Héctor Valverde

Instituto Nacional de Antropología e Historia | INAH · Educación Públicos y Comunidades

El siglo XXI inició con una de las revoluciones tecnológicas que han cambiado en su totalidad la manera en que las personas nos relacionamos con nuestro entorno. La llamada revolución digital ha provocado el surgimiento de una sociedad enfocada en lo visual y con lógicas completamente diferentes a las que imperaban hace 50 años, cuando no necesitáb...

Thesis that from a comparative study between two museums in the Latin American context, seeks to understand from the hermeneutics the communication processes in digital environments in the museum space

The National museum has been a construction of the hegemonic powers that pretend to legitimize and position its vision of reality as the reality of the peripheries, writes cultural critic Terry Eagleton (2000). During its history, the museum has presented, through a catalogue of the plundered artifacts, peripheral groups as extravagant and exotic,...

The inclusion-exclusion of visitors in museum spaces since the introduction of digital devices has its correlation with the narratives that give origin to the Mexican museums, which are institutions with roots so deep that perceive the changes as a prosthetic element that is added to the already proven formula of making and understanding the (tradi...

The inclusion-exclusion of visitors in museum spaces since the introduction of digital devices has its correlation with the narratives that give origin to the Mexican museums, which are institutions with roots so deep that perceive the changes as a prosthetic element that is added to the already proven formula of making and understanding the (tradi...

Digital techniques have evolved in such a way that it is not difficult to imagine that they are about to effectively replace analog technologies as a predominant method to produce not only moving images (Darley 2002), but also to be our eyes, ears and our voice. The technological developments used in the museum spaces focused on interaction and sim...

El Museo Moderno ha logrado sobrevivir hasta nuestros días casi sin modificar su esencia, fue construido como una institución que busca trascender su sociedad y ser un espacio atemporal donde el presente, el pasado y el futuro convergen, que solo puede ser el producto de una sociedad sofisticada que lega a las generaciones futuras un testimonio de...

A unque resulte un tanto paradójico, un campo que tra-baja cuerpo a cuerpo con disciplinas científicas como la historia, estética o etnografía no suele llevar un registro puntual de sus acciones. Tanto el desarrollo de mu-seos como el montaje de exposiciones suelen ser actividades inmensamente complejas y desgastantes: la coordinación entre múltipl...

Los sismos de septiembre de 2017 vulneraron la totalidad de los museos bajo responsabilidad del inah en Morelos. Ante ello, la Coordinación Nacional de Museos y Exposiciones desarrolló el Proyecto Emergente Morelos, el cual replantea la acción museal desde un enfoque social, participativo y horizontal, cuyo sentido radica en la capacidad de respond...

In Latin America, recognizing the museum as a legacy, an inherited disciplinary model produced by others, has been solved in a pragmatic way. Current circumstances demand that we acknowledge ourselves in our poetics. Beyond the disenchantment between model and praxis - that the museum shares with other forms of social management - we are interested...