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Literary Praxiphorical Analysis: Using Science Fiction and Fantasy to Shape Organizational Futures

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Abstract

In the last two decades, organization theorists have sought to apply complexity theories developed in the natural sciences to the study of organizations. This article develops a fictional approach for critically interrogating two important complexity concepts — order-through-fluctuations and autopoiesis. Using these concepts in a metaphorical sense, this paper explores how science fiction and fantasy (SFF) can be used to prepare for and shape organizational analysis. Exploring the consequences of scientific innovation is a key purpose of SFF. The speculative nature of the genre makes it a fertile metaphorical ground for testing new management concepts. This article, therefore, uses two classic SFF novels to explore the metaphorical use of complexity concepts for organizational analysis: i. William Golding's Lord of the Flies is used to explore the dissipative structures model, a theory devised by Ilya Prigogine; and ii. Arthur C. Clarke's The City and the Stars is used to explore autopoiesis, a theory devised by Humberto Maturana and Francisco Varela. The article outlines the theoretical modeling possibilities from embedding fictional constructs into critical organizational analysis. It concludes by summarizing the methodological guidelines and business contexts for implementing literary praxiphorical analysis.

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... In this conceptual paper, we follow the narrative turn and consider, further, the role of cultural products in futures thinking. Here, our objective is to offer a critical contribution to the literature on science fiction (SF) in Futures Studies (for example: Bell et al., 2013;Keane et al., 2014;Schwarz et al., 2014;Schwarz & Liebl, 2013), in which we highlight a gap in ontological and epistemological understanding. Given this objective, our aim is to propose a novel critical counterfactuals method of futures research, validated through exploring conjectures about a fictional future of entrepreneurship. ...
... Some authors take the construction of a SF novel as a basis for the narrative prototyping (Lee, 2014) or critique (Keane et al., 2014) of specific contexts. Such applications run alongside the more traditional application of SF novels as cultural artifacts -a basis for detecting the (weak) signs or signals of a potential future (Bell et al., 2013;Livingston, 1971;Schwarz et al., 2014). ...
... In our critical approach we avoid the 'hope' intrinsic in SFP. We also distinguish between SF and fantasy, rather than as has been described by Keane et al. (2014): SF and Fantasy (SSF). We draw from literary criticism (for example: Mandala, 2010) and define SF as the genre of narrative that could not arise in the world we know (the present) but which is hypothesised on the basis of some aspect of science or technology, whether human or extraterrestrial in origin. ...
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... Nonetheless, in the literature, SFP is considered conceptual rather than a physical prototype , since it creates hypothetical social arguments (Keane, Graham and Burnes, 2014), and its physical realisation of the created innovation can only be proven over time in the unforeseeable future (Wu (2013). It is clear therefore, that creating innovation is a complex process and as a result researchers are increasingly trying to discover new ways to apply SFP. ...
... But the authors point out that the development of such games requires professional skills. Not surprisingly, Keane, Graham and Burnes (2014) claim that most science-fiction writers are trained scientists. Therefore, it can be argued that writing sciencefiction stories require artistic flair, creative writing and professional scientific skills. ...
Thesis
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