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Introduction
I write about comparison between the theory of audiotactile music and copyright laws, specially in the Italian system.
New models for considering and regulating the improvisation and the musician's performance rights.
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Publications
Publications (2)
La questione quantitativa del diritto d'autore per le "utilizzazioni" del repertorio tutelato è, da sempre, oggetto di discussioni, di contrattazioni tra le parti, e di critiche mosse alla Società Italiana degli Autori ed Editori (S.I.A.E.). La narrazione giunta fino a noi, tratta l'argomento esclusivamente dalla posizione dell'avente diritto, di c...
New paradigms in research rephrase the perspectives with which to interpret the reality, including copyright. The Theory of Audiotactile Formativity (or Theory of Audiotactile Music), recently elaborated by Vincenzo Caporaletti, questions cardinal concepts as "art work", "composer", "interpreter", "composition", "performance", introducing new conce...
