeit in modified form, in
cities in the global South (on Jakarta,
see Tadie
´and Permanadeli, 2014).
Increased regulation to curb the excesses
of the night-time economy in response
to moral panics about binge-drinking
and other forms of intoxication and the
related health risks (Hadfield et al.,
2009; Measham and Østergaard, 2009;
Roberts and Eldridge, 2009), as well as
broader rationalities and strategies orga-
nised around the perceived need to
obstruct the circulation of ‘unwanted’
elements (aggressive, violent visitors)
and avoid the disruption of ‘desired’
forms of circulation (consumers who
spend money).
A growth of new forms of consumption
and entertainment in the global North:
whilst youth have been ‘colonising’
urban night-time spaces organised
around consumption and entertainment
for several decades, this group is increas-
ingly diversified as a result of globalisa-
tion and migration. Ethno-parties, and
the rise of Asian night markets in the
global North, are good examples of the
impact of globalisation on nightlife
trends (Hou, 2010; Pottie-Sherman and
Hiebert, 2013).
These long-term trends are beginning to
be discussed and examined in the existing
academic literature on the urban night in the
field of Urban Studies and cognate disci-
plines. Going through this multi-disciplinary
literature, we identified four important focal
points of research for studying the night:
(1) changing meanings and experiences of
urban darkness and nights;
(2) the evolution of the night-time
(3) the intensification of regulation; and
(4) dynamics in practices of going out.
Changing meanings and experiences of
urban darkness and nights
Urban darkness has long been described in
negative terms – for instance, as the ‘dark
side’– and the ‘forces of darkness’ have been
conceived as the opposite of that which
enlightens and illuminates. In the academic
literature a similar trend can be identified,
with the exception of the work on illumi-
nated urban landscapes by, for example,
Edensor and Millington (2009) and Edensor
(2013). Electricity entered urban life in the
1880s and spread throughout the modern
cityscape in several waves. Initially confined
to the mansions of the wealthy and to
department stores aimed at attracting cus-
tomers, it then expanded into public street-
lighting schemes and along major transport
routes. The rise of public street-lighting has
been fundamental to new attitudes towards
the urban night (Koslofsky, 2002). Street-
lighting was intended to promote law and
order. Bringing light to places of darkness
where fear and crime are presumed to be
common is still considered a widely shared
solution to crime (Painter, 1996) as lighting
tends to reduce the fear which crime engen-
ders (Pain et al., 2006). Very little is known,
however, on how consumers of nightlife
entertainment experience lighting within the
continuously evolving situations in which
they are enmeshed on nights out (see Brands
et al., 2013).
Street-lighting, however, also beautifies
cities, provides convenience and reflects a
new willingness to use the city at night.
Successive technologies of artificial illumina-
tion have opened up the night to broader,
more diverse space-making social practices
as the frontier of darkness has been
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progressively pushed back (Melbin, 1987). A
new landscape of modernity has been pro-
duced whereby the city is transformed ‘from
a dark and treacherous netherworld into a
glittering multi-coloured wonderland’
(Nasaw, 1999: 6). As such, electric lighting
has had a decisive impact on the ‘psychogeo-
graphy’ of urban space (McQuire, 2005).
Modern illumination has thus transformed
the nocturnal urban experience, producing
cityscapes of regulation, hierarchical selec-
tiveness, consumption, fantasy and imagina-
tion. At the same time, it should be
appreciated that local and national and
rhythms and temporalities of illumination
vary enormously (Edensor, 2010, 2012).
Those rhythms and temporalities are one
reason why simplistic dualisms of night ver-
sus day and dark versus light are often inac-
curate and unhelpful, but there are also
deeper philosophical arguments about why
thinking in terms of absolute oppositions is
misleading. As Morris (2011) insists, the effi-
cacy of both light and dark cannot lie in the
triumph of light over dark. They are both
present in each other. Moreover, darkness
and illumination are loaded with contested
values and are experienced differently. The
meanings and emotional experiences associ-
ated with dark/light are also culturally
inflected (Edensor, 2012) and darkness fos-
ters contradictory emotions; it creates ‘a
sense of surrender which is unsettling, but
also a feeling of liberation which can be
uplifting’ (Horlock, cited in Morris, 2011:
316). What may be a quiet site of gloom for
some may be a realm of terror and suspicion
for others, and what might be experienced
by city planners and club owners as a
brightly illuminated consumption space
might be conceived by marginal groups as a
site of surveillance and exclusion. There is
still much to explore in terms of people’s
appreciation of and experience with dark
and light spaces. Post-phenomenological
work on landscapes within geography is an
excellent field for further research on the
relational understanding of nocturnal
The evolution of the night-time economy
City centres have always had late-night ame-
nities in some form but, since de-industriali-
sation, concrete policies have been designed
to regenerate post-industrial cities and to
draw the attention of potential newcomers,
tourists and entrepreneurs (Chatterton and
Hollands, 2003). In response to the decen-
tralisation of governmental power from the
national to the local level, cities have become
more proactive in enhancing inter-locality
competitiveness and stimulating economic
growth (Hall and Hubbard, 1996; Harvey,
1989). This neoliberal rationality and strat-
egy gained widespread prominence during
the late 1970s and early 1980s as a strategic
political response to the declining profitabil-
ity of traditional mass-production industries
and the crisis of Keynesian welfare policies
(Brenner and Theodore, 2002). In the UK in
particular, the discourse and strategy of the
‘24-hour city’ was a direct response to the
rapid growth in out-of-town activities driven
by suburbanisation (Heath, 1997). The with-
drawal of people into their private spaces
and suburban home-based activities meant
that city-centre nightlife was dominated by
residual groups and users, such as youth
groups, prostitutes and drug addicts (e.g.
