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Isobel WisherAarhus University | AU · Department of Archaeology and Heritage Studies
Isobel Wisher
Doctor of Philosophy
About
17
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Introduction
Publications
Publications (17)
Few cultural practices beyond language are as widespread as string figure games. Their global distribution and potential to yield insights into cultural transmission and cognition have long been noted. Yet, it remains unknown how or when this behaviour originated and to what extent shared motifs are signals of repeated innovations or deep cultural...
Children’s agential behaviours in the archaeological record have often been overlooked. Despite efforts to centre children in the past through ‘an archaeology of childhood’, there remains a fundamental challenge of rigorously distinguishing children’s behaviours from those of adults. In Upper Palaeolithic art, this has been addressed through the an...
Integral to the fabric of human technology, knots have shaped survival strategies throughout history. As the ties that bind, their evolution and diversity have afforded human cultural change and expression. This study examines knotting traditions over time and space. We analyse a sample of 332 knots from 83 ethnographically or archaeologically docu...
In recent years, discussions on the origins of language have been reinvigorated through new kinds of controlled experiments that attempt to uncover the mechanisms by which communication systems such as natural languages evolve. These new approaches can test the plausibility of different theories and have been integral, for instance, in challenging...
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Few cultural practices beyond language are as widespread as string figure games. Their global distribution and potential to yield insights into cultural transmission and cognition have long been noted. Yet, it remains unknown how or when this behavior originated and to what extent shared motifs are signals of repeated innovations or deep cultural t...
Virtual Reality (VR) has vast potential for developing systematic, interdisciplinary studies to understand ephemeral behaviours in the archaeological record, such as the emergence and development of visual culture. Upper Palaeolithic cave art forms the most robust record for investigating this and the methods of its production, themes, and temporal...
Despite obvious advantages, no generalised ideographic codes have evolved through cultural evolution to rely on iconicity. Morin suggests that this is because of missing means of standardisation, which glottographic codes get from natural languages. Although we agree, we also point to the important role of the available media, which might support s...
The influence of pareidolia has often been anecdotally observed in examples of Upper Palaeolithic cave art, where topographic features of cave walls were incorporated into images. As part of a wider investigation into the visual psychology of the earliest known art, we explored three hypotheses relating to pareidolia in cases of Late Upper Palaeoli...
Symbolic cognition—the ability to produce and use symbols, including (but not limited to) linguistic symbols—has often been considered a hallmark of human achievement. Given its importance, symbolic cognition has been a major topic of interest in many academic disciplines including anthropology, archeology, and the cognitive sciences.1–6 Paleolithi...
Approaches to Palaeolithic art have increasingly shifted beyond the traditional focus on engraved or depicted forms in isolation, to appreciating the sensorial experience of art making as integral to shaping the form of depictions and the meaning imbued within them. This kind of research appreciates an array of factors pertinent to how the art may...
Palaeolithic stone plaquettes are a type of mobiliary art featuring engravings and recovered primarily from Magdalenian sites, where they can number from single finds to several thousand examples. Where context is available, they demonstrate complex traces of use, including surface refreshing, heating, and fragmentation. However, for plaquettes wit...
Palaeolithic stone plaquettes are a type of mobiliary art featuring engravings and recovered primarily from Magdalenian sites, where they can number from single finds to several thousand examples. Where context is available, they demonstrate complex traces of use, including surface refreshing, heating, and fragmentation. However, for plaquettes wit...
This volume is the result of the Cambridge Annual Student Archaeology Conference (CASA), held at the McDonald Institute for Archaeological Research from September 13–15, 2019. CASA developed out of the Annual Student Archaeology Conference, first held in 2013, which was formed by students at Cambridge, Oxford, Durham and York. In 2017, Cambridge be...
Archaeology has begun to challenge anthropocentric approaches, appreciating the way that relations cross-cut categories such as human/animal/object and individual/group/species. Relational thinking challenges the divide between active human agents and passive animal resources. Instead, relational archaeologies consider the possibility that this bou...
Antler working was prevalent throughout prehistory, with a breadth of intricately detailed and technologically complex antler artefacts observed within the archaeological record. In particular, during the Palaeolithic, Mesolithic, and Neolithic, antler working with flint tools would have been a time-consuming process. While the chaîne opératoire of...