About
33
Publications
1,296
Reads
How we measure 'reads'
A 'read' is counted each time someone views a publication summary (such as the title, abstract, and list of authors), clicks on a figure, or views or downloads the full-text. Learn more
36
Citations
Publications
Publications (33)
La vendemmia (1778) Giuseppa Gazzanige se je ohranila v vsaj sedmih izvirnih rokopisnih partiturah iz 18. stoletja. O priljubljenosti nekaterih točk pričajo tudi njihovi dodatni prepisi. Tradicionalna da capo arija »Più dell’onde e più del vento« je v 19. stoletju v lokalnem okolju cerkve sv. Danijela v Celju služila kot osnova latinski duhovni kon...
In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the...
In contrast to the relative thoroughness of research into the life and works of Andrea Bernasconi for the period after his arrival in Munich in 1753, his earlier biography still has many lacunae. Following on from the author’s earlier identification of Bernasconi’s setting from 1736 of the opera Adriano in Siria for the Royal and Ducal Theatre in M...
Archduke Ferdinand of Inner Austria was not only the dedicatee of the anthology Parnassus Musicus Ferdinandaeus – in itself a rich document of the future Holy Roman Emperor’s wide-ranging musical connections – but his court in Graz also became – on account of his personal music interests and the opportunities provided by carefully planned family co...
Italijanski duhovnik in amaterski plemiški skladatelj Francesco Antonio Bonporti je leta 1703 ponatis svoje inštrumentalne zbirke Sonate da camera a tre, opus 2, posvetil ljubljanskemu knezoškofu Ferdinandu grofu Kuenburgu (na tem položaju med 1701 in 1711). Kuenburg je bil znan podpornik italijanske umetnosti v svoji škofiji in kranjski prestolnic...
Zaslužni profesor muzikologije dr. Jože Sivec je navzven dajal vtis raztresenega in od vsakdanjega življenja značilno odmaknjenega univerzitetnega profesorja, hkrati pa je bil o vsem, kar se je dogajalo v svetu in muzikološki stroki, še kako na tekočem in njegovo natančno pomnjenje preteklih še tako majhnih dogodkov in podatkov je bilo malodane leg...
Francesco Antonio Bonporti, an Italian priest and aristocratic music amateur composer, dedicated in 1703 the second edition of his Sonate da camera a tre, opus 2 to Prince-Bishop of Ljubljana, Ferdinand Count Kuenburg (holding this post between 1701 and 1711). During his time in the Carniolan capital Kuenburg was a noted promoter of Italian arts in...
During the 17th and 18th century musicians' mobilities and migrations are essential for the European music history and the cultural exchange of music. Adopting viewpoints that reflect different methodological approaches and diversified research cultures, the book presents studies on central scopes, strategies and artistic outcomes of mobile and mig...
Italy was for the Grand Tourists of the eighteenth century the most frequently visited part of Europe. More musically oriented travellers reported also on music events and collected music sources for further private but also public use in their homelands. The musical interests of two lesser known Grand Tourists of the late 1730s, a Styrian aristocr...
Ignaz von Attems (1714-1762) spent four years on a Grand Tour of Europe. He departed from his native Graz in October 1734, returning in October 1738. Thirty-two letters sent to his father during this journey have survived. Attems reported on several events, actual or imminent, featuring music. He not only enjoyed these occasions but also took home...
V fondu muzikalij ljubljanske stolnice se je v začetku 17. stoletja nahajala tudi partitura ene prvih oper v zgodovini svetovne glasbe, Euridice Giulia Caccinija. Rinuccinijev libreto na mitološko temo, osnovan predvsem na Ovidijevi in Vergilijevi interpretaciji klasičnega mita o božanskem pevcu Orfeju in njegovi ljubljeni Evridiki, je skladatelj u...
The brothers Angelo and Pietro Mingotti between 1736 and 1746 based in Graz organised during this period also two operatic seasons in Ljubljana, one in 1740 and the other in 1742. Two serious operas (Artaserse andRosmira) with comic intermezzi (Pimpinone e Vespetta) were produced in 1740 by Angelo Mingotti. Two years later, just before leaving Graz...
In Slovenian libraries and archives 25 titles of printed works on music dating from around 1650 to 1800 as well as five manuscript manuals and numerous manuscript fragments of music theory or exercises were found during a still current project. The prints were classified in three broad groups: speculative theoretical literature and general encyclop...
Glavna naloga prispevka je ugotavljanje stanja raziskanosti glasbe in glasbenega življenja na Slovenskem v 17. stoletju. Sorazmerno dobro so obdelane tematike kot na primer glasbeni tiski in rokopisi iz časa ljubljanskega knezoškofa Tomaža Hrena, skladateljsko delo Isaaca Poscha, Gabriella Pulitija in Janeza Krstnika Dolarja, precej vemo o glasbeni...
Posvetilo zbirke madrigalov Filippa de Duca iz leta 1586 omenja vrsto imen kranjskih in štajerskih plemičev. Zbirka je naslovljena na Janeza Jakoba in Karla Khisl, v nadaljevanju pa so omenjeni tudi oče Janez, brata Jurij in Vid ter »častitljiva druščina«: Friedrik in Jurij Hartman Stubenberg, Volk Egk in Hungerspach, Gašper Gleispach (vsi študentj...
Gabriello Puliti (c. 1583–1644) composed at least 36 musical works of which survived less than one half. The contents of 16 musical works and 15 preserved letters of dedication were analysed in an attempt to reconstruct the network of Puliti’s religious, cultural, musical, and other connections. Through his dedications the composer sought not so mu...
Posch’s collection of ensemble pieces for four string instruments, his Musicalische Ehrenfreudt of 1618, contains four types of dances, which were to accompany actual dancing during noble feasts, so may be considered functional music par excellence. Italian choreographed dances by Cesare Negri and Fabritio Caroso were cultivated in the first decade...
Italianski operni repertoar 18. stoletja je dosegel vsa notranjeavstrijska središča. Analiza libretov nekaj dobro dokumentiranih sezon med 1736 in 1742 potrjuje živahno izmenjavo repertoarja in operistov v tem prostoru. Izvajane opere so bile, sodeč po spremenjenih besedilih najpomembnejših glasbenih točk – arij, očitno predvsem lepljenke, značilne...
Italijanske operne predstave pri Auerspergih sredi 17. stoletja – drobtinica k slovenskemu glasbenemu zgodovinopisju
Zu den erhaltenen Urkunden des ehemaligen protestantischen Gymnasium poeticum in Regensburg, die heute im Archiv des Historischen Vereins für Oberpfalz in Regensburg verwahrt werden, gehören auch 24 Semesterberichte für den Zeitraum 1597-1612 (MS R. 285). In diesen taucht öfters der Name Isaac Posch aus Krems in Österreich auf, der offensichtlich m...
Isaac Posch in njegova inštrumentalna dela; s posebnim ozirom na variacijske suite za inštrumentalni sestav zbirke Musicalische Ehrenfreudt (1618)
Isaac Posch in njegova inštrumentalna dela s posebnim ozirom na variacijske suite za instrumentalni sestav zbirke Musicalische Ehrenfreudt (1618)
Instrumentalna zbirka Musicalische Ehrenfreudt (1618) skladatelja Isaaca Poscha
