A small number of selected songs attributed to Walther (primarily L. 49,25, L. 92,9, L. 112,10 and L. 63,S) are used to see if a consistently internal perspective can be used to interpret the first person statements as non-fictional. The distinction between the speaker in the text and the text's external author is deliberately ignored. Pointed dialogical and even polemical references between
... [Show full abstract] individual songs make it doubtful whether the texts have a single author.