"The world is our house," wrote Jerónimo Nadal, one of Ignatius's companions. Such an all-encompassing vision lay at the heart of the Society's success and goes far in explaining the astonishingly consistent willingness of its members to adapt themselves creatively to local circumstances from Milan to Macau, Paris to Potosì, Vienna to Vietnam. It also represents a particular challenge, not only to this reviewer but also to the various authors and editors of the works under review as they seek to impose a purposeful pattern and attempt a balanced assessment of a contribution that was as various as the individuals involved. Alastair Hamilton goes as far as stating:
[It was] precisely because of the vast area of Jesuit interests, [that] it is no more possible to talk of a specifically Jesuit culture than it is to define a specifically Jesuit style of art or architecture. The Jesuits made their contribution as individuals rather than as members of a group, and they were absorbed by the various movements of the time. We thus find them on all sides of the great scholarly debates, opposing and supporting Descartes, Galileo and Newton, attacking or espousing the ideas of the Enlightenment, traditionalist and progressive, but nearly always remarkably adaptable.
In support of this contention, the pages of the antiquarian bookseller's catalogue which follow his introduction eloquently testify to the versatility and individuality shown by members of the Society as authors of works on subjects as diverse as optics (cat. 3), the use of plane mirrors in surveying (cat. 11), geometry (cat. 16 and 210), atomic theory (cat. 17), the ruins of Troy (cat. 19), conchology (cat. 26), the art of laquer (27), hydrostatics and mechanics (cat. 34 and 35), the Gregorian calendar (cat. 42), emblems (cat. 61), perspective (cat. 65), horticulture (cat. 70 and 71), bookkeeping (cat. 73), astronomy (cat. 78 and 208), magnetism (cat. 106 and 111), dance (cat. 141), the law of contracts (cat. 153), art criticism (cat. 154 and 195), mathematics (cat. 15, 16, 40, 43, and 216), political theory cat. 200), and hydraulics (cat. 206). These topics are, of course, over and above the more mainstream works of hagiography, martyrology, theology, history, catechesis, spirituality, and geographical description, which make up the bulk of the catalogue. Whether or not such variety and versatility outweighed the corporate, collective identity felt by individual Jesuits is an issue which, I believe, may be usefully kept in mind as a theme to link the studies under review.
Turning to The Jesuits and the Arts, one's very senses are at first overwhelmed by variety and abundance. This is a direct consequence of the volume's handsome size and format together with the sheer number of fabulously reproduced color illustrations. (The very reasonable pricing of the volume is entirely due to the financial generosity of several Jesuit bodies, who are fulsomely acknowledged in the preface.) As authors of standard works on, respectively, the early history of the Jesuits and the global artistic patronage of the Order before its suppression, O'Malley and Bailey are very well placed to give coherence to the volume (this is demonstrated with particular force by the latter, whose three authored chapters account for no fewer than 175 pages out of the 426-page total). Although this volume has its origins as an Italian book: Ignazio e l'arte dei Gesuiti (2003), edited by Giovanni Sale, the changes and additions to this translation make it effectively a new one. Many of the chapters have been updated, with a pioneering one added by Bailey on North America. In addition, there are 184 new images in respect of the Italian original and both the captions and the bibliography have been expanded and revised. The result represents, without any shadow of doubt, a triumphantly successful tour d'horizon of both the world-wide scope and protean nature of the Jesuit artistic enterprise, which deserves to become a fundamental point of reference not only for interested scholars but also for the general reader (footnotes have been eschewed and references kept to impressively up-to-date chapter-by-chapter bibliographies at the end of the volume).
O'Malley sets the pace and...