Situated in the historic centre of the city of Edinburgh, scenic Calton Hill, and the view from the Hill, has been subject to the gaze of painters and photographers. This article examines the drawn, painted and photographic panoramas associated with the site. In tracing the course of this imagery, the author defines the notion of the panoramic in terms of perspective (the wide field-of-view) and
... [Show full abstract] of history (the passage of time).