Philippe Marion

Philippe Marion
Université Catholique de Louvain - UCLouvain | UCLouvain · Ecole de communication

About

45
Publications
1,811
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323
Citations

Publications

Publications (45)
Chapter
Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent it represents a unitary or diversified current. The book proposes to integrate the post-cinema question within the post-art question in order to study the new ways of making filmic images. The issue will be...
Article
In its graphic practice of « slow journalism », factual comics seem to benefit in their own way from the general economy of chaptering, with the paradoxical articulation of closure and the promise of a narrative « to be continued ». But it will also be a question of considering a more singular economy, suitable for chaptering in comics journalism....
Article
The model of the ‘double birth’ of cinema relates the invention of an apparatus for capturing and restoring moving images to the establishment of an institution for the production and exhibition of moving images. This model rejects any singular conception of a phenomenon as complex as cinema. While its ‘second birth’, that of the medium’s instituti...
Article
Dès lors qu’on appréhende l’appareil de prise de vues comme simple dispositif de filmage (au sens d’enregistrement), tout document filmé se voit doté d’une valeur d’archives. Il conviendrait cependant de distinguer le filmage (qui est un procédé) du tournage (qui est une procédure). Le filmage se soumet au principe d’une réalité à capter, alors que...
Article
In the beginning, the kinematograph was intended to be a simple reproductive device for recording what lay before its lens, whether natural views or artificially arranged scenes. On the one hand were scenes whose unfolding owed nothing to the person recording them, and on the other scenes whose arrangement and unfolding were the responsibility of t...
Article
The singularity of celebrity news is inseparable from photography. Photos constitute the vector through which information passes and the source of journalistic narratives. Paparazzi pictures are often regarded as blatant visual « bad taste », recycling in a derogatory fashion photography’s basic role as a documentary medium. The author questions th...
Article
The Belgian people were deeply moved by the death of Baudouin the First, their quiet but highly popular King. Following the mood of the people, the media covered the event with increasing emotion, to the point where, gradually, the unforeseen magnitude of the people's emotion became a significant event in its own right. This paper analyses the jour...
Chapter
The Means of Expression as the Occasion for a Physical EncounterFabula, Syuzhet, MediaMédiagénie and Adaptation
Article
Résumé La périodisation est essentielle pour permettre à l’historien de structurer son appréhension du passé et possède une finalité relativement pédagogique. Tout exercice de périodisation est cependant un discours sur l’histoire et procède d’un croisement entre présent (celui du sujet historien) et passé (celui de l’objet historique). Un croiseme...
Article
Perhaps the contemporary media productions find their matrix in the popular one, as the significant development of the press people attests it. If the personalities which are presented there do not belong to the people, they are nevertheless popular, in the way they please a very large audience, in a play of tension between accessibility and inacce...
Article
This article outlines a dynamic model whose goal is to make a contribution to the understanding of the genealogy of media. We will suggest a few avenues of investigation which may be able to account for the identity processes followed by different media. In this respect we think it is important to understand how a new medium gradually finds its 'id...
Article
Résumé Les chroniques de Pierre Foglia se sont acquis le statut de véritable institution dans le panorama médiatique québécois. S'attachant plus particulièrement aux carnets de guerre de 1991 (Foglia dans le golfea, les auteurs essayent de relever quelques-uns des procédés qui organisent la perspective communica-tionnelle à la base d'une telle écri...
Article
Interrogeant les categories conceptuelles qui gravitent autour de la notion de documentaire (fiction, verite, realite, vraisemblable), cet article les envisage a partir de certaines configurations filmiques, mais aussi a partir de l’etat spectatoriel tel qu’il est sollicite par certaines consignes specifiques au « type » documentaire. L’etude de la...
Article
Davantage que de la question du scenario au sens strict, cet article traite plus globalement de la problematique des «avanttextes» de la bande dessinee et du film. La perspective adoptee est celle d'une confrontation transsemiotique : il s'agit d'isoler dans les deux pratiques d'anticipations textuelles, certaines differences relatives a la nature...

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