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Breeding Racism: The Imperial Battlefields of the “German” Shepherd Dog

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Abstract

During the first half of the twentieth century, the Shepherd Dog came to be strongly identified with Imperial and Nazi Germany, as well as with many other masters in the colonial world. Through its transnational diffusion after World War I, the breed became a pervasive symbol of imperial aggression and racist exploitation. The 1930s Japanese empire subtly Japanized the dogs who became an icon of the Imperial Army. How could a cultural construct so closely associated with Germany come to represent many different colonial regimes? Using Imperial Japan as a case study, this paper argues that this symbolic pliability is a derivative of the high functionality, wide adaptation, and conspicuous nature of the Shepherd Dog as protector, deterrent, and enforcer of social control. As a visible intermediary in hierarchal relationships between different human groups, the Shepherd Dog became a powerful metaphor of Nazi and colonial memories throughout much of the world.

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Dogs, like humans, are products both of culture and nature. For the past twelve thousand years they have been entangled with human societies. Dogs connect the wild with the tame. The two themes of extermination and domestication also animate the dog history of southern Africa, part of a broader process of ?bringing in the wild? first under the superintendence of Africans and, from the mid-seventeenth century onwards, European settlers. Each epoch of human-canine interaction produced its own peculiar animal, literally a pre-colonial, colonial and post-colonial dog, as well as its dark doppelganger, the wild, ?Kaffir? or stray dog. This chapter shows that the cynological world is invested with emotional, intellectual, financial, and political narratives, and that equally the human world can usefully be observed through canine eyes. It is now generally accepted that the principal ancestor of the domestic dog (Canis familiaris) is the wolf.Keywords: canine eyes; Canis familiaris; human society; Southern Africa
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Totem: the iconic representation of a specific ordering of plant and animal species. Clan: the representation of a group identity. Totemism: the relationship between totem and clan. From Emile Durkheim and his nineteenthcentury antecedents to Claude Lévi-Strauss, the discussion of totemism has addressed the way in which people classify themselves with reference to the animal and plant world. This discussion began with the observation among different exotic peoples of the widespread practice of arranging certain animal and plant species into a pattern that, while differing from culture to culture in content, seemed to indicate a consistent formal relationship between totem and clan. The iconic representation of so-called nature—the totem—seemed invariably the model for the representation of intra- or intergroup identity—for the clan.
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