Lovatt and O’Connor, 1995). The ‘24-hour
city’ concept was applied to city centres that
were suffering from a lack of safety and were
declining because they had become spaces
where people work and shop between the
hours of nine and five and that were subse-
quently abandoned (Heath and Stickland,
1997). The main idea of this strategy was to
attract visitors back into the city during the
evenings and at night-time, and informed by
experiences in continental European cities
which have developed cultural policies to
Van Liempt et al. 5
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revitalise their urban nightlife (Bianchini,
1995) and to develop an evening economy.
The term ‘night-time economy’ (NTE)
has its origins in the work of academics
associated with the creative cities organisa-
tion Comedia Consultancy (1991; Shaw,
2014). The term first gained currency in
urban planning circles in the UK, more spe-
cifically in the post-industrial cities of the
north of England. The concept was invented
as part of broader attempts to encourage the
deregulation and development of the alcohol
and leisure industries at night in the early
1990s (Bianchini, 1995; Shaw, 2014). Up
until then, the night was widely considered
as a ‘dead’ time with little economic poten-
tial or market value. The NTE discourse
that emerged in the UK in the 1990s repre-
sented the urban night as allowing the city’s
economy to be ‘doubled’ (Bianchini, 1995).
Nowadays, the term NTE is telling with
regard to the obvious links between night-
life, profitability and inter-urban competi-
tiveness (e.g. Shaw, 2010; van Aalst et al.,
2014). With the socio-economic changes
mentioned earlier, neoliberalisation strate-
gies and cities re-inventing themselves as
consumption sites, the NTE discourse has
been widely embraced by policymakers and
city marketing officials, not only in the UK
but also abroad. The term NTE now tends
to refer to the assemblage of bars, clubs,
cinemas, theatres and cultural festivals and
events at night time which are, in a context
of urban entrepreneurialism, supposed to
contribute to urban regeneration and local
economic growth.
Optimism about the potential benefits of
the NTE has, to some extent, been displaced
by growing concern. First, Chatterton and
Hollands (2003) showed that many British
urban nightlife districts are experiencing a
‘McDonaldisation’, where big branded
names are taking over large parts of down-
town areas, leaving consumers with an
increasingly standardised experience. The
exclusion of lower-class, non-white and non-
mainstream revellers from UK city centres
reflects the homogenisation of the types of
nightlife facility on offer and the spatial
marginalisation of such nightlife spaces as
traditional community pubs, ale houses and
venues playing alternative music – both are
a consequence of the branding and ‘theming’
of mainstream nightlife by corporate actors
aiming to maximise profits by attracting rel-
atively risk-free cash-rich consumers such as
students and young urban professionals (see
also Talbot, 2007; for critiques, see Jayne et
al., 2008; Latham, 2003). Second, the pro-
motion of the NTE has, in many places,
sparked into being conflicts between night-
life visitors and (gentrifying) residents in and
around city centres (Hae, 2012), often over
noise levels and litter.
Third, attention has been drawn to the
social exclusion of particular social groups
from urban nightlife (Boogaarts, 2008;
Measham and Hadfield, 2009; Schwanen et
al., 2012; Valentine et al., 2010). Class, age
and ethnicity are key axes of social differen-
tiation along which such social exclusion is
organised, while the licensing practices of
local authorities, the programming of music,
drink and entry prices, entry requirements
and marketing techniques of venue owners
(such as the use of online registration and
members-only strategies) in combination
with ‘voluntary’ self-regulation are impor-
tant techniques and mechanisms through
which processes of exclusion are enacted
(Boogaarts de Bruin, 2011; Measham and
Hadfield, 2009; Schwanen et al., 2012;
Valentine et al., 2010; Talbot, 2004). Apart
from further work on patterns and processes
of exclusion, more research is needed on the
accessibility of nightlife – i.e. the spatial
access, affordability, acceptability and suit-
ability of bars, clubs, cinemas and other
nightlife entertainment establishments – for
different social groups in a city. Here too,
special attention should be devoted to
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differentiation along lines of class, age and
ethnicity, as well as gender (on the latter, see
Hubbard and Colosi, 2013; Schwanen et al.,
2012; Sheard, 2011).
The intensification of regulation
The final reason why optimism about the
NTE has been tempered relates to the moral
panics about binge-drinking, substance use
and the related health risks in both the pop-
ular press and certain sectors of the aca-
demic literature (Hadfield et al., 2009;
Measham and Østergaard, 2009; Roberts
and Eldridge, 2009). People who go out at
night are increasingly portrayed as proble-
matic in discourses that involve negative cul-
tural signifiers such as drinking, making a
noise, vandalism and hanging out in groups
(Bromley and Nelson, 2002; Jayne et al.,
2008; Roberts and Eldridge, 2009). Greater
knowledge about the health implications of
drinking (Jayne et al., 2011; Measham and
Østergaard, 2009) has increased particular
concerns about excesses of urban nightlife
consumption (Hadfield et al., 2009; Roberts
and Eldridge, 2009) among politicians, aca-
demics, journalists, policymakers and par-
ents alike. As a result, urban nights are
increasingly portrayed as space–times of
transgressive and anti-social behaviour that
need to be regulated. Discourses of policing,
disorder, alcohol and anti-social behaviour
have come to occupy a very central position
in the regulation of night spaces over the
past two decades (Crawford and Flint, 2009;
Hobbs et al., 2003; Talbot, 2004).
