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Ariana Harwicz (1977) is one of the most prominent argentine writers of
feminist literature in Spanish from the twenty-first century. In this
dissertation, an analysis of her three novels, Matate, amor (2012), La débil
mental (2014) and Precoz (2015), is conducted from a quadruple theoretical
framework: hermeneutic, comparatist, feminist and material. Additionally,
we highlight the interpretation made in the theoretical foundation of close
Reading (Moretti), Sociology of Literature (Bourdieu, production and
circulation) and reception theory (Jauss). After the narrative analysis of
Harwicz, her production, which has not yet been sufficiently studied,
appears like as a real bulwark of literary illegibility and poetic language,
and it is also an assertion of the silence as another way of saying for the
narrators, who are in continuous tension with the idea of woman that
hetero-patriarchal society has been creating and perpetuating; in a
desperate search for another language and feminist emancipation through
the desire and the cancellation of the norm. Furthermore, from a material
approach, we consider that it is interesting and necessary to analyse the
wide circulation of Harwicz’s work, as well as the possible causes of the
increase of her symbolic capital in the Argentine and global literary field.