ArticlePDF Available

Broken Metaphor: The Master-Slave Analogy in Technical Literature

Authors:

Abstract

The use of the term "master-slave" is currently quite common in technical descriptions of control relation between two devices: automotive clutch and brake systems (master cylinder, slave cylinder), clocks, flip-flop circuits, computer drives, radio transmitters, and others. This essay describes the history of its technical use, dating from its origin in 1904, and the various relations between its technical usage and its racialized social connotations. We then examine various hypotheses for why a morally objectionable analogy became so popular, comments by African American engineers both for and against its continued usage, and some recommendations for altering its usage in the future.
Eglash, Broken Metaphor http://www.historyoftechnology.org/eTC/v48no2/eglash.html
1 of 9 8/10/2008 6:41 PM
SHOT T&C main page What is ? Subscribe Full text online Contact Us
Volume 48 Number 2 (April 2007)
Copyright© 2007, the Society for the History of Technology
ESSAY
Broken Metaphor
The Master-Slave Analogy in Technical Literature
Ron Eglash
In November 2003, after receiving a discrimination complaint from a county employee, the Los
Angeles County Office of Affirmative Action Compliance sent a memo to all its equipment
vendors asking that they stop using the words “master” and “slave” in reference to computer
hardware and other equipment.{1} The memo read in part: “Based on the cultural diversity and
sensitivity of Los Angeles County, this is not an acceptable identification label.” The idea of
slavery in ancient Egypt or classical Greece did not carry the racial connotations that make it
such a hot button in the United States today. Even Hegel’s famous use of the master-slave
relationship to illustrate the dialectic, in 1807, has no real racial overtones, although Frantz
Fanon observed that if Hegel had had any experience with African or African-American life he
would not have made the progression toward synthesis seem so easy. But now things are
different.
And so, predictably, the Internet flared with invective following L.A. County’s decree. But I began
to wonder about the ubiquity of these terms. Why is it so common to see them used in technical
settings? How did the practice start? I recalled encountering them in my undergraduate electrical
Eglash, Broken Metaphor http://www.historyoftechnology.org/eTC/v48no2/eglash.html
2 of 9 8/10/2008 6:41 PM
engineering textbook; it struck me then as an odd choice of words, though I got used to it. I
could see how a layperson might find such a casual use of the master-slave metaphor jarring or
disconcerting. And then I began to wonder what black engineering students, or even
professionals, thought about it. Much of my work as a social scientist has been in the area of
minority-student math and science education, working on pedagogies that help
underrepresented students aspire to technical careers. Did that figure of speech add to the
alienation these students often report?{2} Just how was it that a morally criminal social practice
became the metaphor of choice for a ubiquitous phenomenon in engineering?
A definitive history of the master-slave metaphor in engineering literature might make a nice
doctoral dissertation, but since I didn’t have time for that I settled for a briefer investigation. I
believe that even this sketch provides sufficient foundation for some conclusions, but readers
should feel free to consider excessive brevity grounds for dismissal after they review it. My
evidence came from technology historians, old encyclopedias of mechanical devices, old
commercial catalogs, and even some old engineers, but the best resource I found was patent
records. The master-slave metaphor is now quite common in patent descriptions that specify a
control relation between two devices: a Boolean search of U.S. patents since 1976 for “master”
and “slave” returned 19,708 items. These include automotive clutch and brake systems, clocks,
flip-flop circuits, computer drives, and radio transmitters. Although it is not possible to perform a
similar automated search of older patent records, I used the citation of previous patents for the
devices mentioned above, and citations in those patents, to trace these terms backward.
It turns out that the first occurrences of the master-slave metaphor in technical settings are
surprisingly recent, at least in print. I have not found any evidence of it before the American Civil
War, when chattel slavery still existed in the United States. The earliest use I have found dates
to a 1904 report by the astronomer David Gill describing a sidereal clock he designed for the
observatory in Cape Town, which “consist[ed] of two separate instruments[:] (a) a pendulum
(swinging in a nearly airtight enclosure maintained at uniform temperature and pressure) and
(b) the ‘slave clock’ with wheel train and dead-beat escapement.”{3} Although today we
associate South Africa with the racism of apartheid, at the time Gill wrote slavery had been
outlawed in the Cape Colony for over sixty years, and Cape Town itself had been the home port
of the Royal Navy’s West African Squadron, which was deeply involved in the suppression of the
slave trade in the mid-nineteenth century. Gill’s biography gives no indication that he had a
positive view of slavery, nor that he was a particularly enlightened colonialist when it came to
that.{4} His wife Isobel’s memoir of their time spent with primarily African staff on Ascension
Island similarly betrays no proslavery inclinations; on the contrary, it records her increasing
respect for the Kru sailors.{5} If Gill thought about the social echoes of the master-slave
metaphor, it would have been with disapproval.
Why then choose a morally negative analogy? Perhaps this language helped emphasize his
innovation. While many timekeeping systems used one main clock to control multiple secondary
dials (for example, in schools, where the clockfaces in many classrooms needed to show the
same time), Gill’s invention coupled two autonomous clocks: a free pendulum swinging in a
vacuum (the master), and another (the slave) that could keep time itself but was subject to
periodic corrections from the master.{6} Because the free pendulum did not have to power a
dial, there was no drain on its momentum, and hence a great increase in its precision. The
concept of a free master that did no work and a slave that followed the master’s orders made for
a vivid, if ethically suspect, technosocial metaphor.
