About
6
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Introduction
PhD in Performance in Theatre and Music Drama, specialized in Opera. Senior lecturer in Chamber Music and Chamber Opera at the Academy of Music and Opera, Mälardalen University. Research interests include music drama, game design, interaction and immersion.
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Current institution
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January 2024 - present
Publications
Publications (6)
How can live-performed chamber operas be conceptualized as immersive games with interactive features? This artistic study has resulted in a system model through which degrees of immersion may be generated and analyzed from physical, social, and psychical stimuli. A differentiation of immersive modes has been made possible by the framing of opera-ma...
How can the unseen be heard and imagined through operatic means? In the chamber opera In the Darkness, Everything Went All Black – set in pitch-black darkness – the stage was radically inverted. For the purpose of exploring the immersive potential of spatial reversal, methods for operatic creation and presentation were rethought in terms of visibil...
This paper examines the influence of artificial intelligence (AI) on recent operatic practice, exploring its potential to affect the development of the genre from the artist’s perspective. While opera has historically evolved in tandem with technological advancements, the integration of AI raises important questions about its function within the op...
In his well-known thought experiment regarding artificial intelligence (AI), John Searle sketched out the philosophic idea of "The Chinese room"-a room in which comprehensible rules (a program) allow a person to perfectly correlate one set of unknown linguistic symbols (a question) with another (an answer) of the same unfamiliar kind. In our creati...
To probe into the artistic possibilities of Artificial Intelligence (AI) generating operatic elements, we have engaged in a practice-led inquiry as designers and artists. We took the process of prototyping a chamber opera with interactive features as our starting point, exploring how AI could work as a source of stimuli in opera productions, and ho...
How can microsocial rituals connected to a specific site be used as interaction templates for artistic purposes? And how can we distort such rituals artistically in order to make them memorable events? As artists, we regard distortion as the process that gives character and distinction to things and situations, as well as something that confuses an...
