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Sounds and Prosodies

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... It can be placed broadly within the Firthian prosodic tradition of phonology (e.g. Firth, 1948; for a discussion, see Sampson, 1980) and is multi-metafunctional, multimodal and meaning-focused in scope. The various sound distinctions produced in the vocal tract can be broadly classified into those that realize phonemic distinctions (the vowels and consonants of a language) and those realizing non-phonemic distinctions -the latter often referred to under the heading prosodic phonology (e.g. ...
... The various sound distinctions produced in the vocal tract can be broadly classified into those that realize phonemic distinctions (the vowels and consonants of a language) and those realizing non-phonemic distinctions -the latter often referred to under the heading prosodic phonology (e.g. Firth, 1948;Crystal, 1969;Hirschberg, 2002;Jun, 2005). It is the latter resources that we focus on in this chapter. ...
... In the process, these linguists raise public awareness of functionalism in linguistics and inspire other scholars to do research, develop and expand functional approach. Halliday's SFG has been constructed and developed on the ground of Firth (1948) and Hjelmslev (1969) account. Halliday (2002:12) follows Hjelmslev and Firth in distinguishing theoretical from descriptive categories in linguistics. ...
... He argues that 'theoretical categories, and their inter-relations, construe an abstract model of language...they are interlocking and mutually defining". Firth (1948) explains the three significant matters: prosodies, context and system versus structure. First, he points out that prosodies are features extending over stretches of an utterance. ...
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It is difficult to track the philosophy foundation and epistemology of systemic functional grammar (SFG) formulated by Halliday in the 1980s as this kind of grammar views language as a systemic resource for meaning. Besides, it has had global impacts on linguistics and flourished in contemporary linguistic theory. Anyone who is familiar with Halliday’s work realizes that his SFG is an approach designed to analyze English texts. Halliday (1994: xv) explicitly states that “to construct a grammar for purposes of text analysis: one that would make it possible to say sensible and useful things about any text, spoken or written, in modern English.” The aim of this study is not about the applicability of SFG to text analysis as many researchers and scholars do. Our efforts are made to clarify the philosophical foundation of Halliday’s SFG. The paper presents on triangle: (i) language, mind and world; (ii) and empiricism in Halliday’s SFG.
... We will merely provide pointers to the relevance of this line of research for the notions of canonical and reduced forms. In particular, the notion of prosodies as devel- oped by Firth (1948) is crucial insofar as it represents a bridge between Trubeckoj's neglected concerns on the one hand and the later literature on reduction on the other. Prosodies are defined as abstractions that concur to describe "word struc- ture and its musical attributes", thus going beyond the linear and discrete rep- resentation provided by "the total phonological complex" (Firth 1948: 123). ...
... An early formulation of the problem, which joins ends with our discussion in Section 9.2.1 on the importance of written evidence in the early phases of modern linguistics, can be found again in Firth (1948): ...
Chapter
We conclude the book’s reflections on reduction and reduced forms by exploring the complementary concept of canonical forms, which has profoundly shaped research on sound segments and their realization. Canonical forms have been described as symbolic, linear, and minimalistically contrastive representations, as in the case of phonological transcriptions of words. They have been conceived as mental word templates that can be eroded step by step in speech production, and then have to be reconstructed in speech perception. As a consequence, in theories focusing on canonical forms, reduced forms have often been relegated to energy efficiency or mere performance accidents. Drawing insights from (a) the history of linguistics (with a focus on the reasons behind the long-standing success of canonical forms) and (b) the book’s contributing chapters (with a focus on how the study of reduced forms can inform linguistic theory), we identify four directions into which reduction research must be extended in the future with empirically rather than canonically defined reference forms. These are reduction patterns and reference forms in the area of prosody, reinforcement or strengthening as the antithesis of speech reduction, factors for predicting degree of reduction and their phonetic results, and, with regard to the latter, the separate contribution of reduction to communicative function. These research directions will help us to reassess our understanding of the dichotomy between canonical and reduced forms.
