... Schäfer & Sedlmeier, 2009;Rentfrow & McDonald, 2010;Rentfrow, Goldberg, & Levitin, 2011;Dunn, de Ruyter, & Bouwhuis, 2012; Bonneville-Roussy, Rentfrow, Xu, & Potter, 2013;Schäfer & Mehlhorn, 2017;Herrera, Soares-Quadros, & Lorenzo, 2018;Soares-Quadros, Lorenzo, Herrera, & Araújo, 2019;Bansal, Flannery, & Woolhouse, 2021;Clark, & Lonsdale, 2022;Santos et al., 2022;Greenberg et al., 2022). Studies have so far focused on variables such as: introversion and extraversion (Payne, 1980;Daoussis & McKelvie, 1986;Dollinger, 1993;Crawford & Strapp, 1994;Rawlings & Ciancarelli, 1997;Furnham & Bradley, 1997;Furnham, Trew, & Sneade, 1999;Furnham, & Strbac, 2002;Pearson & Dollinger, 2004), sensation seeking (Daoussis & McKelvie, 1986;Litle & Zuckerman, 1986;Dollinger, 1993;Gowensmith & Bloom, 1997;McNamara & Ballard, 1999). The available research shows a clear association between music preferences and Big Five factors: a) openness to experiences (Dollinger, 1993;Rawlings & Ciancarelli, 1997;Rawlings, Barrantes i Vidal, & Furnham, 2000;Zweigenhaft, 2008;Cleridou & Furnham, 2014;Vella & Mills, 2017), b) agreeableness (Delsing, ter Bogt, Engels, & Meeus, 2008;Greenberg et al., 2022), c) conscientiousness (Rentfrow & Gosling, 2003;Delsing et al., 2008;Langmeyer, Guglhör-Rudan, & Tarnai, 2012), d) neuroticism (Payne, 1967;Weaver, 1991;Chamorro-Premuzic & Furnham, 2007), e) psychoticism (Weaver, 1991;Bleich, Zillmann & Weaver, 1991;Rawlings, Hodge, Sherr, & Dempsey, 1995;Robinson, Weaver & Zillmann, 1996;McCown et al., 1997;Dillman-Carpentier, Knobloch, & Zillmann, 2003). ...