Discourses of disorder, anti-social beha-
viour and the ‘alcoholisation’ of urban night-
life constitute a danger for any city that
wishes to appear as an innovative, exciting,
creative and safe place in which to live, visit,
play and consume (Bannister et al., 2006;
Harvey, 1989; Helms, 2008; van Liempt and
van Aalst, 2012). The rationality of urban
renaissance, where city centres are imagined
as safe and comfortable places to live and
consume, is thus competing with the narra-
tive of violence and alcohol-related problems
usually associated with nightlife districts
(Eldridge, 2010). The aforementioned theo-
retical perspective on governmentality and
biopower can aid in the unravelling of how
the rationalities compete and interact. This is
because it is at the level of strategies for
intervention upon the night-time spaces of
the city in the name of wellbeing and compe-
titiveness that these rationalities are aligned
and reinforce each other: in many cities tech-
niques that follow from the rationality of
violence and disorder are legimitised with
reference to that of wellbeing and competi-
tiveness (see also Helms, 2008).
The perspective of governmentality and
biopower also highlights that the intensified
regulation of the night-time economy needs
to be placed in the context of broader strate-
gies of facilitating the flow and mobility of
people, goods, information and capital
deemed ‘desirable’ and blocking and pre-
venting ‘risky’ forms of circulation (with the
latter ranging from viruses, terrorists and
sub-prime mortgages to pan-handling and
the homeless). These strategies of securitisa-
tion manifest themselves in numerous sites,
including all kinds of borders (Adey, 2009;
Amoore, 2006; Bigo, 2002) and urban spaces
of consumption, such as shopping malls, lei-
sure complexes and also nightlife districts in
cities. According to Bigo (2002) and other
scholars inspired by Foucault, what is hap-
pening is not so much a response to pre-
existing threats and sources of unease but
rather their active construction and determi-
nation in a process involving broad and het-
erogeneous constellations of social actors. In
the context of the NTE, this has resulted in
the introduction of new forms of surveillance
and preventative safety measures, such as
technologically advanced CCTV systems
and identity scanners used at nightclubs, in
order to keep the ‘unwanted’ out and make
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consumers of night-time entertainment
behave in ways that are in alignment with
the social codes that are embedded in dis-
courses about health and wellbeing of the
individual and collective that are promoted
by such authorities as the (local) state, the
police and public health professionals. It is
also expected that a reduction of fear, of feel-
ings of anxiousness and of stress will increase
people’s motivation to spend money. The
increasing number of actors having a say
and determining who and what are consid-
ered to be ‘unwanted’ in nightlife districts,
combined with a shift towards more preven-
tive measures (Koskela, 2003), have resulted
in a broadening-up of the category of the
‘unwanted’ visitor in nightlife districts and
more people coming under surveillance.
Dynamics in practices of going out
The growth in the NTE and the increasing
public demand for going out in the city and
having a good time at night is not only due
to the aforementioned broad socio-economic
changes and the restructuring of the econ-
omy (Chatterton and Hollands, 2003); the
structural transformation of youth as an
(extended) phase of life itself is also an
important societal transformation which has
resulted in nightlife entertainment becoming
very important in the construction of young
people’s identity (Cattan and Vanola, 2013;
Chatterton and Hollands, 2003; Hollands,
1996). Within current youth-oriented night-
life, relatively new groups of consumers can,
however, be identified.
First, students are a growing and domi-
nant group in nightlife areas in certain inner
cities. Their numbers have clearly risen
since the democratisation of access to univer-
sities and the expansion in higher education
in the 1960s (Chatterton, 1999; Chatterton
and Hollands, 2002). ‘Studentification’
(Hubbard, 2008; Sage et al., 2013), is a
recognised phenomenon in many British
cities. It is a process by which specific neigh-
bourhoods become dominated by student
residential occupation and by which nightlife
venues cater exclusively for students and
their distinctive lifestyles during ‘students-
only nights’ or in student-specific pubs.
Students sometimes have a problematic posi-
tion in nightlife, built on typical stereotypes
represented by the media. Local residents
often complain that the presence of student
groups undermines the viability of neigh-
bourhoods suffering problems of pre-loading
(consuming large quantities of alcohol at
home before going out), noise, vandalism,
vomiting and public urination (Hubbard,
2008; Sage et al., 2013).
