
Shashikantha Koudur- Professor at National Institute of Technology Karnataka
Shashikantha Koudur
- Professor at National Institute of Technology Karnataka
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10
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Introduction
Current institution
Publications
Publications (10)
Taking into consideration The Great Indian Kitchen (2021), Freedom Fight (2022), and Jaya Jaya Jaya Jaya Hey (2022), this article attempts to shed light on the ‘non-sexual’ representation of the female body in the new-generation Malayalam cinema. The discourses and dialogues on such representations of the female body develop not very often due to t...
In response to the current age of the Anthropocene, Posthumanist studies explore multispecies' entanglements and encounters in order to move away from the colonial binaries that separate humans from the environment. Adding to these studies, this paper explores the role of mythology in decolonising the Westerncentric strategies of narration. Amitav...
One of the eight “hottest hotspots” of biodiversity according to UNESCO, the Western Ghats have much to be credited for the historical prosperity of western peninsular India. The colonial era marked the beginning of the ecological diversity of the forests of the Ghats, spawning new rules and policies in the state. The consequent land allocations po...
The paper attempts to explore notions of public-private dichotomy with reference to collective agency and inclusion. It looks at a women’s shelter run by a missionary wife Julie Gundert of the Basel Mission in nineteenth-century Malabar. The missionaries played a key role in the introduction of printing and the development of a modern public sphere...
This paper looks at Hermann Gundert’s Malayalam-English dictionary at the juncture of the modernisation of the Malayalam language in the 19th century. Gundert, the then inspector of schools in the Malabar district, saw the dictionary as the first step towards the cause of a universal education through the standardisation of Malayalam language. But...
In the former South Kanara or south coastal Karnataka region, the presence of overlapping languages, mainly Tulu and Kannada, posed prolonged dilemmas in the nineteenth century for the Basel Mission. The choice of language was important for their evangelical work, supported by important language-related activities such as dictionary making, grammar...
The Israeli-Palestinian conflict that started after 1948 war persists to play a dominant role in shaping Palestinian resistance movement. Sahar Khalifeh is a renowned Palestinian writer of the West Bank which is one of the Israeli occupied territories of Palestine. The core theme of Khalifeh’s writings is the Palestinian resistance to Israeli Occup...
Palestinian exile under the Israeli occupation is one of the core themes in Palestinian narratives. Exiles encounter multiple issues like dislocation, fragmentation of identity, separation from the family and psychological anguish in their day-to-day life. Palestinian writers have been engaged in writing extensively on the harrowing experiences of...
Dāsa Sāhitya is a literary genre in Kannada, first seen in the latefifteenth century. Making its mark both in literature and in Indian classical music, Dāsa Sāhitya attracted the attention of missionaries and other colonial functionaries, and was one of the first genres to be edited and published in Kannada in the mid-nineteenth century. Very soon,...