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CHORAL JOURNAL Volume 55 Number 3 61
Lights, music, excitement: that is what
Las Vegas has to offer. The bustle of the
Vegas Strip dazzles and amazes. In all the
drama of that city, however, little atten-
tion is given to the electricity that lights
it up. When one thinks of Las Vegas, they
may conjure many images, but probably
none will be of the power cords that
make that city run.
Similarly, when we wax eloquent or
transcend through singing, we rarely
give thought to the power cord mak-
ing all of our efforts possible. Over the
past fi fty years we have developed rich
voice training traditions, sophisticated
theories of voice production, and a
comprehensive understanding of laryn-
geal health. We have come a long way
in appreciating the unique nature of the
tissues of the vocal folds and protecting
their delicate but strong vibrating edge.
1
We have ample evidence that voice
training provides excellent protection
from injury and harm and have begun
to develop sophisticated motor theories
especially for voice production.
2
Our
multi-disciplinary perspective of voice
science frequently takes for granted the
nerve that supplies the vocal folds with
power and gives them life.
The Vagus Nerve and its Home,
the Nervous System
The nervous system is the commu-
nication network of our body. It sends
commands for us to move, breathe,
digest, pump blood, secrete hormones
and chemicals, regenerate, feel, and
even think.
3
It is divided into the Cen-
tral Nervous System (CNS) and the
Peripheral Nervous System (PNS).
4
The CNS houses the brain and spinal
cord, and the PNS is comprised of the
nerves that go out to the muscles, soft
tissues, glands, and organs of the body.
5
The PNS helps maintain homeostasis,
encourage metabolism, control muscles,
release glandular secretions, and decode
environmental phenomena into per-
ceived reality (e.g. sight and hearing).
6
The basic unit in the nervous system
is called a nerve. Its main function is to
communicate.
7
Nerves contain three
basic parts: a cell body called a soma,
dendrites that carry information from
other structures (other nerves, glands,
muscles, etc . . .) to the soma, and axons,
which carry information away from the
soma to the next structure.
8
The relay
of messages along these nerves can
be simple as a refl ex.
9
However, nerve
communication is often much more
complicated, involving many nerves
to and from the brain in an elaborate
bucket brigade of signals.
10
Nerves communicate with each
other by way of electrical signals gener-
ated in the soma and traveling down
the axon to an end point.
11
At this end
point the electrical signal releases a
chemical into the space between the
axon and the next structure (usually
another nerve but sometimes a muscle
or gland).
12
Depending on the chemical,
the next structure is either activated or
shuts down. Subsequent sets of electri-
cal signals travel along dendrites into the
soma of the next nerve.
13
This form of
Miriam van Mersbergen is ___________
Professor of __________ and Director
of _____________ at Northern Illinois
University.
Email address ………………
Viva La Vagus!
by
Miriam van Mersbergen
62 CHORAL JOURNAL Volume 55 Number 3
electrical communication continues until
the system completes is function.
Most peripheral nerves travel in bun-
dles, similar to electrical wires, and exit
the CNS from the spinal cord. How-
ever, twelve peripheral nerves, called
Cranial Nerves, exit the brainstem. They
regulate the muscles, glands, and sensory
organs of the head and neck and are
identifi ed by Roman Numerals.
14
Cranial
Nerve X, the largest of these nerves, is
called Vagus Nerve.
15
Beginning in the
brainstem, the nerve travels through
the jugular foramen (the large hole at
the bottom of the skull), into the neck,
and down through the thoracic cavity
to the abdomen.
16
Vagus, the Latin for
“wandering,” appropriately refl ects the
nerve’s meandering pathways.
17
Leaving the brain stem, the vagus
nerve branches off in different direc-
tions and extends as far down as the
abdomen.
18
Many of these branches are
named according to their function, such
as the auricular branch, which conveys
sensory information from the skin inside
the external ear canal and tympanic
membrane, and the laryngeal branch,
which innervates the larynx.
19
Most
branches of the vagus travel far below
the larynx into the thorax and abdomen
and assist in the regulation of the organs,
glands, and soft tissue of these regions.
20
The vagus nerve carries messages
from the CNS to the body (efferent/
motor) and relays messages to the CNS
from the body (afferent/sensory).
21
The
cell bodies of this nerve are housed in
four large areas in the brain stem, creat-
ing a hub where nerves from different
parts of the body communicate with
each other.