In 1921, W. H. Shortt, a British railway engineer, developed a similar system with some practical
improvements. Shortt collaborated with Frank Hope-Jones, director of the Synchronome
Company, and over the next thirty-five years Synchronome produced nearly one hundred
“Shortt Free Pendulum” clocks, which it sold to observatories all over the world. In 1924 a Major
Eglash, Broken Metaphor http://www.historyoftechnology.org/eTC/v48no2/eglash.html
3 of 9 8/10/2008 6:41 PM
Prince gave a lecture to the British Horological Society in which he referred to the old-fashioned
secondary dials as “slave clocks.”{7} Hope-Jones was in the audience and objected to Prince’s
use of that term, suggesting that it should be restricted to free-pendulum systems. He
recommended “electrically impulsed dials” as a better alternative. Prince replied that he had
decided on “slave clock” deliberately because he thought it was more intelligible to the ordinary
person. He further pointed out that there were only about six clocks then in existence that
matched Hope-Jones’s definition, whereas there were many thousands that matched his.
Hope-Jones was fighting a losing battle, and Prince’s usage for “slave clock” became increasingly
common.
The earliest U.S. patent I have found in which the master-slave metaphor occurs is number
2510461, a “Multistation Microwave Communication System” from April 1946. The previous
patents it cites use phrases such as “master oscillation generator” and “second oscillation
generator.” Surprisingly, none of the numerous patents for flip-flop circuits use the
“master-slave” terminology until number 3454935 in 1966. I was able to track down the
engineer on that patent, Bud Hippisley, who kindly reviewed his course notes and exams from
his undergraduate digital systems engineering course at the Massachusetts Institute of
Technology in 1962. He reported that the master-slave metaphor never came up, though
flip-flop circuits were covered thoroughly. Hippisley also reviewed memos from Honeywell in the
early 1960s and noted that master-slave terminology was also absent from them, though he
recalled that engineers at Honeywell did use it in conversation, “especially when people with
asynchronous design experience came onto our . . . design team.”
The master-slave analogy is frequently used for hydraulic cylinders, as in automobile brake
systems. But of nine U.S. patents for hydraulic cylinders granted prior to 1959, none employed
that terminology; labels such as “main cylinder” and “receiver cylinder” and “servomechanism”
were used instead. Master/slave does finally become common in patents for hydraulic cylinders
after 1960. The oldest instance I have found is patent number 2882686, granted in April 1959,
and even there the author introduced the terms cautiously: “In such hydraulic systems the
actuating cylinder and piston assembly is generally called the ‘master’ and the actuated cylinder
and piston assembly is generally called the ‘slave.’” The quote marks and explanations seem to
indicate that this was not yet a common figure of speech.
The most controversial technical setting for the master-slave metaphor is in computing, probably
because the general public most commonly encounters it there (as in, for example, a screen
message during boot-up that refers to “master/slave bios”). The earliest usage here is probably
the Dartmouth timesharing system, created in 1964. As with Gill’s clock, it appears to have been
inspired by an innovative control relationship between two autonomous devices: “First, all
computing for users takes place in the slave computer, while the executive program (the ‘brains’
of the system) resides in the master computer. It is thus impossible for an erroneous or runaway
user program in the slave computer to ‘damage’ the executive program and thereby bring the
whole system to a halt.”{8} Gill’s social metaphor described not only a control relation but other
resemblances as well; recall that the master was a “free” pendulum that did no work. Similarly,
the creators of the Dartmouth system extended the metaphor beyond the control relationship,
describing the master computer as the “brains”—thus implying that the slave computer is the
“brawn,” despite the fact that it does as much or more calculation. It is interesting to note that
this extension of the metaphor makes the same error—conflating mastery with intelligence—that
human masters often make about their own slaves. And consider the phrase “impossible for an
erroneous or runaway user program in the slave computer to ‘damage’ the executive program.”
It is almost certain that there was no conscious intention to echo pre–Civil War discourse on
runaway slaves, but that still leaves the possibility of a metaphor operating at a subconscious
level.
Eglash, Broken Metaphor http://www.historyoftechnology.org/eTC/v48no2/eglash.html
4 of 9 8/10/2008 6:41 PM
By comparing master-slave terminology with earlier usage in technical literature, we can start to
understand why it did not become common until after WWII. First, there is the issue of
autonomy. The terms “master clock” and “secondary clock” made sense when only the master
clock actually kept time and secondary dials merely reflected the master dial positions. When
Hope-Jones insisted in 1924 that the term “slave clock” should be reserved for systems such as
the ones designed by Gill and Shortt, he was making a distinction based on autonomy. Those
secondary clocks could keep time independently, but still had to obey the master clock’s
timekeeping corrections. Interestingly, at almost the same time a new term meaning “slave” was
entering the English language to describe an autonomous device meant to obey its master:
“robot,” from the 1923 translation of Karel Capek’s 1921 play “R.U.R.” ((the word robot having
been derived from a Czech word for slave, “robotnik”). As Hippisley emphasized, the issue of
autonomy was particularly germane in cases where synchronization was required, an increasingly
common situation in computing and electronics.
