Martin Koszolko- Doctor of Philosophy
- Lecturer (Music Industry) at University of Newcastle Australia
Martin Koszolko
- Doctor of Philosophy
- Lecturer (Music Industry) at University of Newcastle Australia
- Blog: https://philosophyofsound.info
- School of Music Collaboration: https://www.musiccollaboration.online
About
13
Publications
15,323
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Introduction
Dr Martin K. Koszolko is a recognised expert in remote music collaboration. He is an award winning music producer who has been creating music for over 2 decades. Martin has been using a broad range of collaborative solutions for music making since 2012. In 2017, he received a doctorate in Remote Music Collaboration. He has presented at national and international seminars and conferences and has published in the area of the art of collaborative music production and music innovation.
Current institution
Additional affiliations
March 2012 - July 2016
Position
- PhD Student
Description
- The Impact of Remote Music Collaboration Software on the Practices of Music Production
Publications
Publications (13)
This chapter explores Remote Music Collaboration Software (RMCS) platforms, integral tools for musicians that facilitate creative crowdsourcing, virtual studio collaboration, and networked performances. However, their data collection practices raise pressing digital and data ethics questions. Examining three platforms—BandLab, Endlesss, and Soundtr...
Since the closing of the first wave of ubiquitous music research, our community has expanded the diversity and depth of its challenges. Some threads have followed a steady path of development and at this point may be considered established frameworks. This state of affairs – featuring composites of musical outcomes, technological deployments and co...
Remote music collaboration software (RMCS) offers a democratic working environment where amateurs and professionals can connect, collaborate, communicate and learn from each other. Understanding the dynamic of group work and creative processes in RMCS leads to creating groups with a stronger potential to complete their projects. Reflecting on my co...
This article explores strategies that allow electronic music performers to engage their audiences and environments in live acts of co-creation. We outline our existing musical practice relying on site-specific sampling and digital mobile technologies that have been tested across a range of participatory music performances. Salient challenges within...
Creative practices have made a standing contribution to mobilities research. We write this article as a collective of 25 scholars and practitioners to make a provocation: to further position creative mobilities research as a fundamental contribution and component in this field. The article explores how creative forms of research-whether in the form...
Popular music scholars have long been interested in the connection between place and music. This collection brings together a number of key scholars in order to introduce readers to concepts and theories used to explore the relationships between place and music. An interdisciplinary volume, drawing from sociology, geography, ethnomusicology, media,...
Mobile music tools are one of the most significant advances in contemporary music production technologies. Innovative and portable instruments allow us to leverage the latest technological developments and enhance mobile audio storytelling. In this chapter, I outline the model of setting-based music creation with the use of handheld mobile equipmen...
In this paper, grounded in my music production practice, I investigate the various affordances of iOS apps in the field of electronic music production. Drawing on affordance theory and notions of portability and performativity, I consider how contemporary technologies have generated renewed approaches to electronic music production and performance....
The development of Web 2.0 combined with the emergence of innovative software platforms has helped remote music collaboration undergo a phase of significant growth in the last five years. My practice-led research responds to the question of how working with remote music collaboration software (RMCS) impacts on the production process. The discussion...
An Introduction to Music Technology, Second Edition by Dan Hosken
Book Review by Martin K. Koszolko.
Dancecult, Journal of Electronic Dance Music Culture. Volume 9 (1)
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Dan Hosken explores the myriad of ways in which technology can be implemented in the practices of composers, performers and teachers. is introductory text spans a large group...
Remote music collaboration software enables interaction between global communities of musicians across transcultural and transnational spaces, creating globalized networks of connected music producers. Examining practices around contemporary music production in the cloud generates new perspectives on how technological change impacts upon connectivi...
In 2014, music creation in the cloud is defined by access to sophisticated production tools aided by a number of social networking options. This enables interaction between global communities of musicians across transcultural and transnational spaces. Examining practices within contemporary music production enables a new perspective on remixing and...
The second edition of The Digital Musician is an expansive book reflecting more than ten years of research by the author and examining the complex nexus of creativity, cultural awareness, performance and sound production. In this volume, Andrew Hugill argues that the development of an individual creative voice is an essential ingredient of musical...
