
Kin Man Cheong- Master of Arts
- Freie Universität Berlin
Kin Man Cheong
- Master of Arts
- Freie Universität Berlin
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5
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Introduction
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Publications (5)
The officially hinted yet unofficial discourse of “Macau-Was-Never-A-Colony” challenges postcolonial studies all hiddenly and mute(d)ly. Its rare presence in the non-Sino-Luso-academic world explains its legitimate absence. The multi-centenary Portuguese presence in or colonization of Macau marked only its attachedness to the verges of Empires. Fro...
One of the main natural obstacles of Western-privileged globalization of cultures is the world’s systems of productivity in most fields that tend to follow, if not obey, the Western-origin categorizing forces. The many world networks of parallel yet intertwined ways of thinking and of producing knowledge - and in this case, making art - in its most...
Globalization has long had a westernized and westernizing meaning. The word “globalization” itself represents an enduring modern conflict among major Kulturkreise (cultural circles). Today, another major “non-western” major Kulturkreis, East Asia, or more specifically, China (which both suffered and benefited from a radical westernization), has rea...
The paper aims to discuss the role that visual anthropology and subaltern cultural medias play among the considered indigenous peoples in the Chinese speaking world, and particularly in the four cross-Strait territories of China, Taiwan, Hong Kong and Macao. This paper suggests a semantic and historic analysis of the terms of indigenous, while retr...
The present paper, originating from its author’s innocent search for his identity in his twenties as a postcolonial yearning for an emotion-driven, if not unconsciously voluntary, cultural self-colonization, appears ten years later as a self-reflexive and self-critical essay. It can be read as a piece of postcolonial literature apart, or as a comme...