... The case of Turkish played a role in the development of a distinctive feature framework out of the distinctive-oppositions framework advanced by the Prague school (Trubetzkoy 1939 not necessarily regarded as properties of single segments, but might also extend over larger domains like the syllable or the word. Such properties were called 'prosodies' (Firth 1948). A representative exponent here would be Waterson (1956), who analyses Turkish vowel harmony by means of four prosodies, viz. a front and a back prosody, and a rounded and a non-rounded prosody. ...
... As such, it exists on the metrical tier and requires a metrical foot to surface. For similar analyses of glottalization as a prosodic feature, see Bradley (1970), Firth (1948), Penner (2019), Pike and Small (1974 The constraint which captures this relationship between metrical structure and glottalization is FOOT{ʔ} (67). Since the glottal stop is a feature of metrical foot, it needs to a metrical foot to surface, but its exact position with the foot is determined through a ranking of different constraints. ...
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This paper describes and analyzes phonological processes pertinent to the glottal stop in A’ingae (or Cofán, iso 639-3: con). The operations which the glottal stops undergo and trigger reveal an interaction of two morphophonological parameters: stratum and stress dominance. First, verbal suffixes are organized in two morphophonological domains, or strata. Within the inner domain, glottal stops affect stress placement, which I analyze as an interaction with foot structure. In the outer domain, glottal stops do not have any effects on stress. Second, some verbal suffixes delete stress (i. e. they are dominant). Dominance is unpredictable and independent of the suffix’s morphophonological domain, but dominance and the phonological domain interact in a non-trivial way: only inner dominant suffixes delete glottalization. To account for the A’ingae data, I adopt Cophonologies by Phase (Sande et al. 2020), which (i) models phonological stratification while (ii) allowing for morpheme-specific phonological idiosyncrasies, which (iii) interact with the phonological grammar of their stratum. Stress deletion triggered by the dominant suffixes is modeled with AntiFaithfulness (Alderete 1999, 2001). Antifaithfulness to a metrical foot entails antifaithfulness to its features (glottalization). This captures the fact that only the inner dominant suffixes delete glottal stops.
... The extreme behaviour of tone by way of movement, spread, floating, segmentalisation, contraction, deletion, to mention but a few, had long been recognised by linguists, thus paving way for a robust account of the tonal alternations in the orientation of the structuralists/descriptivists (e.g., Firth 1948, Pike 1948, Winston 1960, Armstrong 1968, Schachter & Fromkin 1968, Welmers 1969, Hyman and Schuh 1974, Hyman 1979, Emenanjo 1976, Elimelech 1976, Clements 1979, Chumbow 1982, Williamson 1986, among many others). However, with the adoption of the theoretical machineries of AP and OT, the characteristics of tone in (West) African languages (and, indeed, those of Asian languages) could well be understood. ...
Article
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https://rupkatha.com/v15n202 Full-text PDF https://rupkatha.com/V15/n2/v15n202.pdf Abstract Ùrhòbò is a southwest Edoid language spoken in southern Nigeria. Its tonal patterns have been studied, but from a descriptive perspective, which, from a theoretical standpoint, potentially limits the understanding that tonal deviations from underlying forms are essentially due to resolutions of conflicts between some competing constraints. This study adopts the Optimality Theory (OT) to reveal the competing universal constraints: IDENT-T, MAX-T; NoFUSION; LINEARITY; DISASSOC; ALIGN-R CONTOUR; OCP; SPECIFY-T; *FLOAT; and NoCONTOUR. The study shows that these constraints crucially govern the Urhobo tonal patterns such as (i) downstep; (ii) single multiply-linked high (H) tone; (iii) single multiply-linked low (L) tone; (iv) boundary H.H and L.L tones fusion; (v); H-tone preservation; (vi) LH-tone preservation; (vii) floating H tone; and, (viii) final HL contour tone. Moreover, it highlights two Ùrhòbò-specific tonal alternations listed in (v) and (vi), which exhibit preservation of H and LH tones at the expense of L tone, post-lexically. Consequently, it proposes four markedness constraints NoH.L-T, NoL.H-T, NoH.LH-T, and NoL. to explain the preservation effects. Our findings support phonologists' view that, crosslinguistically, universal (and language-specific) constraints are those that motivate tonal deviations from input forms in tone languages, and that minimally marked tonal outputs are the result of markedness dominance over faithfulness.
