Investigation into subcultures seems to be progressively vanishing from the landscape of cultural studies. Since the work of the Center of Contemporary Cultural Studies (CCCS) in Birmingham in the 1970s and 1980s, we have seen the dramatic rise of virtual communities as mediated through ever- expanding global lines of communication ; in the field of social science, the practice of categorization has been increasingly criticized due to the influence of deconstructio nism; and somewhere between history and social thought there has been the gradual disappearance of class as a social construct. For example, when considering the relationship between gender and age within the field of criminology, James Messerschmidt has replaced the notion of 'class' with 'position in social structures' in his 1993 analyses on masculinities and crime. And in 1996, authors Jan Pakulski and Malcolm Waters went so far as to proclaim The Death of Class. As a result, identity as a topic of study has been increasingly represented as fluid and contextual, unbound by geographical space, relation to production, or social standing. This paper represents a revisit of the Birmingham approach to the study of subcultures in an investigation into the Finnish phenomenon of street racing; an underground practice of engineering, illegal racing of automobiles, and cruising on the streets of Helsinki. And true to the tradition of the CCCS, the subject is practiced as oppositional by young, working class males. To emphasize our revisit to the Birmingham approach, we use the notion of class, and define it by the criteria of education and occupational role. The Cruising Club boys spent 9 years in comprehensive school and 1 to 3 years