A second issue, closely related, is the difference that electrical signals make. Consider what it
meant to drive a car before power steering. You wrestled with the wheel; the vehicle did not
slavishly carry out your whims, and steering was more like a negotiation between manager and
employee. Hence the appropriateness of terms such as “servo-motor” (coined in 1872) and
“servomechanism” (1930s): both suggest “servant,” someone subordinate but also in some
sense autonomous. These precybernetic systems, often mechanically linked, did not highlight the
division of control and power. But electrical systems did. Engineers found that by using an
electromagnetic relay or vacuum tube a powerful mechanical apparatus could be slaved to a tiny
electronic signal. Here we have a much sharper disjunction between the informational and
material domains. And with the introduction of the transistor in the 1950s and the integrated
circuit in the 1960s, the split became even more stark.
This coupling of immense material power with a relatively feeble informational signal became a
fundamental aspect of control mechanisms and automation at all scales, including the factory.
Combined with changing human managerial systems, it allowed a greater split between skilled
and unskilled labor. One of the most vivid descriptions of this technosocial change can be found
in David Noble’s classic article on numerically controlled machine tools.{9} Noble provides
convincing evidence that digital control over lathes, milling machines, and so forth, beginning in
the 1950s, was just as strongly motivated by managers’ desires to reduce shop-floor control and
union power as by hopes for improving accuracy or efficiency.
But the wage slave of the twentieth century is not the reason L.A. County officials banned the
use of the master-slave metaphor. Its resonance with enslaved Africans of the nineteenth
century is what concerned them. Which brings us to the second question: How do contemporary
black engineers feel about it?
In December 2005 I sent e-mail asking this question to thirteen African-Americans who are
generally ranked among the nations’ top scientists and engineers. Even if I had received
responses from all thirteen instead of the four who did reply, it would not have constituted a
statistically significant result, but I was more interested in content than statistics. My query
provoked passionate statements both for and against ending the use of master-slave
terminology. One respondent who argued against restrictions wrote:
I have to admit that the first time I read a description of a master-slave flip flop
(1974) was a little unnerving. It struck me as strange that a term for a social
institution would be used as a metaphor for the operation of an electronic device.
After I got over my discomfort, I was forced to think about the social institution
of slavery in more abstract terms (separation of control and data [work],
autonomous execution of the components, asynchronous execution, control
points, etc.). So, in some sense, the use of the term was beneficial to my
Eglash, Broken Metaphor http://www.historyoftechnology.org/eTC/v48no2/eglash.html
5 of 9 8/10/2008 6:41 PM
intellectual and social development. I think we must be careful about attempts to
formally control language usage because the side effects could easily outweigh
the intended direct effects. Richness of language and richness of thought are
intertwined.
The other side was equally eloquent:
When I first taught digital logic, around 1992, I did not recognize the
awkwardness of the term until I, one of the few African-Americans in the room,
was standing in front of a class of sixty students. I recall mumbling. For
flip-flops, the terminology makes little sense, since there is no amplification
taking place. The master latch is connected directly to the input and eventually
the slave latch acquires the value of the master. The master is commanded by
the inputs just as much as the slave is. Furthermore, in real implementations,
this master-slave arrangement is not apparent; cleverly cross-connected gates
achieve the desired result without independent latches.
The same correspondent later added:
[M]y first thought was to ignore your email as a complaint that engineering
terminology was not “politically correct.” Then I remembered my own misgivings
about the term “master/slave flip-flops.” After a little more thought, it became
clear that the term was not very descriptive. Your historical essay pointed out
that it was introduced only recently, long after the devices were in use. It has to
go.
When I began this research, I was pretty much in the same camp as the first correspondent. But
the second changed my point of view. It is one thing to hear objections from people who are in
the business of promoting ethnic sensitivity, quite another to hear them from hard-core geeks
who have devoted their careers to their love for science and technology. If the master-slave
metaphor affected these tough-minded engineers who had the gumption to make it through a
technical career back in the days when they may have been the only black persons in their
classes, what impact might it have on black students who are debating whether or not to enter
science and technology careers at all?