... In this paper I restrict myself to phonology. In future work it would be valuable to determine what is specific to phonology and what generalizes to other parts of grammar also. 2 This is not to say that segmentation is uncontroversial, either in its particular details or in the fundamental correctness of the assumptions that stand behind it (e.g.Firth 1948). Segmentation entails a discretization of the temporal unfolding of speech. ...
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Typologists strive to compare like with like, but four dilemmas make this challenging in phonology: (1) the non-uniqueness of phonological analysis; and the existence of (2) multiple levels of analysis; (3) multiple theories of phonology; and (4) analytical interdependencies between phonological phenomena. Here I argue that the four dilemmas can be coherently related, and then addressed together. I introduce the concept of criterial conflicts, derived from notions in canonical typology. Criterial conflicts arise in the presence of an unexpected pairing of properties that pulls an analysis in two directions. This contradictory pull and its resolution in different directions leads by various paths to the four dilemmas. Concrete strategies are then discussed for countering the common, underlying problem. I observe that criterial conflicts are well handled by factorial analysis (i.e., multiple normalization) and multivariate analysis, but not by simple normalization. Illustrative examples are taken from the canonical typology of segments.
... Following Jakobson et al. (1951), the features provide the "glue" between action and perception (because features must have definitions in terms of both action/articulation and perception/audition), and I also claim, following Poeppel et al. (2008) (but with much less evidence), that features constitute a basic element of storage in long-term memory. An individual event can have multiple features; equivalently, features can be bound together in an event, yielding segmentlike properties (like Firthian sounds; see Firth 1948, Kazanina et al. 2017, or events can contain relatively few features, even just a single feature, leading to autosegmental-like behaviours (akin to Firthian prosodies). ...
Article
Substance-free phonology or SFP (Reiss 2017) has renewed interest in the question of abstraction in phonology. Perhaps the most common form of abstraction through the absence of substance is underspecification, where some aspects of speech lack representation in memorized representations, within the phonology or in the phonetic implementation (Archangeli 1988, Keating 1988, Lahiri and Reetz 2010 among many others). The fundamental basis for phonology is argued to be a mental model of speech events in time, following Raimy (2000) and Papillon (2020). Each event can have properties (one-place predicates that are true of the event), which include the usual phonological features, and also structural entities for extended events like moras and syllables. Features can be bound together in an event, yielding segment-like properties. Pairs of events can be ordered in time by the temporal logic precedence relation represented by ‘<’. Events, features and precedence form a directed multigraph structure with edges in the graph interpreted as “maybe next”. Some infant bimodal speech perception results are examined using this framework, arguing for underspecification in time in the developing phonological representations.
... The study of the syllable was a natural development of autosegmental phonology. The connections between prosodies and autosegmental tiers have been well documented (Firth, 1948; see also Coleman, this volume; Leben, this volume). Three of the primary motivators of this development were that i) tone bearing units TBUs were syllabic rather than segmental units (Goldsmith 1976), ii) the syllable more elegantly accounted for a wide variety of phenomena than the segment in SPE (Hooper, 1972), and iii) segmental identity itself was often determined by the role the feature bundle played in the syllable (e.g., vowel~glide alternations; Itô 1986;Levin 1985;Dell and Elmedlaoui 1985). ...
