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Introduction
Mariyana Piskova, born 1955, MA in History Sofia University “Sv. Kliment Ohridski”, PhD in Archive Studies. Main research area and subareas: Archivology, Archival science, Records management science, Audio-visual records. Main Publications: “An Archive of the Bulgarian Archives” (2003), “The Heroes of Shipka” An archive reading of one movie about the Russian-Turkish war (1877-1878) from the time of the Cold war (2015).
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Publications (57)
Как държавната политика, провеждана в България към хората с увреждания и хората в неравностойно положение, към възрастните, децата в институции (в годините след Втората световна война до края на 80-те години на ХХ век) е отразена във фотодокументите? Или какъв визуален образ за тези хора е създала пропагандната машина в България? Какво показват и к...
Рецензия за книгата на Петър Кърджилов, Ирина Китова и Зорница Кръстева "Летопис на нямото кино в София (1896-1933)", София: Културен център G8, 2022 г., 235 с. Марияна Пискова Доц. д-р, ЮЗУ "Неофит Рилски" piskova@swu.bg
This paper traces the dramatic fate of Maria Konstantinova, who oversaw the Studios for Chronicles and Documentaries from 1949 to 1951. Her short activity in the archive of Bulgarian cinematography is outlined on the basis of documents from her professional dossier. Some of these documents were required for her appointment while others to provide i...
Настоящият сборник е продължение на стартиралия преди години документален прочит на историята на едни от най-значимите институции на националната ни памет - българските архиви, онасловен „Архив на българските архиви”. В него архивите, опазили автентичните документални свидетелства на държава, общество и личности, „говорят” за себе си. Хронологическ...
Abstract: The paper is concerning the Soviet seizure of the cultural space of Transcaucasia and the establishment of "nationa"l cinematography in the Soviet republics of Georgia, Armenia and Azerbaijan in 1920s – 1930s.
The Soviet power realizing the influential potential of cinema turned it into instrument of state propaganda. The three Transcauc...
СЪДЪРЖАНИЕ
Публикации на доц. д-р Анастасия Пашова………………………………. 9
Евелина Келбечева, Нурие Муратова
Отхвърлени знания.
Представяне на мюсюлманските малцинства в българските учебни-ци…….. 18
Петър Воденичаров
„Човек живее за едното име“. Комунистическата държавна сигурност
и насилствената асимилация на мюсюлманите в България /1945 – 1990/:
език...
The paper is a biographical narrative about Archavir Chakatouny (1882-1957) – an Armenian, whose life ended as a Russian emigrant in France. His life is presented by tracing his artistic development that started in the Armenian drama team in Baku in 1905-1910 and continued in the Moscow Artistic theatre where he learnt from Stanislavski and became...
Аннотация. Первый и пока единственный художественный фильм об
Андранике Озаняне (1865–1927) снят летом 1928 г. в Болгарии. Кто обес�печил финансирование, кто создал фильм, почему именно в Болгарии,
почему не показывали фильм в советской Армении… – это часть вопросов,
на которые будем искать ответы. С этой целью и проведен поиск источни�ков в арх...
For the first time, this text looks for a place on the subject of the Russo�Ottoman War of 1877-1878, and above all, the coverage of this event in
Bulgarian weekly newsreels. The data are mainly derived from all existing
annotations and descriptions of newsreels in the filmography of weekly
newsreels in the Bulgarian National Film Archive. They...
The first and still the only film about Andranik Ozanian (1865– 1927) was shot during the summer of 1928 in Bulgaria. Who financed and created the movie, why did the director Archavir Chakhatouny (1882–1957) choose Bulgaria for the scenes in the open, why wasn’t the film shown in Soviet Armenia and how did it get to Yerevan – those are part of the...
The author reviews the book Kardjilov Peter. The cinematographic activities of Charles Rider Noble and John Mackenzie in the Balkans (volume one and two).
The paper is concerning the Soviet seizure of the cultural space of Transcaucasia and the establishment of „national“cinematography in the Soviet republics of Georgia, Armenia and Azerbaijan in 1920s – 1930s. The Soviet power realizing the influential potential of cinema turned it into instrument of state propaganda. The three Transcaucasian film s...