The second correspondent raises another question: why use the master-slave metaphor when
there is not a control relationship between two devices? This echoes Hope-Jones’s objection to
Prince’s use of the term “slave clock,” but since WWII this indiscriminate usage has become
widespread. In fact, the most common encounter we have with it, as the phrase “master/slave
bios” flashes onscreen when a computer boots up, is entirely erroneous. As the online resource
PC Guide puts it: “Note that despite the hierarchical-sounding names of ‘master’ and ‘slave,’ the
master drive does not have any special status compared to the slave one; they are really equals
in most respects. The slave drive doesn’t rely on the master drive for its operation or anything
like that, despite the names (which are poorly-chosen—in the standards the master is usually
just ‘drive 0’ and the slave ‘drive 1’). The only practical difference between master and slave is
that the PC considers the master ‘first’ and the slave ‘second’ in general terms.”{10}
Why use this terminology if it renders a less accurate technical description, implying a control
relationship that does not exist? There are several possible explanations. Some scholars would
see it as evidence of sinister ulterior motives—a racist desire to mark technology with white
privilege, or the Freudian emergence of a sexually charged pathology of dominance.{11} I don’t
doubt the existence of racism, or of sadomasochism (though I don’t think that the latter should
be considered either a pathology or a suspect in technosocial power grabs). I don’t doubt that
somewhere out there exist a few racist engineers to whom the “sinister ulterior motive”
Eglash, Broken Metaphor http://www.historyoftechnology.org/eTC/v48no2/eglash.html
6 of 9 8/10/2008 6:41 PM
explanation applies. But I do doubt that they constitute a significant number. After all, William
Shockley’s ideas about race met with overwhelming rejection from his engineering
colleagues—indeed, made him a pariah.{12}
Another possibility is that the metaphor caught on because it ameliorates a tension between a
desire for more autonomous machines and a desire to retain human mastery. That tension is a
familiar theme in the popular imagination of technology: examples include Mary Shelly’s
Frankenstein, the African-American story of John Henry, and Capek’s “R.U.R.,” to name just a
few. It is sometimes expressed in terms of threats to job security. In his 1832 book On the
Economy of Machinery and Manufactures, for example, Charles Babbage described three levels of
mathematical thought: the first the realm of professional mathematicians, the second that of
applied technicians, and the third belonging to mere mathematical workers. Babbage suggested
that the third level could be replaced by his Difference Engine. Later he proposed the
construction of an even more complex device, the Analytical Engine, which would be close to a
general-purpose computer. Luigi Frederico Menabrea, an Italian engineer, published an article in
which he suggested that the Analytical Engine could replace the applied mathematicians at
Babbage’s second level. Ada Lovelace, who translated Menabrea’s article, felt compelled to
assure readers that Babbage’s idea would not threaten what we would now call white-collar
professions: “The Analytical Engine has no pretensions whatever to originate anything. It can do
whatever we know how to order it to perform. It can follow analysis; but it has no power of
anticipating any analytical relations or truths.”{13} By referring to a master/slave relation in
devices, professionals may reassure themselves that they will remain masters of machines.
A third possibility is that the master-slave metaphor became increasingly common due to
positive feedback: the more it was used in engineering, the more it had an engineering-like
sound to it—a kind of meme or slow-moving fad. By this theory any figure of speech would have
caught on, and it was sheer chance that it happened to be this one. But this begs the question,
because there were indeed alternative terms in use, such as “primary” and “secondary.” Positive
feedback may have played a role, but the selection still has to be explained.
The tendency of scientists and engineers to think of their professions in terms of opposition to
culture suggests another possible explanation. Sharon Traweek, for example, noted the curious
promotion of impolite behavior among physics grad students.{14} In a particularly illuminating
instance, she observed that one student was constantly stuffing bread in his mouth at
restaurants. His professors reacted with amusement, and encouraged him by telling the waiter to
bring him more bread. When she asked one of them about it, he explained that being
unconscious of social mores was a good sign for a future physicist, because physics transcends
culture. Perhaps this kind of emphasis on a technical identity is at work here, too, and the
master-slave metaphor is attractive to engineers because its free use “proves” that they inhabit
a nonsocial or culture-free realm, which is a matter of professional pride. That would explain the
vociferous objections in technical listservs to the 2003 L.A. County memo, which challenged any
conviction that the technological realm truly transcends culture.
Finally, I should mention one of the explanations proposed in the 2003 listserv traffic, which was
essentially that much engineering terminology is boring, and engineers themselves are
stereotyped as boring, so they would be attracted to the master-slave figure of speech simply
because it makes their work seem more interesting.
Hope-Jones’s objection to Prince’s use of the term “slave clock” in 1924 was not motivated by
the politics of race. He wanted what any good engineer desires: accuracy. In that spirit, perhaps
we can agree to get rid of the master-slave metaphor in cases where it is manifestly incorrect.
But it seems to me that in addition to accuracy there are three ethical issues at stake here. The
first concerns a point made by one of the African-American scientists quoted above on the risks
of trying to control expression: “Richness of language and richness of thought are intertwined.”
Eglash, Broken Metaphor http://www.historyoftechnology.org/eTC/v48no2/eglash.html
7 of 9 8/10/2008 6:41 PM
Many others made similar comments in the listserv traffic sparked by the L.A. County memo,
often in hostile and inflammatory language. While I have little sympathy for those who use
accusations of political correctness as political ammunition, I have a strong commitment to free
speech and the promotion of open thought in public domains, which entails not only the
protection of legal rights but also the protection of a climate in which open conversation can
occur. Several of my colleagues in queer theory and allied disciplines have pointed out that
“master/slave” has sexual connotations that they would be perfectly happy to defend. So I think
that any solution to this problem needs to actively avoid restrictions on the free expression and
exchange of ideas.
Second, as a social scientist involved with efforts to increase the recruitment and retention of
underrepresented minorities in science and engineering, I cannot condone practices that further
the alienation of these students.{15} So I also think, echoing the African-American engineer
who concluded that “It has to go,” that the laissez-faire position is untenable. Note that this is
potentially in conflict with my first observation.