Article
This chapter outlines the contribution of autosegmental phonology to the field of sign language phonology. Phonological description is influenced by the theoretical models used to express them, and at the time of Goldsmith’s thesis (published in 1976), research on sign language phonology was still in its infancy. In Stokoe (1960), the first monograph of sign language phonology, phonological representations of American Sign Language (ASL) were described very differently than phonological representations of spoken languages at the time. Two phenomena from autosegmental theory that were of great benefit to sign language phonology will be discussed in this paper. First, the simultaneous and multi-dimensional possibilities inherent in autosegmental phonology provided a means to talk about the sign language “parameters” of handshape, movement, and place of articulation in terms that were comprehensible to researchers working on spoken languages. Second, the link between autosegmental phonology and prosodic structure, and advances in our understanding of the syllable, allowed syllable weight and sonority to be considered according to both its simultaneous and sequential organization, rather than via sequential mechanisms alone.
... En particular, las teorías "no lineales" convergen con la aproximación basada en moldes en cuanto a la representación multilineal que sitúa distintos rasgos en distintas posiciones del esqueleto prosódico. El principal antecedente de ambos enfoques proviene de la aproximación prosódica a la fonología planteada por Firth (1957), quien utiliza la metáfora de la notación musical para describir las representaciones fonológicas. La consecuencia lógica de esta representación no lineal es la necesidad de considerar la palabra como la unidad básica de análisis fonológico, que caracteriza al enfoque de los moldes y a la fonologóa no lineal. ...
... Este fono labiodental es complejizante (de articulación neutra a desplazada, el labio inferior retrocede y contacta los dientes superiores, Laver, 2004: 137). Los postulados y marco teórico provienen del Modelo Polisistémico Natural, MPN, de orientación neofirciana (Firth 1948, fuente primigenia de la visión polisistémica, radicalmente opuesta a la simetría unisistemicista del reduccionismo fonémico; Chela-Flores 1998, 2000. Además, como señal de errores o desconocimiento de la necesidad de ampliación analítica de los instrumentos fonéticofonológicos y las consensuadas categorías, podemos citar la inexistencia de fricativas "débiles" a pesar de que algunos fonetistas todavía erróneamente, lo sugieren. ...
Article
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Los objetivos son la reinterpretación del continuum variación‐cambio y la situación especial del español entre las lenguas neolatinas. Se propone un proceso socio‐evolutivo entre la milenaria divinización del lenguaje y la estandarización, un producto de la Modernidad, ambas fases con motivaciones y manifestaciones diferentes. La gradación variación‐ cambio actual se deriva, en buena medida, de la co‐ existencia de una presunta superioridad univarietal — desarrollada entre las fases evolutivas propuestas— y la interacción sociocomunal. La reinterpretación de esta situación evolutiva enfatiza el concepto clave del continuum y su polaridad, añadiendo otras dimensiones, entre las cualesse destaca la indetenible gradiencia dialectal. Se propone, por primera vez, una modificación del restrictivo concepto de distribución complementaria de un nivel —básico en el ciclo de vida del fonema tradicional— al añadir un segundo nivel. Esto es posible a la luz de la unión de la fonología cognitiva y el uso interaccional sociocomunal, que da otra dimensión explicativa al concepto del fonema, considerado entidad imperecedera. Se analiza la alta inteligibilidad interdialectal hispánica —notable entre lenguas neolatinas— para la cual se plantea una explicación basada en su excepcional vocalismo.
... For phonology, I had not seen any example of systemic functional phonology at all. I had seen Firthian phonology (e.g., Firth 1948;Palmer 1970), but while this phonology was prosodic and polysystemic, it was not that systemic in the sense of systemic phonology (cf. Matthiessen 2021). ...
Chapter
This chapter first summarizes the contributions of Systemic Functional Linguistics (SFL) to computational linguistics. It elaborates on Martin Kay’s Functional Unification Grammar, highlights the achievements of the Penman Project on text generation directed by William C. Mann and comments on the influences from computational linguistics on SFL. The connections between Cardiff Grammar and Nigel Grammar are also discussed.
... Stressed vowels are produced with greater intensity and duration than reduced vowels, and thus are more perceptually salient to listeners (Flemming 2009;Harrington 2010). In contrast, syllable-timed languages usually do not have reduced vowels in unstressed positions and tend to give syllables approximately equal prominence (Firth 1948;Dauer 1983;Auer 1993;Dankovi cov a & Dellwo 2007). In other words, syllables in syllable-timed languages are more similar to each other. ...