Second, the studies of Boogaarts de Bruin
(2011), Bo
¨se (2005), Kosnick (2008),
Measham and Hadfield (2009), Talbot
(2007) and Valentine et al. (2010) show that
ethnicity is an important line of division in
urban nightlife districts. The marginalisation
of ethnic minorities occurs through entry
requirements, members-only strategies and
discrimination by door staff. The criminali-
sation of black music and the refusal of cer-
tain clubs to host black-music nights on the
basis of racist stereotypes is a telling exam-
ple (Talbot, 2007). Research amongst ethnic
clubbers in the Netherlands also showed that
Dutch-Turkish youngsters often defect from
mainstream nightlife because of an experi-
enced lack of belonging and safety
(Boogaarts de Bruin, 2011). And in the UK
it was found that their culture of abstinence
from alcohol tends to exclude many Muslim
youth from the city-centre night-time econ-
omy (Valentine et al., 2010). On the other
hand, the increase in the cultural and ethnic
variety of contemporary urban clubbers has
also resulted in some clubs deploying new
strategies with which to incorporate novel
and diverse programming. Instead of arran-
ging all of the parties themselves, clubs
increasingly rent their venues out to external
companies or DJ collectives. These
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collectives bring their own networks to the
club, which makes it relatively easy to ensure
the success of a new style of party. This
changing clubbing landscape has made it
possible for ethnic-event organisations to
arrange their so-called ethno-parties in pop-
ular clubs (Boogaarts de Bruin, 2011).
Lastly, girls and women have been identi-
fied as consuming night-time entertainment
and leisure spaces in much greater numbers
than before (O’Brien et al., 2009). They are
enjoying higher levels of disposable income
than women of previous generations and
increasing numbers of them are choosing to
delay motherhood. Over recent decades,
drinking has become widely more accepted
and women tend to drink more visibly,
although it should be acknowledged that
drinking cultures differ strongly and patterns
are deeply rooted in local and national tradi-
tions (Eisenbach-Stangl and Thom, 2009).
At the same time, alcohol consumption
has become more problematised in most
countries in the global North in recent years.
Binge-drinking is one of the most prominent
moral panics today, and women feature pro-
minently in this panic. Their consumption of
alcohol is often seen as unacceptable beha-
viour and the sense of moral transgression is
stronger when it involves teenage girls and
women in their twenties. According to
Hubbard (2008), such double standards
about the gendering of alcohol consumption
underline that women face more opprobrium
than men when they drink. The impact that
young women have had on transforming the
character and atmosphere of urban nightlife
is huge, in both negative and positive terms
(Chatterton and Hollands, 2003). Hubbard
(2008) shows that ‘alternative’ nightlife
venues, in particular, offer women comforta-
ble spaces in which they can develop positive
femininities based on a shared search for
pleasure and excitement. Nevertheless,
simultaneously there is a tendency – more
specific in mainstream clubs – for men to
view women as sex objects or ‘meat’
(Anderson, 2009; Hubbard, 2013).
These three examples of relatively new
types of clubber show that it is not possible
to homogenise urban nightlife into a singu-
lar cultural form, with one sort of experience
for all. Anderson (2009: 919) found that the
night-time economy in different places in the
global North features highly variable events
and a diversity of nightlife venues. He con-
cludes that nightlife has different layers. On
the one hand, there are commercial places
with popular, mainstream music in so-called
High Streets, described by Chatterton and
Hollands (2003) as ‘brandscapes’. On the
other, there are smaller, independent night-
life spaces often located on the fringes of the
city –‘underground scenes’ (see Gallan, 2013).
Most nightlife venues, however, fall some-
where between the two poles. There appears
to be a need for more research on the hetero-
geneity and complexity of patterns of going
out, nightlife venues and the subcultures and
scenes oriented around night-time spaces.
Our ambition with this special issue is to
deepen our understanding of ongoing and
current transformations in how the space–
times of the urban night are produced, used,
experienced and regulated in different geo-
graphical contexts. By bringing four sets of
literature together – the changing meanings
and experiences of urban darkness and
nights, the evolution of urban night-time
economies, the intensification of regulation
and the dynamics in practices of going out –
we provide a relational perspective on the
urban night. The individual contributions to
this special issue examine these transforma-
tions from at least one perspective, but some
of the articles are also connected through
cross-cutting subthemes. As explained
Van Liempt et al. 9
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above, the special issue examines those
transformations from a range of theoretical
As a set, the articles extend the existing lit-
erature in a variety of ways. They continue a
recent trend in the literature on the night-time
economy to consider a broader range of geo-
graphical settings beyond the UK. It contains
contributions on continental Europe (Brands
et al.; van Liempt), North America (Pottie-
Sherman and Hiebert) and Australia (Gallan),
as well as Jakarta (Tadie
´and Permanadeli).
The papers thus demonstrate the potential for
broader theoretical learning and innovative,
critical, reflection across cities and countries
that might seem outwardly differently – com-
pare, for example, the important role of
informality in cities such as Jakarta with the
dominance of formal economies and extensive
regulation in UK and Dutch cities – but
whose respective experiences speak across the-
oretical issues (Robinson, 2010). One substan-
tive lesson that can be learnt from the papers
is that the three transformations highlighted
above – the spatial diffusion of the night-time
economy, its increasing regulation, and the
emergence of new forms of consumption and
entertainment in the global North – do not
occur in thin air. As geographers have argued
so often for domains of study other than the
urban night, space is no passive backdrop
against which general processes unfold. It is
an active force of differentiation, meaning that
any theorisation of the production, use, expe-
rience and regulation of urban night-time
spaces needs to carefully balance the general
and the particular, the universal and the con-
The contributions also consider a broad
range of actors and stakeholders in the forma-
tion of urban night-time spaces. These include
local authorities (Edensor; Hadfield and
Measham; Hubbard and Colosi; Shaw, van
Liempt); owners and employees of bars, clubs
and other entertainment establishments
(Hadfield and Measham; Shaw); public and
private surveillance agents (Brands et al.; van
Liempt); faith-based organisations (Middle-
ton and Yarwood); and of course the consu-
mers of various forms of nightlife entertain-
ment. Regarding the latter, the focus is not
only on students and/or predominantly white
youth (Brands et al.; Roberts) or people in a
subsequent stage in the life-course (Gallan),
but also on consumers from specific ethnic
backgrounds, as in the contribution by Pottie-
Sherman and Hiebert.
