Roberto Figliulo

Autonomous University of Barcelona | UAB ·  Departamento de Traducción e Interpretación

浮屿：摄影与视觉文化研究, 1, 1-26, 2022 新千年伊始,中◿的一些摄影师决定走相反的道路,从中◿的大城市或◿外返回,回到他们的故乡。尽管他们每个人都以个人的方式发展自己的作品, 描绘特定的场景,但他们都专注于同一个方向: 回家。 我们指的是曾瀚、苏杰浩、木格、朱岚清、张文心、张晓等摄影师。不同出身、不同年龄的摄影 师,似乎决定走同一条路。他们在找寻什么?在他们曾经决定离开的地 方,他们真正发现了什么? 是个人旅行吗?他们寻觅的事物能帮助我们理 解中◿社会在过去 20 年中发生的一些深刻变化? 本文通过对这些摄影作品的分析,试图回答上述问题。我们不想在当代中◿摄影中提出新的模式, 也不想引入新的趋势。但我们想展示这些摄影作品在 一个无可辩驳的变化时期是如何分享共同的意图和感受的。

Since the beginning of the new millennium a new generation of photographers in China decided to take a journey in the reverse direction, to return from the Chinese big cities or from abroad and travel back to the places of their origin. Even though each of them developed their works with a personal approach and depicted particular scenes, they all...

During the last two decades many artists from China, using different media, have presented the journeys back to their homeplaces, highlighting concepts like mobility, sense of place, memory, identity and belonging. Those journeys are mainly nostalgic, and more than physical they are time travels, to moments and sensations that seems to be buried in...