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A growing body of literature suggests that the world's languages can be classified into three rhythm classes: mora-timed languages, stress-timed languages, and syllable-timed languages. However, scholars cannot agree on which rhythmic measures discriminate rhythm classes most satisfactorily and whether the speech rate factor should be considered. In this study, we analyze speech production by bilingual speakers, and compare their production with that of monolingual speakers and ESL speakers. Our rhythmic metric measure results show that when speech rate is taken into consideration, a combination of the two metric measures for vowels, Varco∆V and vocalic nPVI , is most reliable in discriminating different rhythm classes, while consonants do not seem effective, whether the speech rate factor is included or not.
... Second, even in the same segmental environments, a given phoneme can have strikingly different phonetic 1 As a result, the linguistic, phonetic and perceptual role of the segment was put under examination. Studies undermining the central role of the phoneme started with acoustic investigations on perceptual units (Cooper et al. 1952), progressed within Firthian and articulatory phonology in the following decades (Firth 1948;Browman & Goldstein 1986), and have been recast in connection with the history of writing systems already since Faber (1992), and more recently by Albano Leoni (2006) and Port (2006). ...
... And secondly, because in a similarly unreflective way to Bickerton's argument, the 'theory' says so. The theory in this case is that of 'autosegmental' phonology (Goldsmith, 1976), which from a historical point of view has largely rediscovered some of the insights of prosodic phonology of 30 years earlier (Firth, 1948;Robins, 1957). 'Historically' , as Brown remarks with unconscious irony -the only 'history' that matters started in 1957! -'there has been a long standing debate in [generative] phonology between a so-called levels perspective and a so-called configurations or contours perspective' . ...
Article
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If music is treated as a kind of 'language', then it makes sense for musicology to borrow from linguistics in order to define exactly what sort of a 'language' music is. However, not only does this avoid the challenge of defining music on its own terms, it also brings across a whole lot of unnecessary historical baggage. Through a close analysis of selected texts, the current article critiques some recent work in musicology, showing how it is based on a far too narrow understanding of what constitutes linguistics, i.e. basically formal linguistics. It points out some of the dangers of interdisciplinary work such as Brown's (2001) 'musilanguage' model, and shows how a less than careful borrowing of linguistic concepts can vitiate the usefulness of such system-building. It then traces the source of much of this borrowing in Lerdahl and Jackendoff 's (1983) highly influential work drawing on generative linguistics, and shows how a framework that privileges structure over meaning, system over text, and the cognitive over the social, is unable to provide a broader understanding of music beyond pattern recognition. It calls for a greater methodological scepticism among musicologists towards linguistics, and a greater self-consciousness about borrowings across disciplines.
... Semantic prosody is a significant but controversial concept in corpus linguistics. It was first described by Sinclair (1991) learning from the concept of 'prosody' in the phonetic research of Firth (1948). The term semantic prosody, used in public for the first time by Louw (1993), has attracted widespread attention from academic circles. ...
Article
This paper studies the implicit structures and the diffusion modes of semantic prosody on the dependency networks of some English words such as cause and their Chinese equivalents. It is found that the structure of semantic prosody is a bi-stratified network consisting of a few large clusters gathering in the center with most nodes of low dependency capability scattered around. With regard to the diffusion modes, results show that: (i) within one shortest path length, the core words directly attract the nodes with the same or similar semantic characteristics and exclude those with conflicting ones, creating the clearest and the most intense semantic diffusion; (ii) over one shortest path length, semantic diffusion is achieved through content words or function words, and the semantic diffusion modes created with function words as bridges are relatively vaguer and more complicated ones. This conclusion also results in the semantic prosodies of other English words and their Chinese equivalent words, revealing, to some extent, a common cognitive approach to understanding the internal structure and the diffusion modes of semantic prosody.
... • Autosegmental phonology is a theory of the phonetic representation of phonological elements whose early insights came from Bloch (1948), Firth (1948) and Hockett (1955) among others. As Goldsmith (1976:16) explains, ...