22
The proximity of nerve cell
bodies in this area allow various parts of
the body to communicate complicated
information with each other, allowing for
sophisticated processing of information.
The Vagus Nerve
and Voice Production
Three branches of the vagus nerve
are involved in voice production: the
pharyngeal branch, the recurrent laryn-
geal branch, and the superior laryngeal
branch.
23
When the pharyngeal branch
leaves the brainstem and deviates, it
travels to the mucous membranes and
muscles of the pharynx, carrying sensory
information from this area to the brain.
24
When you have a throat infection, for
example, the vagus nerve carries the
information that lets you know your
throat is sore. The pharyngeal branch
also innervates most of the muscles of
the pharynx and allows the palate to
lift, maximizing the resonating space in
our throat and creating those rounded
tones we desire.
The recurrent laryngeal branch
leaves the larger laryngeal branch and
terminates in the larynx. It is called re-
current because it travels past the larynx
into the thorax and loops up into the
larynx from below. On the right side,
the nerve travels around the subclavian
artery (right below the right clavicle),
circling back into the larynx. The left side
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CHORAL JOURNAL Volume 55 Number 3 63
travels further, winding around the aorta
before returning back to the larynx.
25
The implications of right and left differ-
ences will be discussed later. The recur-
rent laryngeal nerve innervates most of
the muscles in the larynx, particularly
the muscles responsible for opening
and closing the vocal folds, which is
necessary for voicing.
26
This nerve also
innervates some of the muscles of the
lower pharynx and esophagus to assist
in swallowing. It transmits sensory in-
formation from the mucous membrane
of the upper trachea right below the
vocal folds.
27
The superior laryngeal nerve also
exits the larger laryngeal branch, split-
ting off into two smaller branches.
28
The
intrinsic branch, which carries sensory
information about the mucous mem-
branes of the larynx, is active in provid-
ing information during a cough response.
The extrinsic branch innervates the
cricothyroid muscle, a laryngeal muscle
responsible for pitch control during
voicing.
29
Vocal Diffi culties from
Vagus Nerve Damage
Voice impairment arises when the
vagus nerve is damaged. The most dev-
astating impairment arises when damage
occurs to the recurrent or superior
laryngeal nerves.
30
Injury to the recur-
rent laryngeal nerve impairs the ability
of the vocal folds to open and close by
weakening or paralyzing the muscles
responsible for these actions. At best,
poor closure of the vocal folds leaves
a speaker or singer with a soft, breathy,
asthenic voice—unable to sustain sound
for more than 4– 5 seconds at a time. It
can cause irregular vibration of the vocal
folds, leaving the voice not only weak
but hoarse, with pitch breaks, cracks,
and diplophonia (two pitches at once).
Individuals with recurrent laryngeal
nerve injuries frequently complain of
feeling out of breath during speaking and
singing. The cause of nerve injuries arises
from complete severing of the nerve,
partial tearing of the nerve, stretching
the nerve, compressing the nerve, or
disease residing in the nerve cell body.
31
Because the recurrent laryngeal nerve
travels into the thorax, any thoracic
surgery places an individual at risk for
injury.
32
As discussed earlier, the left
sided recurrent laryngeal nerve travels
around the aorta. So, injuries on the
left-side can be seen often in cardiac sur-
geries when the surgeon has to stretch
the nerve to retract it or to gain access
to the heart.
33
Sometimes the nerve is
severed during tumor removal. At times
viral infections reside in the cell bodies
of the recurrent laryngeal nerve, causing
damage to nerve functioning.
34
Recovery from recurrent laryngeal
nerve injury is directly related to the
degree and extent of the damage.
36
Damage from a mild stretch or com-
pression of the nerve may resolve
quickly, and normal voicing may return
within a few months. When damage is
considerable, however, recovery might
not be complete and normal functioning
my never return, rendering an impaired
voice.
37
Treatment for larger nerve in-
juries includes surgical procedures that
can assist in vocal fold closure, therapy
to facilitate optimal voicing and reduce
poor compensations for weakness, and
a combination of both. Such treatments
are available at regional and national
voice centers where an individual may
consult with a laryngologist (an ear, nose,
throat physician specializing in voice), a
speech language pathologist specializing
in voice, a registered nurse, and oc-
casionally a singing teacher who works
directly with the medical team.
Superior laryngeal nerve injuries
have similarly devastating effects on
voicing. Because the superior laryngeal
nerve is responsible for sensation in the
larynx, damage to this nerve can either
leave an individual with hyposensitivity,
placing him or her at risk for aspira-
tion because saliva and food can enter
the airway without proper detection.
