Ricardo MbarkhoAcadémie Libanaise des Beaux Arts | ALBA · School of Visual Arts
Ricardo Mbarkho
PhD in Information and Communication Sciences. Master of Visual Arts. Bachelor of Film Studies
About
7
Publications
281
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Introduction
To what extent and under what conditions new socioeconomic models can emerge in the creative practice fields. The framework covers the mutational dynamic of cultural industries into creative industries in our time of information’s digitization and the spread of non-neutral new technologies of communication. The framework also covers emerging art forms that resist the art market’s economy by developing new organizational models, such as that of the “invisual” art.
Additional affiliations
September 2002 - August 2020
Position
- Professor (Assistant)
Description
- (New) media arts and creative industries
Education
September 2011 - November 2017
Publications
Publications (7)
La numérisation touche à parts égales les arts médiatiques et les industries culturelles. Partant de ce constat, nous développons dans le cadre de notre recherche l’hypothèse selon laquelle les relations entre les industries culturelles et les pratiques artistiques médiatiques ne se réduisent pas à un simple face-à-face.
Comment dans cette interac...
La numérisation touche à parts égales les arts médiatiques et les industries culturelles. Partant de ce constat, nous souhaitons développer dans le cadre de notre recherche l’hypothèse selon laquelle les relations entre les industries culturelles et les pratiques artistiques médiatiques ne se réduisent pas à un simple face-à-face. Comment dans cett...
The chapter revolves around the issue of trauma and affect in the process of creative practice. It proposes a detailed description of true events that occurred during and after civil wartime in Lebanon (1975 – 1990), while conducting a parallel analysis on these in the context of trauma and affect in the process of creative practice.
People in Lebanon are obsessed with their country. Technological networks have become sites where utopian models of Lebanon are continually being shaped. However, when interacting with these networks, the active citizen is often passive in receiving content. Many people in Lebanon are generally very receptive to mass media and the huge amount of of...
A short contribution about the creative use of new technologies in Lebanon.
This book was produced after the Online Master Module on Art, Design and Technology, a learning module in the frame of the Digi-Arts project by UNESCO. The chapter is a look on the module's dynamic in the phase of the introduction to art and new media practices in the Arabic speaking countries, with an analytical and critical treatment.
