Philip Steer

Massey University · School of Humanities

I’ll begin with a confession: before taking on this review, I’d never even heard of Alexander Bickerton, let alone his only novel, Morganeering. In my defence, he doesn’t rate a mention in the Oxford Companion to New Zealand Literature (he lies in the gap between “bibliography” and “Biggs, Bruce”), or even in Lawrence Jones’ encyclopaedic survey of...

The Pākehā (settler) writing that flourished in New Zealand in the middle decades of the twentieth century is often seen as an attempt to ground settler culture in the precolonial earth. Produced at a time when erosion was seen as a pressing national and global environmental crisis, however, this essay argues New Zealand literary culture in fact wa...

Anthropocene criticism of Victorian literature has focused more on questions of temporality and predictability than on those related to climate in the nineteenth century. Climate knowledge is central to the regional novel, which is attuned to the seasonal basis of agriculture and sociality, but the formal influence of the British climate also becom...

How did the emigration of nineteenth-century Britons to colonies of settlement shape Victorian literature? Philip Steer uncovers productive networks of writers and texts spanning Britain, Australia, and New Zealand to argue that the novel and political economy found common colonial ground over questions of British identity. Each chapter highlights...

This essay revises existing accounts of the Victorian novel by locating it within the coal-powered energy system that increasingly made it possible. Revisiting our most familiar accounts of mediation, we explore how coal energy might be visible in cultural productions unable or unwilling to engage this system, as a system, directly. Through reading...

The current global environmental crisis is an uncanny but perversely material aftereffect of Victorian England, the world’s first fossil-fueled industrial society and its most powerful global empire. Our entanglement with this past challenges current procedures of cultural analysis, requiring a new attention to form and method, and bridging the div...

In its reading of the bone people, this chapter reexamines Keri Hulme’s controversial borrowings from literary modernism in light of her claims to represent a postcolonial identity derived from Māori cultural traditions. The chapter distinguishes between a “modernist critical realism” deriving from Ernest Hemingway and Sherwood Anderson and a more...

Victorian literary criticism is yet to fully engage with the new historiography of the 19th‐century settler empire. That body of work has focused attention on a vast transnational network of population, capital, and information exchange, and attending to the centrality of shared ideas of British identity has revealed a uniquely close relationship b...

This chapter examines the colonial Gothic novel. Pervasive in the literatures of Canada, Australia, New Zealand, and the Caribbean, the colonial Gothic is more appropriately described as a mode rather than a discrete genre, and its representational possibilities have been shaped by three broad phases of generic transformation and cross-fertilizatio...

In 1829, Edward Gibbon Wakefield published his first statement of a “systematic” theory of settler colonization, A Letter from Sydney: The Principal Town of Australasia. Wakefield offered a novel economic theory of the relationship between population density and successful colonization, hinging on the establishment of a minimum or “sufficient” pric...

A History of New Zealand Literature traces the genealogy of New Zealand literature from its first imaginings by Europeans in the eighteenth century. Beginning with a comprehensive introduction that charts the growth of, and challenges to, a nationalist literary tradition, the essays in this History illuminate the cultural and political intricacies...

The Australian gold rushes of the 1850s provide an exemplary test case for exploring the impact of Greater Britain—the settler colonial empire—on the Victorian novel and political economy. British gold diggers' nomadism operated in seeming antithesis to the colonies' explosive growth, which posed a conceptual challenge both to political economy's s...

In the late 1880s, around the time he decided to settle on the Samoan island of Upolu, Robert Louis Stevenson's writing began to take a strikingly different shape as he attempted to infuse it with the flavor of his new surroundings. “When Stevenson traveled to the margins of the empire,” John Kucich observes, “he suddenly found new ways of organizi...

Does New Zealand matter to the rest of the world? For various reasons the question has always seemed important here, a kind of hollow echo bouncing around national politics, economics and culture, and reflecting back most strongly from concrete measures of overseas recognition: a seat on the United Nations Security Council; an Oscar or a Booker Pri...

Frank Sargeson's repositioning of Henry Lawson as a 'colonial' writer, away from the more familiar categories of nationalism and realism, offers a provocation for re-considering his own short fiction. In taking up that challenge, this essay diverges from recent attempts to trouble the periodization of writing from the 1930s and 40s: rather than arg...

Review of The Settler’s Plot: How Stories Take Place in New Zealand.