This special issue consists of 11 substantive
papers which can be grouped into the four
broader themes identified and introduced
above, and set out below. A final piece, in
which Phil Hadfield (2014) reflects on the set
as a whole as well as on the individual papers,
concludes the special issue.
Changing meanings and experiences of
urban darkness and nights
In his paper, Edensor describes the historical
and cultural shift from the fear of darkness
towards more positive nocturnal qualities
and experiences. He argues that, rather than
considering the nocturnal and diurnal to be
opposing states, it is more productive and
realistic to develop a relational understand-
ing of these conditions. The importance of
such understandings also emerges from the
paper by Brands, Schwanen and van Aalst in
which responses among young night-time
economy consumers to street-lighting in
nightlife districts in the Netherlands are ana-
lysed. These authors show those understand-
ings to be ambiguous and to depend upon
the assemblage of human and non-human
elements in which encounters with street-
lighting are enmeshed.
The evolution of urban night-time
The ongoing evolution of the night-time
economy is central to Shaw’s paper. He
10 Urban Studies
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describes how bridging the gap between the
end of the working day and the start of the
‘night-time economy’ has, for a long time,
been the golden goose of urban night-time
policy strategy in many British cities. Using
the case study ‘Alive after Five’, which seeks
to extend shopping hours in order to encour-
age more people to use the city at night,
Shaw explores the planning, translation and
practice of this project in Newcastle-upon-
Tyne, drawing on actor-network-theory and
political economy thinking on neo-liberalism
in the UK. Tadie
´and Permanadeli show that
a neoliberal way of thinking with regard to
the night applies not only to the UK, but is
also apparent beyond the global North, for
example, in Jakarta’s nightlife districts. The
authors demonstrate how some leisure
venues in the city resemble others through-
out the world when international bench-
marks are adopted to prove the modernity
of Jakarta. At the same time, however, the
governing and regulation of urban nightlife
districts is mediated by the local context,
producing unique types of territory and rela-
tion. High levels of informality (penertiban
in Indonesian), for example, are characteris-
tic of the processes through which the city –
and thus also the night-time city – is ordered
and regulated. Additionally, morality and
religion have started to clearly inform gov-
ernmental action in Jakarta under Islamist
pressure; current public discourse is all
about removing ‘sin’ from the central night-
life districts of the city.
The intensification of regulation
In her contribution, van Liempt shows how
a growing diversity of agents is involved in
the process of governing the city at night.
Ordering and surveillance are usually not
undertaken by one set of actors but emerge
out of allegiances and assemblages. So-
called ‘safe nightlife policies’ fit neatly into
the wider context of ‘integral’ local safety
policies, where many different actors are
expected to collaborate and take responsibil-
ity in surveillance assemblages. Brands,
Schwanen and van Aalst show that
responses among young night-time economy
consumers to policing measures such as the
presence of the police, bouncers, or CCTV,
are ambiguous. They found that the number
of police officers patrolling the streets and
the equipment they carried elicited a range
of responses and some ambiguity as to
whether a visible police presence reduced or
intensified fear of crime amongst their study
participants. ‘Hard’ policing technologies
were often anticipated as signals for future
harm and ‘soft’ policing was generally wel-
comed. Middleton and Yarwood explore the
work of one particular ‘soft partner’ in mon-
itoring nightlife districts in the UK – street
pastors. These faith-based regulators, intro-
duced in 2003, provide care in the nocturnal
city to young clubbers who have trouble
standing on their own two feet or finding a
cab, or who can no longer walk in their
high-heeled shoes. As such street pastors are
informally contributing to the wellbeing of
some late-night clubbers. In their article,
Hadfield and Measham explore how negoti-
ations within partnerships between regula-
tors and the regulated take place. They show
how negotiations of compliance increase
trust, the flow of intelligence and effective
responses to crime. But these negotiations
also breed complacency, inaction and regu-
latory capture that creates obstacles to the
effecting of real cultural change.
Dynamics in practices of going out
Apart from providing geographical diversity
within studies on the NTE, we also identify
a rise in new forms of consumption and
entertainment within the night-time econ-
omy of several cities. Pottie-Sherman and
Hiebert provide an interesting case study on
transnational nightlife with their research on
Van Liempt et al. 11
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Chinese night markets in a Canadian sub-
urb. One aspect of diaspora culture finds
itself seriously mismatched with the realities
of life in the suburbs of Vancouver as the
Chinese culture of ‘late day’ bluntly con-
trasts with the quiet Richmond landscape
after 6 pm.
What happens at night in the city is clearly
more than just economy, it is also about
meeting others, creating identities and having
fun. Gallan posits that nightlife spaces are
important for cities, and also for the subcul-
tures and music preferences of young people.
This article seeks to revisit Foucault’s under-
standing of the temporalities of heterotopia
by describing the complexities and experience
of marginal space. Based on a case study, the
author defines how going out to the Oxford
Tavern in the Australian city of Wollongong
can be a space–time in which significant ‘rites
of passage’ are experienced and remembered.
