Joanne Entwistle

• King's College London

Emotional labor has come to light as a critical term within organizational studies of workers in service industries. It directs attention to the ways in which workers are called on to manage their emotions as part of their interactions at work.

The central argument in this paper is that actor-network theory (ANT) does not do ‘cultural economy’ symmetrically: it has had a lot to say about economy but much less to say about culture. This rejection of culture is ontological and epistemological: culture appears in ANT largely as an artefact of modernist thought rather than as an empirical asp...

Gender performativity has had significant influences in cultural studies and sociology, yet empirical cases of the theory remain scarce. While some analysis examines performativity in work, the focus is on organizations and how gender ‘gets done and undone’ within them with little attention paid to bodies outside organizations. Based on two empiric...

The central argument in this paper is that actor-network theory (ANT) does not do ‘cultural economy’ symmetrically: it has had a lot to say about economy but much less to say about culture. This rejection of culture is ontological and epistemological: culture appears in ANT largely as an artefact of modernist thought rather than as an empirical asp...

IntroductionThe World of Fashion ModelingThe Body of the Model/Modeling the BodySexuality at WorkConclusion NotesReferences

This paper addresses itself to literature on ‘aesthetic labour’ in order to extend understanding of embodied labour practices. Through a case study of fashion modelling in New York and London we argue for an extension of the concept to address what we see as problematic absences and limitations. Thus, we seek to extend its range, both in terms of o...

The aim of this article is to examine the qualification and mediation of fashionable clothing by fashion buyers at Selfridges, London. The author examines the ‘active and reflexive role of economic agents in the qualification of products’ in their ‘habitual and routine’ working practices, describing how buyers are active in defining, shaping, trans...

This article, based on two studies of the fashion industry examines one of its key institutions, London Fashion Week (LFW). Drawing on the work of Bourdieu, we argue that this event is a materialization of the field of fashion.We examine how LFW renders visible the boundaries, relational positions, capital and habitus at play in the field, reproduc...

This article delineates the operations of one particular ‘aesthetic economy’, focusing on the way in which aesthetics in the field of fashion modelling are central to the economic calculations of this market. Drawing on the work of Bourdieu and Blumer, the author argues that economic calculations are intertwined with cultural concerns, bound to for...

This essay aims to “flesh out” studies of the dressed body by straddling the gap between theoretical discourses on the body and the separate analysis of dress and culture to demonstrate that the body and its dress are inextricably linked, both to each other and the society they are orientated to. Entwistle describes how each culture demands its own...

Traducción de: The Fashioned Body