Marcin Adamczak

• Adam Mickiewicz University in Poznań

The article's subject is the transformation of film distribution models due to post-pandemic changes and the development of streaming platforms. The text identifies four currently coexisting models of film distribution, in which the novelty is the shortening of the exclusivity windows for screenings of premiere film titles only in cinemas. An analy...

This article focuses on film distribution in Poland within the framework of hard power and soft power interplays. Contrary to perceptions of culture as soft power, film distribution is located mainly in the sphere of hard power, which includes capital dominance, negotiating leverage, pressuring partners and the need to control physical space. An an...

The article is an attempt to use essential statistical tools for analysis of market performance of films and its aes- thetical judgements made by film critics and fans. The authors describe differences between evaluations of films by professional and non-professional viewers, correlations between market performance and artistic merit and impact of...

The article is an attempt to examining again the three first movies of Andrzej Wajda: Generation, Canal and Diamonds and Ashes, regarding archival protocols and production issues more then stict artistic or auteur factors. The inspiration was both production culture perspective and New Historicism of Stephen Greenblatt. The text shows how many addi...