The Bulgarian language is South Slavic, quite close to Russian, from which it borrowed extensively in the nineteenth century. The modern state of Bulgaria came into being in 1878, as a Turkish principality which was in effect autonomous. It became an independent kingdom in 1908. Before this the literary activity, in a culturally backward country, directed towards national liberation and the
... [Show full abstract] foundation of a literary language, was mainly in the hands of the patriotic but also, at bottom, nihilistic poet Hristo Botey (1848–76), the poet and educationist Petko Slaveykov (1827–95) and the story-writer and populist Lyuben Karavelov (1835–79). Of these men only Karavelov showed much concern for art and psychological truth; Botev, understandably overrated in his country’s literature, was killed after the 1876 uprising. Ivan Vazov (1850–1922), who was a minister of education for a short while in the closing years of the nineteenth century, became the leader of the traditionalist and nationalist group which dominated Bulgarian literature until the end of the Second World War. Vazov, a just and never narrow-minded critic, believed literature should be devoted to the interests of the whole people. His novel Under the Yoke (1889–90; tr. 1893; 1955), written in exile, deals with the savagely crushed April Rising of 1876 which led to the war of liberation from the Turks. It made the world suddenly aware of Bulgaria and, to a lesser extent, of Bulgarian literature. Although (with the exception of his epic novel) his work now inevitably seems dated, he remains the dominant figure in modern Bulgarian literature. (MBL)