The author follows the appearance of one mute movie in 1929 and the destiny of its author from Gyumri to Paris. The film was created in cinema studio “Armena film” registered in Paris by Armenian emigrants. The movie is debut as director of the famous cinema and theater actor of Armenian origin Arshavir Chakatouny - emigrant in Paris by that time....
The Bulgarian Historical Archive was established in the 19th century when Western European, Russian and Balkan centres, societies and museum archives had already been formed and were in operation. The preferred model was the Czech National Museum, which was built in 1818 in order to awaken national sentiment. In 1869, as a result of the efforts of...
The publication searches to answer the question why the best Bulgarian specialist in Me-dieval studies and Byzantine studies Ivan Duychev (1907-1986) always has been shining with light more visible far away from the Bulgarian borders and invisible in his homeland. Ignored by the Bulgarian institutions after 9th of September 1944 and suppressed by t...
The first Soviet-Bulgarian movie devoted to the Russo-Ottoman War was created in 1954 as a Soviet model for the Bulgarian national cinema. "The Heroes of Shipka" is historical chronicle of the war whose messages were directed also to the new enemies of the Cold War. At the beginning of the "golden years" of the Bulgarian cinema (1970 - 1980s) the R...
Филмът „Героите на Шипка“ е един от първите резултати на официално водената покровителствена политика на съветската кинематография над „младите“ кинематографии от социалистическите страни в средата на 20 век.
Създаден е в условията на многостепенна система на контрол от съветски и български институции и поради това реални събития от „студената войн...
Публикуваните два спомена за проф. Иван Дуйчев са записани в изпълнение на студентски проект на Мултимедийния център по компютърна архивистика, дигитални архиви и история на местното самоуправление към Югозападния университет „Неофит Рилски“ . За Иван Дуйчев – един от родоначалниците на университетското преподаване по архивистика разказват двама не...
“The Heroes of Shipka” is the first Soviet – Bulgarian movie about the Russian-Turkish war 1877-1878. It was created in the first half of the 1950s and was screened at the beginning of 1955. The movie strictly followed the requirements of the socialist art so called “socialist realism”. The joint production, directed by the famous Sergey Vasilev, w...
“This article is an attempt to make visible some hidden processes around the making of the first Bulgarian-Soviet feature film „The Heroes of Shipka“(1955). With this purpose archives records from Bulgarian Archives have been used, as well as published reviews and articles on the film and memoirs of contemporaries. The given examples corroborate th...
The use of rusks for military needs became more and more important in the logistics of wars in the 19th century. The organization of preparation, preservation and transportation of rusks in 1877 was an “operation” according to the military documents left in the governmental archive. The Russian military command decided that the big part of the rusk...
The purpose of this paper is to present the Bulgarian-Soviet production of the first feature film about the Russo-Ottoman War of 1877 – 1878 called “Heroes of Šipka” in the light of the newly discovered archival traces. “Heroes of Šipka” is designed and realized as a model and template for the Bulgarian national cinema – with a Soviet script, direc...
The purpose of this paper is to present the Bulgarian-Soviet production of the first one for both cinematography feature films about the Russo-Turkish War of 1877-1878 called “Heroes of Shipka” in the light of the discovered archival traces of it in the Central State Archives.
“Heroes of Shipka” are designed and realized as a model and template fo...
The article follows the development of the memory culture in Bulgaria since the Russo-Ottoman War of 1877 – 1878 until present days concerning historiography, memory places, celebrations, school textbooks. The transformation of the traditional religious memory about the war into modern memory policies is analyzed in the present article. Thereby thr...
Добре разбирайки голямото значение на ясната, точна и непротиворечива ар¬хивна терминология за по-нататъшното развитие на документознанието, документа-ционното осигуряване на управлението, архивознанието и архивното дело в страна¬та ни, ръководството на Главно управление на архивите при Министерския съвет сформира преди години колектив, който да ра...
