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Publications (17)
The main aim of the article is to confront the idea of “girl power” — as a popular culture variation of a feministic agenda — with selected comic book superheroines. For the general audi-ence mainstream superhero comics serve strictly as a graphic variation of a “male gaze” through over-sexualised depictions of super-women’s bodies and poses. Howev...
Within the larger context of global superhero narratives, Polish comic books are not considered meaningful—both artistically and financially—types of such stories. However, it would be misguided to consider Polish superhero comics as a marginal area of research. In my article, I would like to recreate the approaches of Polish creators towards build...
Hanna-Barbera's Superheroes Universe – also known as Hanna Barbera's World of Super Adventure – is a joint name for a series of animated short features produced by the famous Hanna-Barbera Productions between the 1960s and 1980s. Originally, it included characters such as Birdman and the Galaxy Trio or The Impossibles – all of them presented as a s...
In the article the author is trying to define the characteristics of a graphic cinema as one of the main trends in nowadays comic book film adaptations production. One of the main elements of this trend is an ambitious effort to adapt the formal aspects of comic books for a movie screen in the most accurate way that is possible. By using one of the...
Zagłada „Fantastycznej Czwórki”. O zniknięciu Pierwszej Rodziny Marvela i jego znaczeniu dla postrzegania komiksu popularnego w perspektywie transmedialnej Historia medialnych migracji marki o tytule „Fantastyczna Czwórka” może wydać się nawet bardziej emocjonująca niż same przygody tej rodziny superbohaterów stworzonych przez legendarny duet Stan...
After almost 20 years of a succesful run of superhero films it seems that we are now entering into the fully-developed format of this kind of cinema. Through films like “Avengers: Infinity War”, “Logan” or “Spider-Man: Into the Spider-verse” the general audience all over the world is becoming familiar with strictly comics-based forms and ideas like...
The article analyzes the video game Batman: The Telltale Series and its „paratexts” such as comics through the lens of remediation as a basic tool of constructing a transmedia environment. Superheroes depend, to a great extent, on their „transmedia” superpowers as they constantly oscillate between various media iterations and theirs stylistic/narra...
The aim of this article is to present a specific type of comics’ based animated features – namely DC Universe Animated Original Movies – throughout the re-interpretation of Drew Morton’s remediation approach. By using titles as ‘The Killing Joke’ – both as a graphic novel and its animated re-creation – author is trying to ‘expand’ the remediation’s...
Artykuł stanowi propozycję metodologicznego doprecyzowania tzw. narratologii transmedialnej jako projektu badań o charakterze komparatystycznym. Wychodząc od istniejących zastosowań i ujęć narratologii transmedialnej, autor sugeruje konieczność poszerzenia dominujących wzorców przede wszystkim o perspektywę historyczną (diachroniczną), związaną z d...
Zaglewski outlines the most important examples of Polish comic texts with a focus on superheroes. Using an approach based on media comparative studies, he examines common and individual aspects of comic series from the US and Poland.The main goal is to define the Polish superhero monomyth as a local version of the American monomyth, which is strong...
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Celem książki jest przedstawienie podejścia teoretycznego i efektów badań prowadzonych w Instytucie Kulturoznawstwa Uniwersytetu im. Adama Mickiewicza w Poznaniu w latach 2015-2018 w ramach projektu badawczego „Mobilność: media, praktyki miejskie i kultura studencka” (NCN OPUS 7 nr 2014/13/B/HS2/00109). Prace prowadził zespół badawczy w składzi...
W jaki sposób polscy producenci popkultury podchodzą do jej marketingu? Czy naśladują pod tym względem zachodnie koncerny medialne? Czy w Polsce kultura popularna jest dla producenta okazją do zaangażowania konsumenta w proces twórczy? Czy nabywca staje się prosumentem, to znaczy, czy aktywie uczestniczy w promowaniu i produkowaniu danej marki medi...
