Introduction Babafemi Adeyemi Osofisan,a contemporary and Marxist-oriented Nigerian writer, goes by the pseudonym ofOkinbaLaunko. Known as a novelist, playwright and essayist(Adeyemi 2012), most of his workslikeKoleraKolej(1975), Twingle-Twangle A-TwynningTayle(1992), Tegonni: An African Antigone(1999),and others are foregrounded in a "critique of societal problems and his use of African
... [Show full abstract] traditional performances and surrealism [. . .]. A frequent theme his novels explore is the conflict between good and evil. He is in fact a didactic writer whose works seek to correct his decadent society"(Wikipedia2013). This same thematic focus extends to Morountodun, the play-in-a-play text under consideration in this paper. The text is a documentedanalysis and dramatic discourse based on the revolt of ordinary farmers against the high-handedness of the Nigerian Government in its taxation policy and implementation amongst other social ills. The factual and recorded revolt, the Agbekoya Uprising of September 1969 (Agbekoyain Yoruba language -one of the foremost Nigerian languages -means 'Farmers Reject Suffering or Oppression'), shook the government to its roots. In reacting, the government showed its callousness, rigidity and oppressive tendencies towards the common man by physically attacking the farmers. In writing this factional play, the playwrightseeks to attack the political corruption, taxation imbalance and national injustice entrenched in the psyche of the government and its operators.In the post-independence euphoria of 'baby' Nigeria in the 1960s (the country got her independence from Britain on October 1, 1960), the national and regional governments became spendthrifts as they were peopled by corrupt politicians. Theirs was to siphon the treasuries, as it was the duty of the people to supply their needs. Corruption was, therefore, rife and a way of life. Osofisan in Morountodun seeks to examine aspects of this national disease in the form of taxation and its attendant effects on the common people, lack of roads and infrastructural development, corrupt government officials, oppression of the people and other hydra-headed socio-political problems. According to him: In the plays which l have written onto the bleeding pages of this troubled age, l have sought, advisedly by suggestive tropes, to deny consolation to the manufacturers of our nation's anomy, and at the same time to stir our people out of passivity and evasion. (1997: 24)