Similarly, Roberts’ contribution is about the
social practices of a ‘big night out’ and adds
an interesting dimension to research on the
geographies of going out. It shows that spati-
ality plays a significant role in the formation
of drinking experiences, cultures and the pro-
duction of atmosphere, based on research in
two different British regions about the way in
which young (mainstream) people understand
the city centres at night to be ‘their’ space–
time and as culturally and economically
approved sites for the performance of their
‘rituals’ (pre-loading, drinking, bar-hopping,
dancing and late-night snacking). Within so-
called ‘drinking circuits’, the feeling of terri-
toriality turns out to be very important: being
recognised and respected in an environment
where people behave similarly.
Finally, Hubbard and Colosi explore the
gender dimension of the night-time city in
England and Wales. They argue that the exis-
tence of ‘gentlemen’s clubs’ at the heart of the
city underlines the gendered nature of the
night-time economy, a space–time which con-
tinues to privilege the male sexual gaze by
putting women on display for men’s con-
sumption. The removal of these clubs has
been hailed by some as an important step in
the creation of more gender-equal cities, chal-
lenging long-standing assumptions that
women’s access to nightlife can only be on
men’s terms.
The authors’ work on this editorial introduction
and the special issue has been supported by grant
MVI-313-99-140 – Surveillance in Urban Night-
scapes by the Netherlands Organization for
Scientific Research (NWO). The continued sup-
port of Jon Bannister and Ruth Harkin for the
special issue and the effort and patience of the
contributing authors are gratefully acknowledged.
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... Um das Wirtschaftswachstum der Städte und ihr Potenzial zu verstehen, ist es notwendig, sie nachts zu besuchen. Die urbane Nachtökonomie wird nicht nur als Gelegenheit zur Revitalisierung städtischer Zentren präsentiert, sondern auch als Strategie für die Wettbewerbsfähigkeit der Stadt in der globalisierten Wirtschaft (Lovatt & O'Connor 1995;van Liempt, van Aalst & Schwanen 2015). Obwohl Städte seit jeher neben Jobs auch Kultur-und Unterhaltungsangebote bündeln (Chatterton & Hollands 2002), haben die Kommunen seit den 1990er-Jahren mit Konzepten wie creative cities und 24-hours-city eine Reihe von staatlichen Maßnahmen umgesetzt, die darauf abzielen, Touristen, Investoren, aber auch neue Arbeitnehmer anzuziehen (Florida, Mellander & Adler 2015; van Liempt, van Aalst & Schwanen 2015; Shaw 2014). ...
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In diesem Artikel stellen wir die Ergebnisse einer Studie zur Szene der Musikclubs in der Stadt Heidelberg vor. Auf Basis von Interviews und einer umfassenden Bürgerumfrage analysieren wir Angebot und Nachfrage der Clubs in der Stadt. Wir entwickeln eine Typologie von Musikspielstätten nach Größe und musikalischer Prägung und diskutieren relevante Aspekte der Nachtökonomie, wie z. B. die aktuelle Regulierung, den Verlust der Angebotsvielfalt in den letzten Jahren und Herausforderungen durch veränderte Konsummuster und Ausgehgewohnheiten.
Nighttime vitality has garnered attention in recent years as an important indicator reflecting urban economy and quality of life. However, it is difficult to characterize this intangible issue. As a response, this study employed a data-driven approach to measure nighttime vitality and explored its relationships with urban spatial structure. Specifically, the data from—the largest Chinese shopping platform for local consumer products and retail services—were used to measure nighttime vitality based on a hierarchical weighting method. Multidimensional characteristics of the urban spatial structure were evaluated. Spatial regression models were conducted on the effect analysis of urban spatial structure on nighttime vitality. Relationship estimations were statistically significant with indicators, such as block functions, building density, interaction density, enclosure of locals, and the age structure of the main population. Our findings provide a more complete understanding of nighttime vitality, which is often overlooked in urban vitality studies. Insights derived from this study could help formulate spatial strategies to enhance nighttime vitality and quality of life.