Which brings me to the third ethical issue. In many cases of culture clash—enforced veiling of
women in Islamic countries, for example—controversies arise over the imposition of First World
mores on Third World populations.{16} On the one hand, a practice may seem unethical from a
Western viewpoint; on the other, allowing the Western viewpoint to determine non-Western
cultural practices just seems like an updated version of colonialism. One solution to this dilemma
has been to work through indigenous opposition groups that can encourage change through
more democratic means, with Western support. In a similar fashion, I think that a change in
technical terminology can be brought about through professional technical organizations, which
are analogous to a legitimate indigenous voice in the postcolonial situation. External groups
(such as the L.A. County Office of Affirmative Action Compliance) could provide support (by, for
example, documenting a problem and raising public awareness of it), in a manner analogous to
the way that international civil rights groups operate. Taking such an approach would honor the
first two ethical issues while resolving their conflict. Of course, nonengineering users and
students who might go into engineering are also affected by the terminology used by engineers,
so leaving it up to the technical organizations does not allow all affected parties an equal voice,
but I think this approach should be the first attempted.
The variety of ways in which the same control relationship is described in other languages may
serve as an inspiration. While the Dutch have the term “slave clock” (slaafklok), for example,
they also use “daughter clock” (dochterklok). In Germany one finds Mutteruhr and Tochteruhr
(mother clock and daughter clock), and their equivalents in France as well (horloge-mere and
horloge-file). The Germans also use Hauptuhr (head clock) and Nebenuhr (next-to clock). One of
my African-American correspondents reported that in his digital-circuits class he has been using
“boss” and “worker.” Surely, between our cultural resources and our desire for technical
accuracy, we can do better than “master” and “slave.”
{1} Reuters, “‘Master’ and ‘Slave’ Computer Labels Unacceptable, Officials Say,” 26 November
2003, http://www.cnn.com/2003/TECH/ptech/11/26/master.term.reut/index.html (accessed 15
January 2007).
{2} See, for example, Gary Lee Downey and Juan Lucena, “Weeding Out and Hiring In: How
Engineers Succeed,” in Cyborgs and Citadels: Anthropological Interventions in Emerging
Sciences and Technologies, ed. Gary Lee Downey and Joseph Dumit (Santa Fe, N.M., 1997); Ron
Eglash, “Race, Sex, and Nerds: From Black Geeks to Asian-American Hipsters,” Social Text 20
(2002): 49–64; and Lois Powell, “Factors Associated with the Underrepresentation of African
Americans in Mathematics and Science,” Journal of Negro Education 59 (1990): 292–98.
Eglash, Broken Metaphor http://www.historyoftechnology.org/eTC/v48no2/eglash.html
8 of 9 8/10/2008 6:41 PM
{3} The Gill report is quoted by clock inventor Frank Hope-Jones in a lecture to the British
Horological Institute on 19 April 1923. Hope-Jones remarks: “Here the same idea is well
expressed, but is based on a checked gaining rate instead of synchronization and the term ‘slave
clock’ first used.” I am indebted to James Nye, secretary of the Electrical Horology Group, for
this information.
{4} George Forbes, David Gill: Man and Astronomer (London, 1916).
{5} Isobel Gill, Six Months in Ascension: An Unscientific Account of a Scientific Expedition,
(London, 1878).
{6} Although timekeeping systems using a main clock and secondary clocks, as in a school, are
now called master-slave clock systems, that is a fairly recent development. The Standard Electric
Time Company of Springfield, Massachusetts, for example, lists these as “master” and
“secondary” clocks in their catalogs from 1887–90 and 1909. Jeffery Wood, an expert on the
history of Standard Electric, says the term “slave clock” came into informal use there after about
1945.
{7} Thanks to David Read for his account of this event.
{8} John Kemeny and Thomas Kurtz, “Dartmouth Timesharing,” Science 162, no. 3850, 11
October 1968, 223–68.
{9} David Noble, “Social Choice in Machine Design: The Case of Automatically Controlled
Machine Tools,” in Case Studies on the Labor Process, ed. Andrew Zimbalist (New York, 1979).
{10} http://www.pcguide.com/ref/hdd/if/ide/confJumpering-c.html (accessed 15 January 2007).
{11} Sally L. Hacker, Doing It the Hard Way (Boston, 1990).
{12} Joel N. Shurkin, Broken Genius: The Rise and Fall of William Shockley, Creator of the
Electronic Age (New York, 2006).
{13} Philip Morrison and Emily Morrison, eds., Charles Babbage and His Calculating Engines:
Selected Writings by Charles Babbage and Others (New York, 1961), 284 (italics in original).
{14} Sharon Traweek, “Uptime, Downtime, Spacetime, and Power: An Ethnography of the
Particle Physics Community in Japan and the United States” (Ph.D. diss., University of
California—Santa Cruz, 1982). In the transition between Traweek’s dissertation and its
publication as Beamtimes and Lifetimes: The World of High Energy Physicists (Cambridge, Mass.,
1988), parts of the section referenced here were cut.
{15} See, for example, Ron Eglash et al., “Culturally Situated Design Tools: Ethnocomputing
from Field Site to Classroom,” American Anthropologist 108 (2006): 347–62.
{16} Enforcement is really at the heart of this controversy, since many Islamic feminists have
made solid arguments that veiling itself is not problematic as long as the decision is up to the
individual. See, for example, Muslim Women’s League, “An Islamic Perspective on Women’s
Dress” (2006), http://www.mwlusa.org/publications/positionpapers/hijab.html (accessed 11
January 2007).
