Sperm whale trumpets are sounds only occasionally documented, with a well recognisable and stereotyped acoustic arrangement. This study investigated the acoustic features of the trumpets and the context in which these sounds were recorded, using acoustic data collected over 22 years, in the Pelagos Sanctuary area (North-Western Mediterranean Sea). Analysed trumpets (n = 230), recorded at the beginning of a dive after the whale fluke-up, comprised a series of acoustic units organized in short sequences. Acoustic parameters were derived for the entire trumpet and for each distinguishable unit in a trumpet. Overall, trumpet durations and their initial frequencies were higher in recordings collected when multiple whales were visually or acoustically detected in the observation area. The identity of 68 whales was assessed through photo-identification, with 29 individuals producing trumpets within and between years. The variability of the acoustic parameters appeared to be higher within the same individuals rather than between different individuals, suggesting an individual plasticity in composing and arranging units in a trumpet. Different click patterns were observed before and after the trumpets, with more complex sequences when (1) other whales were visually/ acoustically detected, and (2) individuals were in suitable foraging sites (i.e., canyon areas). Trumpets were commonly followed or preceded by click patterns suited for communication, such as codas and/ or slow clicks. Significant relations between the trumpet emission and the male-only long-range communication click pattern (i.e. slow clicks) emerged, supporting the hypothesis that a trumpet is a sound emitted by maturing/mature males in feeding grounds. This study provides the first evidence that trumpets were conserved in the sperm whale acoustic repertoire at the decadal timescale, persisting across years and individuals in the same area. This persistence may be functionally specific to foraging activities performed by males in a well-established feeding area. Marine mammals rely heavily on sounds as their primary means of communication and sensing their word; where acoustic cues serve a fundamental role in all exchanges between individuals, from social interactions to the coordination of group activities 1-3. Some of these sounds have been investigated quite extensively in several species such as sperm whale (Physeter macrocephalus), and their significance and diversity are relatively well-established. Sperm whales mostly produce a number of sharp onset, broadband, evenly spaced pulses of decaying amplitude known as 'clicks' , with different properties and repetition rates, and a bandwidth of 100 Hz-30 kHz 4-8. Clicks-generated by the massive sperm whale nasal complex-may be temporally arranged in different patterns , having both echolocation and communication functionality 4,7,8. Usual clicks and creaks 9,10 are produced at depth and appear to be used primarily in searching for food and targeting the prey, respectively 8. Codas, generally emitted at the surface, are stereotyped patterns of clicks thought to serve in social communication in both sexes 8,11. Slow clicks, which are heard in the presence of mature or maturing males 5,7,12 at depth and at the surface, seem to be related with the sperm whale mating system, as long-range communication for attracting females or in male-male competition 8. Long-range communication between males in foraging grounds has been also reported, suggesting that slow clicks functionality may vary depending on the behavioural context 12. Some additional defined click patterns of surface creaks 8 (i.e. coda-creaks 10), rapid/fast clicks, and chirrups 9,13) have also been described in the acoustic repertoire of the species, and are possibly used for scanning their social partners 8. Sperm whales are also able to produce non-click sounds 8. These include "squeals", with a possible communicative social function 13,14 , 'pips' 13 , "short trumpets" 13 and "trumpets" 9 .