Technical Report
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Die Mannheimer Philharmoniker leisten einen wichtigen Beitrag zum kulturellen Angebot der Stadt Mannheim, zur musikalischen Bildung von Kindern und Jugendlichen und zur Förderung exzellenten Nachwuchses von Orchestermusiker:innen. Über die Erfüllung ihrer Kultur- und Bildungsfunktion hinaus erhöht die Arbeit des Orchesters auch die wirtschaftliche Güternachfrage, die sich periodisch, in jedem Jahr, positiv auf die städtische Wirtschaft auswirkt. Die jährlichen Gesamtausgaben der Orchestergesellschaft für den laufenden Betrieb und für die Stipendien der Musiker:innen sowie die Konsumausgaben auswärtiger Konzertgäste in Gastronomie, Einzelhandel und Hotellerie in Höhe von 2,063 Mio. Euro erzielten in der Spielzeit 2021/20221 einen Gesamteffekt der Bruttowertschöpfung von 1,473 Mio. Euro allein in der kreisfreien Stadt Mannheim. Diese Gesamtwirkung setzt sich aus zwei Komponenten zusammen: Ausgaben des Orchesters. Das Orchester der Mannheimer Philharmoniker verausgabte 1,598 Mio. Euro an Betriebskosten und 184 Tsd. EUR für Stipendien der Musiker:innen. Davon wurden 1,345 Mio. Euro allein in der Stadt Mannheim nachfragewirksam und führten zu einem Gesamteffekt der Bruttowertschöpfung von insgesamt 1,326 Mio. Euro. Ausgaben der Gäste. Darüber hinaus verausgabten die auswärtigen Konzertgäste für den mit Konzertbesuchen verbundenen Konsum in Gastronomie, Einzelhandel und Hotellerie mindestens weitere 281 Tsd. Euro, die gänzlich in der Stadt Mannheim nachfragewirksam wurden und die Bruttowertschöpfung um weitere 147 Tsd. Euro erhöhten. Die wirtschaftliche Wirkung der Orchestertätigkeit erzeugt nicht nur zusätzlichen Nutzen für den Arbeitsmarkt und die gewerbliche Wirtschaft, sondern generiert zugleich ein höheres Steueraufkommen für die öffentliche Hand. Unter Anrechnung der Gemeindeanteile an den Einkommens- und Umsatzsteuern konnte die Stadt Mannheim aufgrund der Mannheimer Philharmoniker direkte Mehreinnahmen in Höhe von 28 Tsd. Euro verbuchen. Zudem flossen 253 Tsd. Euro an Mieteinnahmen für die Nutzung städtischer Infrastruktur in die Kassen städtischer Betriebe. Die durch das Orchester angestoßenen Steuer- und Mieteinnahmen überkompensieren die kommunale Kulturförderung in Höhe von 50 Tsd. EUR, welche die Stadt im Jahr 2021 aus öffentlichen Mitteln den Philharmonikern bereitstellte, hierbei deutlich. Jeder Euro, den die Stadt Mannheim im Zuge ihrer Kulturförderung dem Orchester bereitstellte, steht somit einer regionalen Wertschöpfung von 29 Euro durch die Mannheimer Philharmoniker gegenüber. Zugleich generiert der Orchesterbetrieb Mehreinnahmen für die Stadt Mannheim und ihre Betriebe in Höhe des 5,6-fachen der von der Stadt eingesetzten Fördermittel.
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This introduction provides an overview of this Special Issue: ‘Night Stories: Urban Narratives of the Migrant Lives in Europe’, which originates from work undertaken within the collaborative HERA-funded research project ‘Night spaces: Migration, culture and integration in Europe’ (NITE). It argues that experiences and representations of the urban night are often overlooked in Humanities research. It contends that understandings of this overlooked dimension of the urban night can provide important and more nuanced insights into questions of migration. It surveys the collection of academic and artistic contributions to the Special Issue, which provides a transdisciplinary survey on the storytelling that emerges from diverse experiences of migration and their connections to the urban night.
Zusammenfassung Urbane Zentren spielen eine zentrale Rolle für nächtliche Freizeitaktivitäten in der Stadt. In ihnen bündeln sich die Angebote der nächtlichen Freizeitökonomien, wie Bars, Restaurants oder Clubs, die oft auf einzelne Hotspots konzentriert sind. Um zu diesen Hotspots zu gelangen, müssen Wege zurückgelegt und Verkehrsmittel genutzt werden. Dabei unterscheidet sich die räumliche Mobilität in der Nacht, insbesondere im Bereich des öffentlichen Personennahverkehrs (ÖPNV), in vielerlei Hinsicht von derjenigen am Tag. Vor diesem Hintergrund analysiert der Beitrag am Beispiel von Karlsruhe die nächtlichen Mobilitätsprozesse, die zu Freizeitzwecken im ÖPNV stattfinden. Die Basis der Analyse bildet ein Datensatz, der im Rahmen eines studentischen Workshops während einer nächtlichen Befragung in den Bahnen der Karlsruher Verkehrsbetriebe entstanden ist. Die Ergebnisse zeigen unter anderem, dass Haltestellen, die sich in unmittelbarer Nähe der nächtlichen Freizeitökonomien befinden, in der Nacht überdurchschnittlich oft von Fahrgästen des öffentlichen Personennahverkehrs frequentiert werden. Trotz einiger Kritikpunkte wird das nächtliche ÖPNV-Angebot dabei überwiegend positiv wahrgenommen. Gleichwohl zeigt der Artikel grundsätzliche Verbesserungspotenziale auf und stellt geeignete Handlungsspielräume und Optimierungsmaßnahmen vor. Abschließend werden Empfehlungen für weitere Forschungsansätze zum Thema der nächtlichen Mobilität gegeben.
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Hyper-diversity in old communities should be rehabilitated to address various man-made changes that threaten sustainability and viability at night. This study elucidates this argument by reviewing and synthesising theoretical and empirical evidence about urban governance support regarding the participation of neighbourhood residents to improve or eliminate nightlife. The method is based on a systematic review, direct observation and interview with random samples of residents, workers and visitors in commercial and recreational places. This study criticises changes in the public space of the Al-Hussein Mosque, which led to changes in urban forms and affected the nightlife in Old Cairo. However, it asserts that the hyper-diversity of activities in public spaces because of the lack of urban govern-ance controls should consider changes in terms of the participation of vulnerable groups in nightlife. A new conceptual framework for interpreting stakeholders' positive and negative responses is proposed, which operates across four overlapping steps of urban governance: predicting, proposing, preparing and preventing.
