Joseph Curtin

Joseph Curtin Studios

Significance Old Italian violins are widely believed to have playing qualities unobtainable in new violins, including the ability to project their sound more effectively in a hall. Because Old Italian instruments are now priced beyond the reach of the vast majority of players, it seems important to test the fundamental assumption of their tonal sup...

Tai writes that our paper (1) “reported the inability of violinists to distinguish Stradivari violins from modern ones with regard to timbre” (2). This is incorrect. We neither stated nor implied that timbre is the sole (or even the main criteria) used by violinists in attempting to guess new or old. Although timbre is no doubt important, so too ar...

Significance Some studies open new fields for investigation; this study attempts to close a perennially fruitless one—the search for the “secrets of Stradivari.” Great efforts have been made to explain why instruments by Stradivari and other Old Italian makers sound better than high-quality new violins, but without providing scientific evidence tha...

Most violinists believe that instruments by Stradivari and Guarneri "del Gesu" are tonally superior to other violins--and to new violins in particular. Many mechanical and acoustical factors have been proposed to account for this superiority; however, the fundamental premise of tonal superiority has not yet been properly investigated. Player's judg...

The first known violins were built in Italy in the early 1500s. While not much is yet known about the instrument's prior development, European forebears include the rebec and the Renaissance fiddle, which themselves evolved from instruments found in the ancient Eastern world. The violin brought together in a particularly happy way features seen in...