This paper considers Huysman’s work as revealing what Hausmann’s urbanism produced, in terms of change of scale and especially rupture between outside and inside, public and private. To do so, after having analysed through Dutch painting what the concept of “intimacy”, supposed to be destroyed by the “Americanisation” of cities and towns, entails, the study analyses À vau-l’eau (Downstream) and À
... [Show full abstract] rebours (Against the Grain) as novels written during this period in order to provoke a crisis in what then appeared to be an urban schizoid break, through Folantin’s grotesque wandering and des Esseintes’ paranoid self-imprisonment.