Piotr Zawojski- Professor
- University of Silesia in Katowice
Piotr Zawojski
- Professor
- University of Silesia in Katowice
Prof. dr hab. Piotr Zawojski (PhD, DSc), Institute of Culture Studies, Faculty of Humanities, University of Silesia.
About
18
Publications
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Introduction
Professor Piotr Zawojski, Institute of Culture Studies, University Of Silesia in Katowice, Poland. He also work at Academy of Fine Arts in Cracow in the Department of Intermedia. His research interest focus on the theory of photography, film & cinema, new media art, digital arts, cyberculture and technoculture.
piotr.zawojski@us.edu.pl;
https://silesian.academia.edu/piotrzawojski;
www.zawojski.com
Current institution
Publications
Publications (18)
Five (2003) Abbasa Kiarostamiego jest interpretowane w tym artykule w kontekstach medialnych, technologicznych i filozoficznych. Najpierw zostają przedstawione okoliczności powstania filmu, sens ewoluującego tytułu oraz różne wersje ekspozycyjne. W kolejnych pięciu częściach artykułu autor podejmuje następujące kwestie: inspiracje, jakie Kiarostami...
The article presents the theoretical views and, to a lesser extent, artistic practices of Joanna Zylinska, who in her artistic activity combines epistemological strategies of a researcher and theorist with her activities in the field of art. She develops in different manners an original project of philosophy as photography, or photography as a form...
Progressive technologization of society has an impact on an innovative approach to art and culture. New media play an important role in this context by shaping the environments of creative people who refer to regional resources in their work. The main purpose of the paper is to analyse selected theoretical concepts covering the issues of the use of...
Biometrics in the Art of New Media The review is devoted to the main themes presented in the book by Ewelina Twardoch-Raś Sztuka biometryczna w perspektywie filozofii post- i transhumanizmu. W stronę estetyki postafektywnej [Biometric Art in the Perspective of the Philosophy of Post- and Transhumanism. Towards Post-affective Aesthetics]. The author...
The reflections presented in this article are devoted to Junko Theresa Mikuriya’s book, A History of Light. The Idea of Photography. It is a unique view on the search for pre-photographic origins of photography in the field of philosophical writings ranging from Plato, through the neoplatonic philosopher Jamblich’s enquiry, to the texts by Philothe...
Omawiany tom – Historie filmu awangardowego. Od dadaizmu do postinternetu (2020) pod redakcją Łukasza Rondudy i Gabrieli Sitek – jest efektem projektu edukacyjnego „Akademia filmu awangardowego” realizowanego przez Fundację Okonakino i Muzeum Sztuki Nowoczesnej w latach 2019-2020. Autor zwraca uwagę na próbę rewizji dotychczasowych ustaleń dotycząc...
Text was published in: „CyberEmpathy. Visual and Media Studies Academic Journal” 2014, no 9.
Text was published in: „Art Inquiry” vol. X (XIX).”Virtual Art/Virtual Domains of Art”. Ed. Ryszard W. Kluszczyński. Łódź 2008.
Tekst był publikowany w: Punkty widzenia II. Pohledy II. Strategie autorskie w czeskim i polskim teatrze i filmie. Red. T. Lazorčákova, E. Wąchocka. Katowice 2004.
In his diverse works, David Hockney has used, and still uses, various media, which in some periods of his activity gained leading significance, while in the following they were abandoned or temporarily abandoned. But no matter what medium in the given period was the main form of creativity, the focus of his interest has always been the issue of ima...
Tekst był publikowany w: „Przegląd Kulturoznawczy” 2020, nr 1 (43), s. 122-132.
Biotechnology delineates today's framework of reflection on technoculture in a time of postdigital and postnetwork society, while decline of the cognitive capacity of the new media categories
requires a search for other concepts enabling a description and interpretation of the condition of contemporary technoculture and its artistic manifestations....
Tekst był publikowany w: "Przegląd Kulturoznawczy" 2019, nr 1.
The book presents the research on cultural and communication aspects of the McLuhan legacy seen from the perspective of the epoch of new media - connected intelligence, Web 2.0, social networking, cyber arts, virtual worlds and communities, grassroot design and communication practices. First part consists of six lectures by prof. Derrick de Kerckho...
The article deals with the issue of hybrid nature of digital photography, which a model way meets the criteria presented by Lev Manovich in the context of description of new media. The author depicts the theoretical horizon of the reflections on aesthetics and artistic consequences of the breakthrough caused by digital photography and adoption of n...
