
Margarita Kuleva- National Research University Higher School of Economics
Margarita Kuleva
- National Research University Higher School of Economics
About
13
Publications
475
Reads
How we measure 'reads'
A 'read' is counted each time someone views a publication summary (such as the title, abstract, and list of authors), clicks on a figure, or views or downloads the full-text. Learn more
42
Citations
Introduction
Current institution
Publications
Publications (13)
This chapter focuses on the hybrid creative labor of managers in Moscow-based contemporary art institutions. The Russian context is of interest because its young contemporary art market is still transitioning from the Soviet cultural monopoly to an open-market economy, and it, therefore, lacks established standards of cultural production, especiall...
This chapter draws some conclusions about distinctive features of post-Soviet creativity, looking at the example of the career trajectories and professional identities of recent creative graduates from Moscow and St Petersburg. The emerging Russian contemporary art industry, in transition from the Soviet cultural monopoly to the market economy, has...
This article investigates the creative work that is now taking place in newly established cultural institutions in Moscow, the non-governmental museums of contemporary art (MoCAs). The exploration of creative work in Russian art centres is of particular interest because it promises to record the transition of the contemporary art market from the So...
Despite the increasing number of studies dedicated to creative professionals, there are still many topics that remain understudied. One such topic is the interconnection of professional labour and cultural institutions, which frame labour conditions. Furthermore, while much research has been devoted to the UK, other regions or global concerns have...
As well as the most areas of social life, the field of art is now extended to the cyberspace. In this study, we analyze online reviews of Russian art critics with two objectives. On the one hand, we investigate the patterns of the interactions between critics and artists (both contemporary and recognized ones) in the Russian Art. Since the Russian...
The paper focuses on fashion bloggers as cultural intermediaries, which taste origins connect different audiences and groups in the fashion industry. Our sample consists of 15 blogs, which were nominated for two major awards for fashion bloggers Bloglovin.com and Stylight.com in 2015. We analyzed 1223 looks they produced for 1 year (brand choices f...
Career trajectories of fashion models have different outcomes and depend on every project (photoshoot, catwalk etc.) where they do participate. In this field, it is common practice that there are choices between salary and symbolic capital as recognition and new connections in the world of fashion and art which they can acquire after collaboration...
In 2000-2010, Moscow cultural environment was undergoing considerable changes related to the emergence of major non-governmental cultural institutions (Garage Museum of Contemporary Art, Vinzavod, Strelka Institute, et cet.). The paper is devoted to the labor practices of these institutions. In Great Britain and Western Europe, creative/cultural wo...
The article presents the results of a pilot survey11. The survey was carried out by the Center for Youth Research in the framework of the project “Youth Solidarities in the Local and the Global Context: Economics, Politics, and Culture,” supported by the Center for Fundamental Research of the Higher School of Economics National Research University....