Rita Torres

Rita Torres
University of Aveiro | UA · INET-md – Ethnomusicology Institute: Center for Studies in Music and Dance

PhD

About

11
Publications
193
Reads
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10
Citations
Introduction
Rita Torres is currently an Assistant Researcher at INET-md – Ethnomusicology Institute: Center for Studies in Music and Dance (University of Aveiro). She holds a PhD in Science and Technology of the Arts from the Portuguese Catholic University, as well as degrees in Chemical Engineering, Guitar, Musicology/Music Informatics and Composition. For a detailed CV: https://www.cienciavitae.pt/en/3219-FBF4-3F8C
Additional affiliations
October 2017 - December 2017
Universidade de Évora
Position
  • Research Fellow
January 2018 - January 2023
Universidade NOVA de Lisboa
Position
  • Research Felllow
January 2010 - September 2016
Universidade Católica Portuguesa
Position
  • PhD Student
Education
October 2009 - September 2016
Universidade Católica Portuguesa
Field of study
  • Science and Technology of the Arts
October 2005 - September 2008
Hochschule für Musik Kalrsruhe
Field of study
  • Musicology/Music Informatics
October 2003 - October 2009
Hochschule für Musik Karlsruhe
Field of study
  • Composition

Publications

Publications (11)
Article
Full-text available
Self-studies on creative processes in musical composition are scarce. And so are studies on processes of female composers. Driven by these problems, I decided to investigate my own creative processes. I started with all those that occurred up to now, focusing the study on the inspirational sources of the processes. I sought to know not only what th...
Article
Full-text available
The technique of guitar multiphonics is an unconventional performing technique that gives rise to sounds of unusual colours, in which it is easier to perceive multiple pitches. In most compositions that employ the technique, this is done conventionally – there is hardly any variation in the beginning and/or end of the sounds. The piece presented in...
Article
The author recounts how she came to carry out artistic research on guitar multiphonics when composing a piece for solo guitar. Furthermore, she explains how the investigation gave rise to a new form of usage of that unconventional technique.
Chapter
http://ritatorres.eu/05-MuSA-Chapter5-Torres-Lopes.pdf
Thesis
The full text is available from http://hdl.handle.net/10400.14/21230 and an Adenda et corrigenda from http://www.ritatorres.eu/research-publications.html
Article
Full-text available
Most (classical) guitar music comes from guitarist-composers. Yet according to guitarists who collaborate with composers, color research on this instrument is better achieved by those who do not play the instrument. Thus the guitar lags behind many instruments in regard to color research. Various reasons can be faulted for the tendency of non-guita...
Article
Multiphonics on the classical guitar is currently being researched by the present authors in regard to the reproducibility of the sounds originated and the suitability of the technique as a compositional element in writing for amplified guitar. Our hypotheses are to be tested, for which criteria for the data collection and treatment were establishe...

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