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Revitalizing the Lawyer-Poet: What Lawyers Can Learn from Rock and Roll

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This essay offers a novel take on the crisis of professionalism and its causes, consequences, and cure. I suggests that one reason for the failure of the bar's twenty-year campaign to revive professionalism is because it has misidentified the problem as lawyer's increased business behavior. Instead, the essay argues that the roots of lawyers' decreased commitment to the public good can be found primarily in the social changes of the 1960s that made untenable professionalism's dichotomy between self-interested businesses and altruistic lawyers. Rather than dwell on the bar's failed strategies, the essay instead offers rock and roll as a possible source of inspiration. While trying to make money, rock musicians find passion in their work, serve as both social critics and members of the establishment, and make music with a democratic appeal. Why couldn't lawyers also make money, have fun, and do good? Their everyday work can be full of passion, even when they represent corporate clients. But the more difficult obstacles to embracing the spirit of rock and roll are in acknowledging moral responsibility and employing a democratic approach to access to justice. This analysis tracks a DVD film essay of the same name. The film's Director is Brian Danitz, whose previous credits include a Sundance featured documentary and the cinematography of Bowling for Columbine. To place an order for the DVD and associated teaching materials, email lawyersrock@law.fordham.edu.
Electronic copy available at: http://ssrn.com/abstract=908897
Fordham University
School of Law
June 2006
Revitalizing the Lawyer-Poet: What Lawyers
Can Learn From Rock and Roll
Russell G. Pearce
Professor of Law
14 Widener L.J. 907 (2005)
(Symposium on The Lawyer as Poet Advocate: Bruce Springsteen and the American Lawyer)
This paper can be downloaded without charge
from the Social Science Research Network electronic library:
http://ssrn.com/abstract=908897
Electronic copy available at: http://ssrn.com/abstract=908897
Electronic copy available at: http://ssrn.com/abstract=908897
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Understanding art and its various manifestations and forms as social representations, this manuscript demonstrates how the rock, critical and challenge rhythm, represents and understands the law. Thus, from the analysis of music ... And Justice for All , of Metallica band, the social representations of legal institutions, reflected in concerns and feelings expressed by the rock will be demonstrated. From these representations, it is understood that the lawyer can better understand the speeches and ideas that circulate in the social context of its role and the judicial system itself, which can assist in transforming the relationship between the subjects of the legal world and individuals social.
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