Vincenzo Del Gaudio

Vincenzo Del Gaudio
Università degli Studi di Salerno | UNISA · disps

Doctor of Philosophy

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16
Publications
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4
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Introduction
I deal with theater and digital media, digital performance, performance theory and theories of staging. In particular, I deal with contemporary theater with reference to media studies and media theory.

Publications

Publications (16)
Article
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If the relationship of photographic production and consumption in the contemporary age passes through the increasingly frequent use of social networks as one passes through which to share the images they produce, and more and more such images are linked and a form of social glassing (Codeluppi 2007, 2012) close to the practices of the self-portrait...
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This paper intends to address, in an introductory form, the thinking about theater and the drama of the British sociologist Raymond Williams. Williams' work between 1952 and 1954 is based on the attempt to think of theater within the mechanisms of the cultural industry. In particular, Williams tries to read the drama as an intermedial and transmedi...
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Defining serial strategy in to the theatrical device is complex, because obviously theater is the form of spectacle in which the mechanism of repetition is totally different than the other production channels. The project aims to trace two different types of serial strategy through the study of some works that have characterized the Italian theater...
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The relationship between the narrative through which the notion of human is produced and its outside is increasingly at the center of a complex dialectic. This work aims to investigate the relationship between human and non-human, from a post-human perspective, through the representation that one of the most representative television series of the...
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Between serve and volley: the hero imaginary of Stefan Edberg. This work intends to investigate the figure of Stefan Edberg from two perspectives: on the one hand the icon of Edberg within the sporting imagery in relation with the hero mythology, and on the other, starting from the particular development of the Serve and volley, as it can make us u...
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This works aims to investigate the relationship between philosophy and Simmel 'sociology, between the notion of hidden king, which comes out from his works, and his concept of actor's work. In particular, the actor is a technician of imaginary playing like a medium of ideal forms and concrete ones in the imaginary production. Afterwards this analys...
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On Richard's Trace: The Theater Imagination of Evil Between Theater of Blood and Theater of Sickness. In 1977 Carmelo Bene met the French philosopher Gilles Deleuze whom tells his idea about Richard III mise-en-scène, that is to equip the actor of huge prosthesis to his arms that would show all the body degeneration and would make him, at spectator...
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The theoretical center of Baudrillard's thought is a sort of map that lets understand postmodern. Our work investigates this concept in relation to post-human thought. Is Baudrillard a prophet of post-human thought? The sense of this statement hides in the concepts of orgy and seduction. These matters are central to understand Baudrillard's relatio...
Article
The theatre offers profound potential for contact among bodies. Without contact, there is no theatre, understood as the art form whose defining principle is being tied to one space and one time, leading to the need to build a community. We analyse the analogies and differences between two important experiences in Campania. These experiences are bas...
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This essay investigates how digital media relate to scenic space and modify its prerequisites and tensions, redraws its boundaries and creates new spatial models. In particular we analyse the use of space by the British company Imitating the Dog, finding three models of space remediation experienced in various theatre performances: the cinematic dr...

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