Ron Eglash holds a B.S. in cybernetics, an M.S. in systems engineering, and a
Ph.D. in history of consciousness, all from the University of California. A
Fulbright postdoctoral fellowship enabled his field research on African
Eglash, Broken Metaphor http://www.historyoftechnology.org/eTC/v48no2/eglash.html
9 of 9 8/10/2008 6:41 PM
ethnomathematics, which was published as African Fractals: Modern
Computing and Indigenous Design (1999). He is now an associate professor of
science and technology studies at Rensselaer Polytechnic Institute. He
thanks James Nye, Martin Ridout, J. E. Bosschieter, Robert Miles, George
Feinstein, Alexis McCrossen, Bud Hippisley, Mitchell Janoff, Burt Kassap,
Mildred Kassap, Martin Campbell, and Jeffrey Wood.
Copyright© 2006–2007, the Society for the History of Technology
... The earliest appearances of "master-slave" terminology in technical settings occurred in 1904 [11]. Since then, the use of "master-slave" terminology has increased substantially in describing engineered systems. ...
... In computing systems, "master-slave" terminology is frequently used to describe how flip-flops function. According to Eglash's research, many Black engineers felt that such terminology does not conceptually make sense as a descriptor [11]. Furthermore, from this research it was revealed that in real industry settings, the "master-slave" relationship is not even apparent according to those same Black engineers [11]. ...
... According to Eglash's research, many Black engineers felt that such terminology does not conceptually make sense as a descriptor [11]. Furthermore, from this research it was revealed that in real industry settings, the "master-slave" relationship is not even apparent according to those same Black engineers [11]. Highlighting this inaccuracy with "master-slave" is important because academia should strive to use nomenclature that is accurate and comfortable for all students to use-not just white and/or male students who have the privilege to feel comfortable accepting the "master-slave" metaphor [1]. ...
... While not comprehensive, the authors believe that this term is the best example of terminology that some students may find problematic. Since previous research has indicated that simply ridding classrooms of problematic terminology may promote Color-Blind Racism [10], [11] , we ask students to suggest alternatives to the "master-slave" terminology for use in the classroom. ...
... Eglash provides a historical context and discussion of the use of "master-slave", however, his analysis of its effects on engineering students and practitioners is limited to a sample of four individuals [10] . Even then, there is no clear recommendation on whether and how the terms should continue to be used or whether they should be retired. ...
... For electrical and computing systems, at least, "master-slave" is a poor analogy for the actual relationships between devices in a system [10], [12] , making the term's use educationally questionable. On the other hand, the authors' experience has shown that the "master-slave" terminology is so prolific that even if it is not introduced in the classroom by an instructor, students will pick it up from technical reference manuals, work experiences, and other source materials. ...
... The use of this terminology began in 1904. Eglash (2007) explored the term's history, its relationship to racialized social connotations, and why it is so popular in engineering, and then posed recommendations for alternatives. In 2004, this term was listed by the Global Language Monitor (Reuters, 2004) as one of the most politically incorrect terms of the year. ...
... Ron Eglash in his paper Broken Metaphor: The Master-Slave Analogy in Technical Literature, traces the origin of this idea to an astrologer in Cape Town in 1904 who used it to describe the relationship between the various clocks's in his sidereal clock innovation. (Eglash 2007) The last stanza of the poem "my words are sacred honey / cannot be bought with blood money" are crucial to Lesego's craft. Throughout the hardship and poverty of the poet, he has never compromised. ...
Article
Full-text available
This essay seeks to provide a personal context to the enigmatic life of the poet and writer Lesego Rampolokeng. The essay divides into three sections which I call a “Foreground” , “Middleground” and “Background” which provide a loose framework for a set of parameters around which to peg this (auto)biographic narrative. Lesego is some-one I met through various politics/music/poetry events revolving around the Shifty Recording Studio—of which I was a partner—during the late1980’s and developed a body of work which we performed in South Africa, Europe and Brazil. I still maintain a friendship with him to this day. The “Foreground” frames the piece by bringing in a recent “incident”, a reality context, around which a theoretical concept for Lesego’s work can be applied. The “incident” which introduces us to an indication of the violence that underpins daily life in South Africa, but more specifically, in Lesego’s reaction; it foreshadows a source of his work, which is a background of juvenile preparedness; to meet inevitable violence. The “Foreground” also introduces the reader to my premise that he could be more usefully categorised as being dadaist or surrealist than the epithets of “struggle”, “praise” or “dub” poet, that so are readily reached for, when dealing with his work. The instance of our 2009 performance at the “Dada South? Experimentation, Radicalism and Resistance” exhibition at the Iziko Gallery in Cape Town frames much of this chapter. The “Middleground” then is the substance of my understanding of his biography, and an analytical look at his work and his influences. I examine the album “End Beginnings”, which we did together in 1990 and the socio-political circumstances around it. I touch on work with William Kentridge on “Faustus in Africa” and Lesego’s pact with the devil; his frightening catholic ambience, the trilogy of God, Man and the State which permeates his work. I look, too, at his fall from favour with the ruling party, throwing his lot in with the Black Consciousness Movement, a more sympathetic home for philosophers and poets. The piece analyses his past writing and how it progresses and informs more current work; where poetry gives way to prose followed by semi-biographic novels. The novel “Bird Monk Seding” (2017) was the most recent at the time of writing this article and, more than any other work of his, emphasises the “graphic” into autobiographic. Readings from “A half Century Thing”, done during 2017 gave rise to a new set of recordings which became the album, “Bantu Rejex” which is also examined. The third section “Background” looks at the historical landscape of the arts and the role of poetry during the struggle years and some of Lesego’s major influences, his background and the formative events of the time. This section also discusses some of the recording studio technology used to make the album and focuses on two songs to see how they were put together. This chapter also looks at the other major poet of the time, Mzwakhe Mbuli, and how he shaped a specific audience and demand for the performance poetry of the era and how that differed from Lesego’s trajectory. The title of this essay quotes a line form the close of “Broederbondage” in the book Talking Rain (1993) “We’re stickfighting against extinction.” spliced together with the title of Amiri Baraka’s famous Black Dada Nihilismus poem, a Lesego favourite.