38
Additionally, some superior laryngeal
nerve damage can leave a larynx with
hypersensitivity, which causes an indi-
vidual to have excessive coughing with
64 CHORAL JOURNAL Volume 55 Number 3
minor sensory changes.
39
In some cases
individuals can develop excessive cough-
ing reactions after smelling faint odors,
breathing in deeply, or changing neck
positions. The superior laryngeal nerve
also innervates the cricothyroid muscle,
which is responsible for pitch changes.
A hallmark symptom of damage to this
nerve is the inability to raise pitch above
mid-range, despite Herculean efforts.
40
The vocal folds also have diffi culty
closing completely, because while the
cricothyroid muscle stretches the vocal
fold, it places the vocal folds on a differ-
ent plane. When one vocal fold remains
unstretched due to damage, this plane
difference creates a gap, allowing for air
leakage. Superior laryngeal nerve injury
also arises from severing, tearing, and
stretching the nerve. Because the supe-
rior laryngeal nerve travels through the
thyroid gland, thyroid surgeries place an
individual at risk for damage. Recovery
and treatment of the superior laryngeal
nerve, similar to recovery and treat-
ment of the recurrent laryngeal nerve,
is available at regional and national voice
centers. Although vocal fold closure can
be achieved surgically, pitch functioning,
which is necessary for singing, unfortu-
nately cannot be surgically repaired.
41
Injuries to the pharyngeal branch
of the vagus nerve are far less com-
mon.
42
Although such an injury does
not directly affect voice functioning,
it can impair an individual’s ability to
elevate the soft palate and move the
muscle of the pharynx to create the
necessary space for optimal resonance.
Damage can leave an individual sounding
hypernasal with a soft, muffl ed quality.
43
Prosthetic devices can assist an individual
in maintaining a moderately elevated
velum, but at this point they cannot
assist in volitionally elevating the velum
or widening the pharynx during singing.
Master of our Well Being
Traveling down past the neck and
into the body, the vagus nerve performs
some of its most vital tasks. Its main
function is to regulate the Autonomic
Nervous System (ANS), a special part
of the nervous system that maintains
the homeostasis of body functions, such
as heart rate, respiration rate, blood
pressure, body temperature, and diges-
tion.
44
When homeostasis is disrupted
through exercise, illness, or stress, a
subsystem of the ANS, the Sympathetic
Nervous System, kicks in and prepares
the body to move, respond, or adapt to
the change.
45
This state of readiness is
also known as the Fight or Flight System.
When the stress is over, the Parasympa-
thetic Nervous System down-regulates
the body, bringing its functions back to
baseline. Working in opposition to the
Fight or Flight System, the Parasympa-
thetic Nervous System is known as the
Rest and Digest System.
46
We can thank the vagus nerve for
keeping the heart rate from elevating
too high for too long, maintaining blood
vessel constriction (which regulates
blood pressure) during activity, reacti-
vating the digestive system after being
shut down, and stabilizing the respiration
rate and making sure it coordinates with
the heart. When these branches are
disrupted, individuals can experience
arrhythmias (irregular heart beat), dizzi-
ness, shortness of breath, and a variety
of digestive disorders, such as irritable
bowel syndrome.
47
New Mysteries Unfolding
Because of its communication be-
tween the viscera and the brain, the
vagus nerve plays an important role
in body/brain interactions. Recently,
neuroscientists have found a link be-
tween the presence of good gut bac-
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CHORAL JOURNAL Volume 55 Number 3 65
teria (probiotics) and elevated mood
and improved cognition. In a series of
animal and human studies, researchers
have found that organisms with bad
gut bacteria show signs of depression
and poor attention, but that this state
can be reversed by introducing healthy
bacteria.
48
Apparently, good bacteria
produce approximately 95 percent of
the body’s serotonin, a neurotransmitter
responsible for improved mood.
49
At
fi rst researchers were puzzled by the
suggested link between gut bacteria and
mood. But a growing understanding of
the vagus nerve’s role in communicating
gastrointestinal information to the brain
has made the brain-gut connection an
exciting new area of research.