Presentation
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The topic of this academic discussion is interesting as it leads us to rehearse major landmarks in the development and growth of phonology, and must be appreciated, not only for the information and learning it provides to suit intelligent agitations, but for addressing age-old quests in the development of the phonological sciences and linguistics. • Volume however constrains the discussion to focus on the linearity variable-a notion that tends to divide investigations in phonological history into two major perspectives that contingently make the field strong; as they are the duo to know, to know the phonological sciences holistically.
... This assumption is by no means an innovative step; indeed, the essence of this notion may be traced back to a period which pre-dates even the earliest autosegmental models of the 1970s -to the work of J.R. Firth and others associated with the London School of Linguistics. Firth's theory of Prosodic Analysis® developed in resistance to the prevailinĝ°S ee Firth (1948) for an insight into the motivation behind this theoretical stance. The reader is also referred to S.R. Anderson (1985) for a short introduction to Prosodic Analysis, while a more detailed discussion is found in Palmer (1970). ...
Thesis
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A number of constraint-based models of phonology have established a shift in emphasis away from rules and derivations towards a more representationally-oriented view of description. This enrichment of representational structure has led to a significant reduction in the generative power of the phonological component. This thesis proposes that the advantages of the Element Theory (Kaye et al. 1985, Harris & Lindsey 1995) approach to melodic structure - which maintains this trend towards greater generative restrictiveness - may be enhanced by the introduction of an intra-segmental geometry of melodic tiers. A hierarchy of element tiers for vowels is constructed according to the same principles of licensing that control prosodic structure, allowing a unified representational hierarchy that highlights the interrelatedness between melody and prosody. The melodic geometry of a language is built around a limited set of parametric choices that control tier sharing/division, the structural dependency relations holding between elements, and the possibilities for licensing a complement tier (which replaces the notion of melodic headship). The sub-segmental tier structure of a language provides a melodic template, latently present under all prosodic positions, which delimits the range of oppositions each position may potentially support. This template interacts with only a single kind of lexical activation instruction - ACTIVATE [α] - which typically applies at the skeletal level to give the kinds of 'segmental' contrasts found universally. Licensing Inheritance (Harris 1992, 1997) then applies throughout the unified melodic-prosodic structure, predicting various dynamic phenomena and distributional asymmetries associated with prosodic strength and structural complexity. Optionally, activation is specified at higher prosodic levels (e.g. foot, word), resulting in the interpretation of a melodic property over a domain larger than the segment. While a word-level instruction ACTIVATE [A] describes height harmony, for example, a similar specification of a complement tier will predict the alternation patterns of tongue root harmony systems. Analyses of languages exhibiting ATR harmony (Turkana, Bari, Kinande) and RTR harmony (Yoruba, Wolof) demonstrate (i) the restrictive nature of the tier geometry model and (ii) its capacity for incorporating typological variation such as opacity versus transparency and a~ə alternations.
... It has often been assumed that in English there is a relationship between r and schwa (Firth 1948, Jones 1969, for example). Broadbent (1991) ...
Thesis
In this thesis I am concerned with the way in which coronal segments should be represented. I argue that coronality is a phonetic rather than a phonological concept and that coronal segments are represented in the phonological component by the aperture particle A. In vowels, the aperture particle represents the central vowel of the language. In a language such as English therefore, A represents schwa. One consequence of this is that I am able to establish a connection between the most commonly unmarked vowel (i.e. a schwa-/a/ type vowel) and the unmarked oral place, namely coronal. In chapter 1, I set out the background to the study of the representation of coronal. In the general background I outline the representational issues which a thesis of this kind needs to consider. The specific introduction deals with two contemporary phonological debates in which coronals are central. The first concerns the extent to which consonants and vowels share the same place features and the second concerns their unmarked and special status. In chapter 2, I discuss the classic problem of linking and intrusive r in English. I argue that r-sandhi is a process of Glide Formation. Once r-sandhi is viewed in this way two consequences ensue. First of all, I can provide a non-arbitrary account of this problem and secondly, a connection is suggested between schwa, represented by A, and /r/. In chapter 3, I consider the possibility that the use of A can be extended to other coronal segments. The principle data source is English. Specifically, synchronic dialectal phenomena and some diachronic phenomena are adduced as evidence for a A-coronal connection. Having established this, I consider the way in which coronal can be derived from A. Chapter 4 discusses the implications of the representation of consonantal place in a system where coronal is represented by A. Chapter 5 considers the implications of the link between schwa-A and coronal for the special status of coronals. Finally, in chapter 6, I return to the widely-held coronal-vowel connection introduced in chapter 1. I discuss an approach which groups coronal consonants with front vowels and evaluate some of the evidence put forward to support this class. I demonstrate that some of the main supporting evidence is more compatible with the coronal-A approach.