Article
Full-text available
This paper purports to reflect on the dilemma of rendering racially insensitive science terms from an ethical point of view. It is informed by sociologically-oriented insights from the philosophy of science, science communication studies and translation ethics, with particular reference to Newmark"s conceptualization thereof. It describes the aim for deracializing scientific terms as an act of social and "scientific" engagement on the part of the translator. A set of examples from English and their translation into Arabic are finally analyzed using concepts from the Discourse Historical Approach. Preliminary findings are then reported, along with suggestions for future research.
Chapter
This chapter addresses the copyright in sound recordings, also known as the ‘master rights’. Its first section explores the different devices that have been recognized as containing the ‘master’ recording and which have therefore been protected by copyright law: disc and cylinder masters, tape masters, digital masters. The following section looks at the legislation that addresses these master recordings: sound recording copyright has repeatedly been oriented so record companies are granted ownership. The chapter then documents a response to this situation: despite the criteria of sound recording laws it has become increasingly common for artists to claim these rights. This section looks at the rise of artist ownership and the economic benefits that can be gained from having control. The final section addresses the symbolic value of ownership. It focuses on performers of colour, looking at how they have utilized this copyright to highlight inequities. Black artists have reversed the language of master rights to portray themselves as having been the recording industry’s slaves. In conclusion, the chapter argues that, although recording artists have made progress in gaining control of these rights, the legislative and contractual dominance of record companies has not been overturned.
Article
In a moment of heightened ethical questioning concerning data-intensive analytics, “data ethics” has become a site of dispute over its very definition in teaching, research, and practice. In this paper, we contextualize this dispute based on the experience of teaching data ethics. We describe how the field of computer ethics has historically informed the training of computer experts and how, in recent years, the scholarship on science and technology studies has created opportunities for transforming the way we teach with the inclusion of critical scholarship on relational ethics and sociotechnical systems. The emergent literature on “critical data ethics” has created a space for interdisciplinary collaboration that integrates technical and social science research to examine digital systems in their design, implementation, and use through a hands-on approach. As a contribution to the recent efforts to reimagine and transform the field of data science, we conclude with a discussion of the approach we devised to bridge technology/society divides and engage students with questions of social justice, accountability, and openness in their data practices.
Article
Full-text available
This article examines a long-standing question in the history of technology concerning the trope of the living machine. The authors do this by using a cutting-edge computational method, which they apply to large collections of digitized texts. In particular, they demonstrate the affordances of a neural language model for historical research. In a deliberate maneuver, the authors use a type of model, often portrayed as sentient today, to detect figures of speech in nineteenth-century texts that portrayed machines as self-acting, automatic, or alive. Their masked language model detects unusual or surprising turns of phrase, which could not be discovered using simple keyword search. The authors collect and close read such sentences to explore how figurative language produced a context that conceived humans and machines as interchangeable in complicated ways. They conclude that, used judiciously, language models have the potential to open up new avenues of historical research.
