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Abstract

Tussah silk is well known for its fast fawn colour, which is often preserved in the manufacture of dress and other fabrics. Hence the processing of tussah for fabrics has not been very common, except for certain ladies' apparel such as sarees, scarves, etc. Little information on the practical processing of tussah silk has appeared in the technical literature. The present paper will attempt to review the preparation, dyeing, printing and finishing of tussah silk based on laboratory and mill experience.
... Tussah silk is different from Bombyx mori silk in the following aspects: appearance and color, amino acid composition, morphological structure, crystalline structure, stability to chemicals, and mechanical behavior. Raw tussah silk is ecru to dark brown in appearance due to a high content of natural pigments, which can not be completely removed by means of degumming and bleaching (Das, 1992). In general, bleached tussah textiles are light yellow. ...
... Tussah silk has lower tensile strength but higher elongation at break than Bombyx mori silk (Freddi et al., 1995;Uzumcu et al., 2021). In addition, tussah silk exhibits stronger resistance to acid, alkali and bleaching agents than Bombyx mori silk (Das, 1992;Freddi et al., 1995;Liddiard, 1982). ...
... Acid, metal-complex, direct, and reactive dyes are often used. However, when the same apparent color depth is desired, tussah silk requires a higher quantity of dyes than Bombyx mori silk, likely due to its flatness cross-section (Das, 1992;Liddiard, 1982). Tussah silk itself is short of functionality. ...
... Therefore, in the case of dyeing at 90 • C, it would be better that the fixation of SES dyes be carried out in an alkaline medium. Previous reviews pointed out that when the same apparent color depth was expected, tussah silk required a greater quantity of acid dyes than mulberry silk, probably due to its flat cross-section [2,34]. Evidently, the build-up ability of reactive dyes is also important for the deep dyeing of tussah silk. ...
Article
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Tussah silk is one of the most widely used wild silks. It is usually dyed with acid dyes, despite the shortcoming of poor wet fastness. Reactive dyeing is a good solution to this problem. In our work, sulfatoethylsulfone (SES), sulfatoethylsulfone/monochlorotriazine (SES/MCT), monochlorotriazine (MCT), and bis(monochlorotriazine) (Bis(MCT)) dyes were used to dye tussah silk. All of these dyes showed lower exhaustion and fixation on tussah silk than on mulberry silk under alkaline conditions. Among them, SES dyes were more applicable, with a fixation of 70–85% (at 4%owf dye) at 90 °C when using sodium bicarbonate as an alkali. SES dyes also showed a rapid fixation speed. The dyeing of tussah silk required lower sodium bicarbonate dosage, the use of more neutral electrolytes, and a higher dye quantity to achieve deep effects compared to mulberry silk. Dyed tussah silk displayed lower apparent color depth and brilliance than dyed mulberry silk. The neutral boiling dyeing of tussah silk with SES dyes exhibited higher exhaustion, higher fixation (82–92% at 4%owf dye), and a slower fixation speed compared with alkaline dyeing. Furthermore, in this dyeing method, SES dyes showed higher and more efficient fixation on tussah silk than on mulberry silk. All dyed tussah silk had excellent color fastness to soaping.
... The original color of the fiber can be preferred in clothing without dyeing. If dyed, color yield on tussah fiber would be the half of mulberry silk, according to Das (Das 1992). Wild silk fiber types generally have lower tenacity but higher elongation values than mulberry silk fibers (Padaki, Das, and Basu 2015). ...
Article
Although it has been used for centuries; silk’s appearance, touch, and other high-quality properties maintain the popularity of the fiber. However, there are different types of silkworms, so different types of silk fibers are available. Other than Mulberry silk there are some others: eri, muga, tasar and tussah, which are generally deemed “wild silk”. In this study, color fastness properties of one of these wild silk fibers: tussah was investigated in comparison with mulberry silk fiber. For comparison, mulberry and tussah silk fibers were blended with cotton, viscose rayon, and modal fibers and spun using open-end rotor spinning system. After yarn productions; single jersey fabrics were knitted, pretreated and dyed. Color fastness tests were made to evaluate the performances. Results indicate that both types of silk fibers are appropriate for spinning and knitting processes and the fastness results revealed that mulberry fibers resulted with better color fastness properties in comparison with tussah silk fibers.
... Tropical tasar ( Figure 2) has copperish colour and coarse fibers (in comparison with mulberry silk) 8,30 . Silkworm diet contains trees Terminalia tomentosa (asan tree), T. arjuna (arjun tree) and Shorea robusta (shala tree) 31 . The shape of the cocoon is oval like the rest of the wild silks, its colour is brown, it has a wall thickness of 0.38±0.02 ...
Conference Paper
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As being one of the most important textile fibers, silk has drawn attention of specialists for a long time. Fiber’s extraordinary features, due to its structure, are the reasons for this. This animal fiber, commonly known as silk, is the mulberry silk produced by the silkworm called Bombyx mori. In addition to this, there are also different silk types which are called as “wild silk” and obtained from the cocoons of the worms that they produce for completing their metamorphosis. Although their use is not as common as Mulberry silk, utilization of wild silk fibers - generally produced in India and China - in textiles have been increasing in recent years. There are various studies about wild silk fibers which have different types such as Eri, Muga, Tasar and Tussah. Moreover, spider silk can be categorized in wild silk fiber group. In this study, wild silk types, their properties and utilization in textiles are introduced.
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A short description of the production of tussah (wild silk) is given. The degumming, batch dyeing, semi-continuous dyeing and finishing of tussah yams and fibres are described.
Tasar culture, Central Tasar Research Station
  • M S Jolly