This chapter is dedicated to adolescents’ initial practices of nightlife in Barcelona and their role in young people’s transition towards adult socio-spatial practices in the city. The chapter outlines the academic literature regarding adolescence, urban space and nightlife leisure and presents how data was obtained through qualitative methods. Fieldwork results are then presented, focusing on the role of three main socio-spatial dimensions in adolescents’ daily lives: neighbourhood, legitimated leisure spaces (like cinemas, malls and restaurants) and ephemeral spaces of the popular festivals. Finally, the chapter advocates for the importance of studying youth street cultures from the point of view of leisure and nightlife, since this dimension can offer valuable insight into complex identity, and spatial and social processes.
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This article develops a critique of identity-focused approaches to ethno-cultural diversity in urban settings by shifting attention from categorical identities to the question of socialities. Taking the example of a queer migrant club night as its point of departure, it shows how a focus on the forms of social engagement that are particular to migrant club scenes can contextualize identity claims but also go beyond them by highlighting the complexity of shifting affiliations and interactions that makes for the appeal of such scenes. Rather than seeing queer migrant club scenes as a protected refuge for a doubly discriminated minority, the consideration of socialities allows to reveal their functioning as semi-public urban formations.
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This chapter is based on a research project that examines if and how technologically mediated forms of surveillance and policing improve the safety and wellbeing of nightlife consumers whilst at the same time also contributing to processes of socio-spatial exclusion of particular groups. By interrogating the triad of surveillance and policing, wellbeing and exclusion in nightlife districts in Dutch city centers we found that the effects of video-surveillance on the production of space are complex and ambiguous. Storylines used by local policy-makers with regard to CCTV differ considerably between cities and tend to overestimate the benefits of CCTV surveillance. Moreover, consumers’ awareness and knowledge of CCTV tends to be limited and only a few experiences a real sense of enhanced safety and wellbeing because of the presence of technology alone. At the same time, the effects of surveillance and policing on the exclusion of certain groups from nightlife districts are not equivocally supported by our initial findings either.
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This paper explores the concept of the post-secular city by examining the growing presence of Street-Pastors in the night-time economy of British cities. Street-Pastors are Christian volunteers who work to ensure the safety of people on a night out'. We contribute to work that has called for greater attention to be placed on the ways in which religious faith and ethics are performed to create liminal spaces of understanding in urban areas. Drawing upon in-depth ethnographic research conducted in a range of UK towns and cities, we consider this distinct form of faith-based patrolling in relation to the spatial processes and practices of urban-nightscapes. By exploring the geographies of Street-Pastors, we not only contribute to more nuanced accounts of drinking spaces' but provide an empirical engagement with the growing body of work on urban rhythms and encounters.
In recent years, urban governance has become increasingly preoccupied with the exploration of new ways in which to foster and encourage local development and employment growth. Such an entrepreneurial stance contrasts with the managerial practices of earlier decades which primarily focussed on the local provision of services, facilities and benefits to urban populations. This paper explores the context of this shift from managerialism to entrepreneurialism in urban governance and seeks to show how mechanisms of inter-urban competition shape outcomes and generate macroeconomic consequences. The relations between urban change and economic development are thereby brought into focus in a period characterised by considerable economic and political instability.
In The Gentrification of Nightlife and the Right to the City, Hae explores how nightlife in New York City, long associated with various subcultures of social dancing, has been recently transformed as the city has undergone the gentrification of its space and the post-industrialization of its economy and society. This book offers a detailed analysis of the conflicts emerging between newly transplanted middle-class populations and different sectors of nightlife actors, and how these conflicts have led the NYC government to enforce “Quality of Life” policing over nightlife businesses. In particular, it provides a deep investigation of the zoning regulations that the municipal government has employed to control where certain types of nightlife can or cannot be located.
Los primeros estudios sobre las discotecas se centraban en la identificación de la cultura de discoteca con el espíritu PAUR de «paz, amor, unidad y respeto» y en una definición polarizada de los contextos nocturnos: por un lado discotecas comerciales e interesadas en fomentar el consumo de alcohol, que ofrecían música pop «del montón», y por otro discotecas underground «auténticas»/«alternativas» vinculadas al consumo generalizado de drogas ilegales. Este artículo se suma al creciente número de trabajos de investigación que cuestionan estas simplistas caracterizaciones de la cultura de las discotecas y de los lugares de diversión vinculados al ocio nocturno y subrayan los elementos de fragmentación y segregación junto a la importancia permanente de la estructura social y la exclusión social y espacial resultante. Los autores estudian cómo los procesos informales �aperturas de discotecas, promociones en Internet y códigos de vestuario� dan lugar a la producción y reproducción de dos élites inglesas opuestas en torno al mundo de las discotecas: las «élites culturales» derivadas de la exclusión social, cultural y espacial de la música dance electrónica de origen negro y su minoría étnica, con seguidores de clase obrera y rentas bajas en las discotecas dance del centro de la ciudad de Manchester; y las «élites consumidoras» derivadas de la exclusión cultural y económica de los clientes obreros y de rentas bajas de las discotecas del West End londinense. Las complejas y entrecruzadas prácticas de distinción cultural y discriminación estructural que producen dichas élites se relacionan estrechamente con la reglamentación formal e informal, la marginación y la criminalización de determinadas manifestaciones culturales. Este artículo aboga por la elaboración de consideraciones conceptuales más matizadas de las divisiones y desigualdades sociales en la vida nocturna y en los estudios sobre las oportunidades de ocio de los jóvenes desde una perspectiva más general. Palabras clave: Economía del ocio nocturno, etnicidad, clase social, seguridad.