Article
Full-text available
Social Text 20.2 (2002) 49-64 The development of technological expertise requires not only financial resources but also cultural capital. Nerd identity has been a critical gateway to this technocultural access, mediating personal identities in ways that both maintain normative boundaries of power and offer sites for intervention. This essay examines the figure of the nerd in relation to race and gender identity and explores the ways in which attempts to circumvent its normative gatekeeping function can both succeed and fail. Turkle (1984) vividly describes nerd self-identity in her ethnographic study of undergraduate men at MIT. In one social event "they flaunt their pimples, their pasty complexions, their knobby knees, their thin, underdeveloped bodies" (196); in interviews they describe themselves as losers and loners who have given up bodily pleasure in general and sexual relations in particular. But Turkle notes that this physical self-loathing is compensated for by technological mastery; hackers, for example, see themselves as "holders of an esoteric knowledge, defenders of the purity of computation seen not as a means to an end but as an artist's material whose internal aesthetic must be protected" (207). While MIT computer science students might be an extreme case, other researchers have noted similar phenomena throughout science and technology subcultures. Noble (1992) suggests that contemporary cultures of science still bear a strong influence from the clerical aesthetic culture of the Middle Ages Latin Church, which rejected both women and bodily or sensual pleasures. He points out that the modern view of science as an opposite of religion is quite recent, and that even in the midst of twentieth-century atheist narratives, science (and "applied" technological pursuits such as creating artificial life or minds) continues to carry transcendent undertones. Noble's historical argument easily combines with Turkle's social psychology of nerd self-image. Normative gender associations are not the only restrictions that nerd identity places on technoscience access. In an essay whose title contains the provocative phrase "Could Bill Gates Have Succeeded If He Were Black," Amsden and Clark (1995) note that the lack of software entrepreneurship among African Americans cannot simply be attributed to lack of education or start-up funds, since both are surprisingly low requirements in the software industry. Rather, much of the ability of white software entrepreneurs appears to derive from their opportunities to form collaborations through a sort of nerd network—either teaming with fellow geeks (Bill Gates and Paul Allen at Microsoft) or pairing up between "suits and hackers" (Steve Jobs and Steve Wozniak at Apple). But if nerd identity is truly the gatekeeper for technoscience as an elite and exclusionary practice, it is doing a very inadequate job of it. First, while significant gaps are still present, there has been a dramatic increase in science and technology scholastic performance and career participation by women and underrepresented minorities since the 1960s (Campbell, Hombo, and Mazzeo 1999); yet during that time period nerd identity has become a more and not less prominent feature of the social landscape. Second, this change has been far stronger in closing the gender gap than in closing the race gap. For example, in the 1990s the gender gap in scholastic science performance for seventeen-year-olds was significantly lower, while the gap between black and white seventeen-year-olds remained the same. Yet Noble and Turkle portray gender/sexuality, not race, as the overriding feature of nerd identity (Turkle does not, for example, offer any reflections about the possibility of racial identity in her comments about "pasty complexions"). Finally, we might note that in comparison to, say, Hitler's Aryan Übermensch, the geek image is hardly a portrait of white male superiority. Indeed, the more we examine it, the more nerd identity seems less a threatening gatekeeper than a potential paradox that might allow greater amounts of gender and race diversity into the potent locations of technoscience, if only we could better understand it. Of course, to the extent that geekdom fails to create such barriers—to the extent that it allows women and underrepresented minorities to fully participate in technoscience without being nerds—one can simply...
Article
Full-text available
Ethnomathematics is the study of mathematical ideas and practices situated in their cultural context. Culturally Situated Design Tools (CSDTs) are web-based software applications that allow students to create simulations of cultural arts—Native American beadwork, African American cornrow hairstyles, urban graffiti, and so forth—using these underlying mathematical principles. This article is a review of the anthropological issues raised in the CSDT project: negotiating the representations of cultural knowledge during the design process with community members, negotiating pedagogical features with math teachers and their students, and reflecting on the software development itself as a cultural construction. The move from ethnomathematics to ethnocomputing results in an expressive computational medium that affords new opportunities to explore the relationships between youth identity and culture, the cultural construction of mathematics and computing, and the formation of cultural and technological hybridity.
Article
We have learned that success can result in an entirely new set of problems. Our original DTSS, which seemed much too large for a small campus with very few computer users, soon proved unable to handle the demands of the same small campus where everyone seemed to be clamoring for computer services. By 1966 we were planning the second DTSS. With the cooperation of General Electric, we opened in the fall of 1967 a time-sharing system, based on GE-635 hardware, which can handle over 100 users. The NSF has helped us provide computer services to 23 secondary schools and 10 colleges, as well as expanding the local capabilities. This fall we will launch phase II, a fully general-purpose, large-scale, time-sharing system for the GE-635. Like the first DTSS, phase II is again being written by a faculty-student coalition at Dartmouth. It will serve everyone, from the novice to the research worker who needs large production runs. We hope that with our much more powerful hardware we will be able to provide these extended services to some 150 users simultaneously without compromising our basic philosophy of making the system as easy to use for the inexperienced as for our original DTSS. The real test comes this fall. We are confident that the expert faculty user will be very happy. But will our students after a football game still take their dates to the Kiewit Computation Center to show off their prowess with computers?
Weeding Out and Hiring In: How Engineers Succeed
  • Gary Lee See
  • Juan Downey
  • Lucena
See, for example, Gary Lee Downey and Juan Lucena, "Weeding Out and Hiring In: How Engineers Succeed," in Cyborgs and Citadels: Anthropological Interventions in Emerging Sciences and Technologies, ed. Gary Lee Downey and Joseph Dumit (Santa Fe, N.M., 1997);
  • George Forbes
  • David Gill
George Forbes, David Gill: Man and Astronomer (London, 1916).
He is now an associate professor of science and technology studies at Rensselaer Polytechnic Institute. He thanks James Nye, Martin Ridout
Ron Eglash holds a B.S. in cybernetics, an M.S. in systems engineering, and a Ph.D. in history of consciousness, all from the University of California. A Fulbright postdoctoral fellowship enabled his field research on African 8/10/2008 6:41 PM ethnomathematics, which was published as African Fractals: Modern Computing and Indigenous Design (1999). He is now an associate professor of science and technology studies at Rensselaer Polytechnic Institute. He thanks James Nye, Martin Ridout, J. E. Bosschieter, Robert Miles, George Feinstein, Alexis McCrossen, Bud Hippisley, Mitchell Janoff, Burt Kassap, Mildred Kassap, Martin Campbell, and Jeffrey Wood.