Yiannis Ziogas

Yiannis Ziogas
University of Western Macedonia | UOWM · Department of Applied and Visual Arts (Florina)

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8
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Publications

Publications (8)
Conference Paper
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Understanding, conceptualizing and transcribing the geographical space through maps or other types of documents do not render their objective reality, as they depend on the vantage point through which they are made, the goals and the needs they serve. Particularly in the context of an artistic reflection process, the geographical space is beyond it...
Article
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The complex and interdependent relationship between people and the space that surrounds them has been the central issue of an on-going interdisciplinary discussion that extends well beyond the limits of geography to the fields of anthropology, psychology, history, sociology, ecology and the arts. Already in the 19th century, the advocates of the Ro...
Article
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The special issue of Interartive on Walking Art / Walking Aesthetics aims at the presentation of papers and art projects that examine or use walking as a contemporary art practice. Since the Situationists, walking has become a widespread contemporary art practice that has at least two aspects: the one is that of a way of experiencing the environmen...
Conference Paper
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Η παρούσα ανακοίνωση παρουσιάζει μια πρόταση για διδασκαλία της σύγχρονης τέχνης με την χρήση έργων που δημιουργήθηκαν με την βοήθεια ενός eye tracker, ενός μηχανισμού που καταγράφει την κίνηση του βλέμματος. Πιο συγκεκριμένα, αναδεικνύονται δύο βασικοί άξονες: (α) τα έργα που δημιουργήθηκαν με την αναδυόμενη τεχνολογία καταγραφής του βλέμματος απο...
Conference Paper
Full-text available
Η Εικαστική Πορεία προς τις Πρέσπες (http://visualmarch.eetf.uowm.gr/) υλοποιείται από το 2007 από το Τμήμα Εικαστικών και Εφαρμοσμένων Τεχνών του Πανεπιστήμιου Δυτικής Μακεδονίας με πρωτογενείς εικαστικές δράσεις. Η πορεία στο φυσικό περιβάλλον των Πρεσπών είναι μια πορεία επικοινωνίας τόσο μεταξύ όσων συμμετέχουν, όσο και με το περιβάλλον που ανα...
Conference Paper
Full-text available
Eye-tracking technology provides valuable help to interdisciplinary collaboration between various domains, such as human-computer interaction, digital art and creative media, so as artistic creativity can be expressed and developed. In this paper we present (a) an overview of eye-tracking technology in art and (b) the first results of a digital art...
Conference Paper
Full-text available
Eye-tracking technology provides valuable help to interdisciplinary collaboration between various domains, such as human-computer interaction, digital art and creative media, so as artistic creativity can be expressed and developed. In this paper we present (a) an overview of eye-tracking technology in art and (b) the first results of a digital art...

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Projects (2)
Project
https://interartive.org/2018/02/walking-art-open-call Walking Art / Walking Aesthetics: Call for papers and art projects | INTERARTIVE Guest editors: Yannis Ziogas, Associate professor, Department of Visual and Applied Arts, University of Western Macedonia, Greece, yziogas@uowm.gr Stella Sylaiou, Adjunct lecturer, Department of Visual and Applied Arts, University of Western Macedonia/ Hellenic Open University, Greece, sylaiou@gmail.com Co-editing with: Herman Bashiron Mendolicchio, Lecturer, University of Barcelona; Faculty member and core advisor, Transart Institute; InterArtive, herman@interartive.org The special issue of the Online Magazine InterArtive will be dedicated to Walking Art. We invite theorists, critics, curators and artists who work on the subject to participate. This Call for Papers and Artistic Projects intends to record the history and the potential of walking as an art practice. The procedure of walk has been developed as an art practice from the beginning of Modernism. Since the '60s however it has become an established form of art expression. In contemporary art the walking practice is one of the main venues of exploring the cultural environment. As a consequence of that, there has been created a Walking Culture that is defined by a new realm of Aesthetics, related to the interaction of the Body to Landscape (and vice versa). The Walking Aesthetics are defined from the update of the concepts of Empiricism; the artist, or the cultural nomad, is interpreting the Landscape as an open field where s/he obtains experiences and, through them s/he develops ideas, concepts and her/his artwork. A particular set of emotions are created during the experience of walking in the landscape that shapes a characteristic venue of art expression, close to the concepts of Psychogeography. The papers should examine the various aspects of walking as a contemporary methodology of expression and understanding of the social environment and the landscape (urban and rural) where human activity is realised. The papers could also examine the future of walking practice and its potential (in art, aesthetics and in its applications in pedagogy). This special issue aims to address this important topic, by focusing on the realization of the walking approach as art practice, its theoretical background and the historical approaches of walking. We accept proposals that consider one or several of the following subjects, among others: Walking as an autonomous art form Psychogeography and contemporary art Walking as a practice since the ‘60s: Land Art, Ephemeral Art, Sustainable Art The Aesthetics of walking/ Walking as an artistic practice The Environmental dimension of Walking Art Walking Art and Ethnography Walking Art and Narrative Walking Art and Learning Walking Art and Sustainability Walking as a solitary and/or collaborative practice Walking and Performance Art Walking Art and collective memory Walking and activism The pedagogical dimensions of Walking Art Walking Art in the digital era Walking Art and Information and Communication Technologies (ICT) Walking Art and Locative Media Texts should be around 800 to 3000 words: PUBLISHNG GUIDELINES Texts The works and art projects will be published in the form of Online Exhibition (images and short text): PUBLISHING GUIDELINES Artworks Proposals (full papers and art projects) should be submitted up until May 31, 2018, by mail at: info@interartive.org We look forward to receiving your contribution!