There was a surprising set of reactions when Mary Jo Hatch began talking about jazz on the colloquium circuit soon after the Vancouver concert. She agonized over these reactions in a brief note she sent to the three co-editors. (A revised version appears below.) Upon reading the note, Weick had a quick, reasonably intense “counterpoint” reaction. Hatch's comment appears below. Following that,
... [Show full abstract] unedited—just as was the case for Berniker's spontaneous reaction to the symposium—we reproduce Weick's comments to the other two editors upon reading Hatch's note.