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Publications (11)
La riscrittura, argomento al centro di questo libro, comprende al suo interno un gran numero di pratiche artistiche: dalla trascrizione alla traduzione, alla variazione, alla citazione, al collage, al prestito, al plagio. Considerandole nelle loro contiguità e sovrapposizioni come nei contrasti e opposizioni, si finisce col vederne una continuità c...
Between the end of 1779 and the beginning of 1784, while at the height of his operatic career,
Giuseppe Sarti served as maestro di cappella at the Milan Cathedral, where he composed a
substantial corpus of masses, motets, hymns, psalms and antiphons. Over the last decades, a largely
unfavourable historiographical tradition has been established o...
GIORGIO SANGUINETTI THE ART OF PARTIMENTO: HISTORY, THEORY, AND PRACTICE New York: Oxford University Press, 2012 pp. xiv + 385, isbn 978 0 19 539420 7 - Volume 13 Issue 1 - MARILENA LATERZA
As well as being one of the outstanding castrati of the eighteenth century, Luigi Marchesi was also an occasional composer, particularly during his London years (1788‐90). This article examines Marchesi's only published compositions – two sets of ariettas for voice and piano or harp – reconstructing their context and reception, and analysing their...
The use of pre-existing music in new works is a widespread practice in György Kurtág’s output, considering the number of ‘recompositions’ that he has been writing since the Seventies. Among these, works such as the Officium breve in memoriam Andreae Szervánszky op. 28 and the Hommage à R.Sch. op. 15d have repeatedly been a subject of interest for m...