50
The vagus nerve appears to also
assist in regulation of infl ammatory re-
sponses from the body. Vagal communi-
cation between infl ammatory responses
and the brain can also allow the brain to
regulate this infl ammation and promote
adaptations to acute injury and chronic
irritation. Taylor and colleagues
51
noted
that vagal tone, a measure of the vagus’s
ability to regulate the PNS, is associated
with depression and infl ammation in
individuals who smoke tobacco, con-
fi rming a relationship between vagus
nerve functioning and regulation of
infl ammation.
The vagal body/brain connection
does not stop there. The vagus nerve
can promote healing following strokes.
Anti-infl ammatory agents produced by
the spleen are transmitted to the brain
via the vagus nerve and have been
found to reduce extraneous swelling in
the brain after stroke. Lee at al.
52
found
that simply producing these agents into
the brain after stroke was not affec-
tive; it was the vagal pathway from the
spleen to the brain that was necessary
University of Cambridge
66 CHORAL JOURNAL Volume 55 Number 3
to achieve this anti-infl ammatory effect.
Other researchers
53
have found that the
production of anti-infl ammatory agents
from the spleen have been important
in regulating infl ammation observed
in arthritis, pancreatitis, and additional
infl ammatory diseases. Vagal connec-
tions with the visceral organs have also
promoted regulation in the endocrine
system. Dockery
54
recently published an
article outlining the role of vagal nerve
pathways in diabetes, obesity, and nutri-
ent transfer in the stomach.
Because of its function in communi-
cating visceral activity with the brain, the
vagus nerve has been used to assist in
controlling the communication between
body and brain when the brain malfunc-
tions. Vagal nerve stimulators, like pace
makers, send regular, clear messages to
the brain, allowing the brain to respond
in more adaptive ways. The stimulator
is a small coil that is wrapped around
the nerve and is controlled by a small
magnet placed directly under the skin
on the chest.
55
Vagal nerve stimulators
have been used to control drug resistant
epilepsy, relieve intractable depression,
which is unresponsive to any forms of
medical and behavioral therapy,
56
and
may even regulate behavioral symptoms
of autism.
57
Recent applications to vagal
nerve stimulators assist in controlling
anxiety, improving cognitive function in
patients with Alzheimer’s, and managing
migraines.
58
The vagus nerve’s infl uence in brain/
body interaction has led psychologists
and neuroscientists to develop theories
of how the vagus nerve is responsible
for emotional development in children.
The polyvagal theory
59
is one such theo-
ry that suggests that the vagus supports
social interaction between individuals by
preparing an organism to interact with
Hal Leonard
CHORAL JOURNAL Volume 55 Number 3 67
others. The theory suggests that the va-
gal role in the parasympathetic nervous
system assists in reducing stress reac-
tions that might occur with increased
physical proximity or communication
that occurs in unknown situations.
The vagal down-regulation of stress
responses can explain why individuals
appear to have reduced heart rate and
blood pressure when interacting with
other individuals and animals, lending
support to the notion that petting our
furry or feathered companion is good
for our cardiovascular health.
60
The vagus nerve is a truly amazing
nerve, the superhighway of life respon-
sible for keeping us alive and thriving in
an ever-changing environment. Recent
research points to the vagus nerve as
an indispensable link in communication
between the brain and body. However,
vagal functioning truly shines in its ability
to allow us to voice and speak, to com-
municate our wants, needs, and desires.
What further evidence do we need
than the transcendence of singing to
place voicing as a vital part of the human
condition. Viva la Vagus!
NOTES
1
Ingo R. Titze, Principals of Voice Production, 2nd ed.
(Iowa City: National Center for Voice and
Speech, 2000), 23 –54.
2
Ingo R. Titze and Katherine Verdolini Abbott,
VOCOLOGY: The Science and Practice of Voice
Habilitation (Salt Lake City: National Center
for Voice and Speech, 2012), 216–240.
3
Douglas B. Webster, Neuroscience of Com-
munication, 2nd ed. (San Diego: Singular
Publishing, 1998), 4.
4
Ibid, 5.
5
Ibid.
6
Ibid.
7
Leonard L. LaPointe, Atlas of Neuroanatomy for
Communication Science and Disorders (New
York: Theime, 2011), 31.
8
Ibid, 35.
9
Ibid, 37.
10
Ibid, 28.
11
Webster, Neuroscience of Communication, 6.
12
Ibid, 7.
13
Ibid, 8.
14
Linda Wilson-Pauwels, Elizabeth J. Akesson, and
Patricia A. Stewart, Cranial Nerves: Anatomy
and Clinical Comments (Toronto: B. C. Decker,
Inc., 1988), vii.
