How we measure 'reads'
A 'read' is counted each time someone views a publication summary (such as the title, abstract, and list of authors), clicks on a figure, or views or downloads the full-text. Learn more
I am a Postdoc at University of London, Goldsmiths College, Institute for Creative and Cultural Entrepreneurship. I investigate the conceptualisation and management of risk and related non-demand led creative content business models. My work can be seen at www.filmbusinessresearch.com @filmbizresearch
Our previous study of the Open Content Film-making (OCF) community [author paper (submitted) Revolution Postponed? Tracing the development and limitations of open content filmmaking submitted to Information Communication and Society] had shown how early expectations that Creative Commons (CC) licences would enable a viable alternative to mainstream...
Networked information technologies have brought about extensive changes in the production and distribution of creative cultural work. Inspired by the widespread success of Free-Libre/Open Source Software (FLOSS), many proponents of open access advocate reconceptualisation of existing legal protection frameworks in creative works. This paper traces...
This research investigates innovation in how film producers use social digital tools to engage consumers, reduce demand uncertainty and respond to the challenge of digital disruption that affects the traditional film value chain. Through three empirical case studies of film production and exploitation, we examine examples of innovation in product,...