... The idea that the meaning of a word is colored by its co-occurring words, and that meaning is "not ascribable to words in isolation" but "established on the basis of words and the context in which they occur" (Dam-Jensen and Zethsen 2008: 205) is further developed into the notions of 'semantic prosody' and 'semantic preferences. ' Semantic prosody was first mentioned in Firth (1948), although his use of the notion was limited to "phonological coloring which spreads beyond semantic boundaries" (Zhang 2010: 190). This was later discussed further by Sinclair (1987), and in 1993 Louw defined semantic prosody as the "constant aura of meaning with which a form is imbued by its collocates" (1993: 159). ...
Article
The concept of ‘individualism’ is central to modern understandings of human behavior and society, yet it is also an example of a “new” concept introduced to Chinese society in the early 1900s. Due to the complex interplay between linguistic, socio-cultural, and ideological factors involved, the meaning of ‘individualism’ has undergone continual change from the early 1900s to today. As translation not only plays a vital role in knowledge dissemination, but is also a site where dynamic knowledge negotiation is carried out, this study uses a corpus-based methodology to examine the ways in which ‘individualism’ has been redefined, re-established and reconstructed in China through translation during the period between 1910 and 2010. The study ultimately argues that concepts and ideas are constantly renegotiated and redefined as they travel from one culture to another, and as they travel through time.
... Similarly, the use of segments as relevant landmarks for the text implicitly assumes a strictly sequential representation of speech. This view has been challenged by models that emphasise the temporal overlap in the activation of different articulators [9], the continuous nature of the acoustic signal [10], the integrated nature of speech perception [11] and the epiphenomenal nature of phoneme-sized units [12]. ...
Conference Paper
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A widespread approach to research on intonation categories involves extracting relevant landmarks in the tune (e.g. F0 turning points) and relating them to relevant landmarks in the text (e.g. phone boundaries). This approach is problematic, both in theoretical terms (e.g. no consensus as to what is a relevant landmark in either domain) and in practical terms (e.g. locating segments and F0 turning points with either error prone automatic annotations or time-consuming manual annotations). We propose and test an alternative approach that overcomes both types of problem. The tune is modelled taking into account the shape of F0 contours, and the text is modelled by means of periodic energy curves. We exploit the interaction between these two dynamic trajectories to observe and quantify intonation. Compared to the standard approach, our method requires less manual work and makes fewer theoretical assumptions, but nonetheless has similar descriptive power.
... Our phonological analyses are based upon Halliday's (1970) systemic functional phonology which was in uenced by Firth's (1948) work on non-segmental prosody and work in Chinese phonology (Wang 1936). This approach to phonology takes the foot as the fundamental rhythmic unit of spoken English (for a related discussion of rhythm see Caldwell this volume). ...
... The latter was "explained in a separate appendix, worth study by itself as a clear illustration of the prosodic method of phonological analysis pioneered by Firth" (Robins 1961: 377). Firth (1948) opposed the analysis of the speech signal as a sequence of phonemes, i.e. discrete segments defined by fixed sets of features. Rather, he postulated that phonetic features may spread across segments, which he referred to as prosodies. ...
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