15
Ibid, 136.
16
Frank H. Netter, The Ciba Collection of Medical
Illustrations, vol. 1: The Nervous System (New
Jersey: CIBA, 1991), 126.
17
Wilson-Pauwels, Akesson, and Stewart, Cranial
Nerves,128.
18
Ibid.
19
Ibid.
20
Ibid.
21
Ibid, vii.
22
Ibid, 127.
23
Ibid, 126.
24
Ibid, 128.
25
Raymond H. Colton, Janita K. Casper, and Rebecca
Leonard, Understanding Voice Problems: A
Physiological Perspective for Diagnosis and
Treatment, 4th ed. (Philadelphia: Lippincott
Williams, & Wilkins, 2011), 403.
26
Ibid, 405.
27
Ibid.
28
Ibid.
29
Ibid, 402.
30
Ibid, 129.
31
Ibid, 130.
32
Ibid.
33
Ibid.
34
Ibid.
35
Ibid, 131.
36
Ibid, 132.
37
Ibid, 129.
38
Ibid.
39
Ibid, 405.
40
Ibid, 130.
41
Nemer Al-Khtoum, Nabil Shawakfeh, Eyad
Al-Safadi, Osama Al-Momani, and Khalid
Hamasha, “Acquired Unilateral Vocal Fold
Paralysis: Retrospective Analysis of a Single
Institutional Experience,” North American
Journal of Medical Science, 5 no.12 (2013):
699–702.
42
Wilson-Pauwels, Akesson, and Stewart, Cranial
Nerves, 132.
43
Ibid.
44
Rogelio Mosqueda-Garcia, “Central Autonomic
Regulation.” In David Robertson, Phillip A.
Low, and Ronald J. Polinsky, ed., Primer on
the Autonomic Nervous System (San Diego:
Academic Press, 1996), 3.
45
Ibid.
46
Robert W. Hamill, “Peripheral Autonomic Ner-
vous System.” In David Robertson, Phillip
A. Low, and Ronald J. Polinsky, ed., Primer on
the Autonomic Nervous System (San Diego:
Academic Press, 1996), 13.
47
Wilson-Pauwels, Akesson, and Stewart, Cranial
Nerves, 132.
48
Paul Forsythe, Wolfgang A. Kunze, and John
Bienenstock, “On Communication between
Gut Microbes and the Brain,” Immunology 28
no.6 (2012): 557.
49
Duncan A. Groves and Verity J. Brown, “Vagal
Nerve Stimulation: A Review of its
Applications and Potential Mechanisms that
Mediate its Clinical Effects,” Neuroscience and
Biobehavioral Reviews 29 (2005): 493.
50
Paul Forsythe, et al., “Mood and Gut Feelings,”
Brain, Behavior, and Immunity 24 (2010): 11.
51
Laine Taylor, et al., “Depression and Smoking:
Mediating Role of Vagal Tone and
Infl ammation,” Annals of Behavioral Medicine
42 (2011): 339.
52
Soon-Tae Lee, et al., “Cholinergic Anti-
Inflammatory Pathway in Intracerebral
Hemorrhage,” Brain Research 1309
(2010): 168.
53
D. Martelli, M.J. McKinley and R.M. McAllen, “The
Cholinergic Anti-Infl ammatory Pathway: A
Critical Review,” Autonomic Neuroscience:
Basic and Clinical (forthcoming), 3. http://dx.doi.
org/10.1016/j.autneu.2013.12.007.
54
Graham J. Dockray, “Enteroendocrine Cell
Signalling Via the Vagus Nerve,” Current
Opinion in Pharmacology 13 (2013): 955.
http://dx.doi.org/10.1016/j.coph.2013.09.007.
55
Groves and Brown, Neuroscience and Biobehavioral
Reviews 29: 493.
56
Martelli, et al., Autonomic Neuroscience: Basic and
Clinical: 3.
57
Stephen W. Porges, “The Polyvagal Theory:
Phylogenetic Contributions to Social
Behavior,” Physiology & Behavior 79 (2003):
508.
58
Groves and Brown, Neuroscience and Biobehavioral
Reviews 29: 496.
59
Stephen W. Porges, “The Polyvagal Theory:
Phylogenetic Substrates of a Social
Nervous System,” International Journal of
Psychophysiology 42 (2001): 125.
60
Porges, Physiology & Behavior 79: 510.
