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A Circumplex Model of Affect

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Abstract

Factor-analytic evidence has led most psychologists to describe affect as a set of dimensions, such as displeasure, distress, depression, excitement, and so on, with each dimension varying independently of the others. However, there is other evidence that rather than being independent, these affective dimensions are interrelated in a highly systematic fashion. The evidence suggests that these interrelationships can be represented by a spatial model in which affective concepts fall in a circle in the following order: pleasure (0), excitement (45), arousal (90), distress (135), displeasure (180), depression (225), sleepiness (270), and relaxation (315). This model was offered both as a way psychologists can represent the structure of affective experience, as assessed through self-report, and as a representation of the cognitive structure that laymen utilize in conceptualizing affect. Supportive evidence was obtained by scaling 28 emotion-denoting adjectives in 4 different ways: R. T. Ross's (1938) technique for a circular ordering of variables, a multidimensional scaling procedure based on perceived similarity among the terms, a unidimensional scaling on hypothesized pleasure–displeasure and degree-of-arousal dimensions, and a principal-components analysis of 343 Ss' self-reports of their current affective states. (70 ref) (PsycINFO Database Record (c) 2012 APA, all rights reserved)
... Traditionally, emotion research has focused on a small number of basic emotion categories (Descartes, 1989;Ekman, 1992). Additionally, emotions have been proposed to exist along dimensions such as arousal (emotional activation) and valence (positive to negative; Russell, 1980). However, recent studies suggest that de-scribing musical emotions requires a richer vocabulary beyond a limited set of terms and is potentially described by a high dimensional space (Cowen, Sauter, Tracy, & Keltner, 2019;Cowen & Keltner, 2021;Eerola & Vuoskoski, 2013;Eerola & Saari, 2025). ...
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