
Grant AndrewsSouthern Cross University · SCU College
Grant Andrews
Doctor of Philosophy
Currently located in Brisbane, Australia.
About
26
Publications
2,913
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85
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Citations since 2017
Introduction
My research and teaching specialisations are gender and sexuality studies, decolonial theory in education, and Queer Critical Literacies as an educational intervention. I am currently working on a research project titled "Intersections of South African Queer Theory and Queer Visual Culture" funded by an NRF Thuthuka Grant. I live in Brisbane, Australia.
Additional affiliations
Education
August 2013 - November 2015
January 2010 - December 2020
Publications
Publications (26)
The recent Must Fall movements shone a light on how South African universities are exclusionary spaces in many respects. In addition to the focus on racial, financial, and epistemological exclusions, the movements also highlighted how gender and sexual minorities are marginalised in university curricula and spaces. In the wake of these movements, I...
South African cinema is still dominated, both in terms of number and commercial success, by films featuring white Afrikaans-speaking characters. These films are mostly politically voiceless, ignoring the contentious racial and economic dynamics in the country, and they fail to represent queer realities. Skoonheid [Beauty] (2011), the powerful South...
ALT 36: Queer Theory in Filmand Fiction - by Ernest N. Emenyonu November 2018
Before the end of apartheid, queer lives were almost entirely unrepresented in public literary works in South Africa. Only after the fall of institutionalised apartheid could literature begin to look back at the role of queer people in the history of South Africa, and begin to acknowledge that queer people are a part of the fabric of South African...
John Trengove’s film Inxeba (The Wound) was met with public outcry as it represented the sacred tradition of ulwaluko (“initiation”). The film was effectively banned in mainstream South African cinemas following a ruling by the Film and Publication Board (FPB) to assign a rating of X18 to the film. Many rights groups and activists were troubled by...
This chapter explores the interrelated student youth movements that erupted in the mid-2010s in South Africa, primarily the #RhodesMustFall, #FeesMustFall, and the #EndRapeCulture movements. This chapter traces the ways that embodied activism was central to these movements (Shefer, 2018; Marback, 2018; Malebye, 2020), where bodies were strategicall...
In 2020, when the switch to remote teaching and learning required redesigning asynchronous on-line versions of face-to-face courses, we were concerned about whether access to engaged and dialogic learning could be facilitated in this new space. In attempting to address this concern we asked students in a B Ed Honours course to post, in an online fo...
The figure of the patriarchal white Afrikaner male was central to conceptualising and maintaining the system of apartheid in South Africa, and lingers in the imaginary of white identities in the country. Idealised white masculinity, embodied by the patriarch, is marked by strict gender roles and the rejection of same-sex sexualities, as these sexua...
After the end of formal apartheid, a number of South African feature films have explored queer white men in conservative social settings, with a particular focus on Afrikaans-speaking gay men. These films have reflected strict heteropatriarchal values within white Afrikaner culture where homosexuality is still often seen as a taboo topic. In this a...
The Covid-19 pandemic has caused many universities to move instruction online. For the most part, this move has not been based on sound principles and best practices of online teaching, but can instead be characterised as emergency remote teaching (ERT) that aims to continue instruction despite the substantial drawbacks of insufficient planning or...
Gender and sexuality diversity are still considered controversial topics in many places. Education, particularly, has been a site of heated debate about the ‘appropriateness’ of curricula and classroom discussions that include critical reflections on gender and sexuality. Schools and higher education institutions in many countries are characterized...
Our paper discusses our recent experiences with designing effective assessments for challenging local contexts by using group work portfolio projects. South African universities are experiencing ever-increasing student numbers, diverse student bodies which have different language and literacy skill levels, and limited resources. Simultaneously, the...
This book explores representations of fathers in select South African novels published from the birth of apartheid to the post-transitional moment. Father figures in the texts reflect political and social climates in South Africa – at different times representing the oppressive apartheid government, righteous and authoritative liberation leaders an...
(A)gender and (a)sexual diversity are often viewed as taboo and controversial topics in education, sparking resistance from some teachers, students, and communities to engage with these important topics. Additionally, critical approaches to teaching these topics in schools and universities are still emerging, with many educators feeling uncertain o...
The Covid-19 global pandemic has resulted in many countries moving teaching and learning online. South Africa is a country with major inequalities in terms of access to electricity, internet and information technologies, which have created considerable problems for online learning at institutions of higher learning in the country. In this paper, we...
Parental educational support plays a significant role in the educational success of learners. Research has emphasised the important role of father involvement in educational achievement; however, little is known about how educational support is understood within marginalised contexts such as female-headed households, especially where fathers are ab...
YouTube has provided a platform for many queer vloggers in South
Africa to find audiences and to represent queer lives via a public
medium. The platform allows for multiple queer identities to be
represented in dynamic ways, complicating the ways in which
mainstream mass media often stereotype or distort queer lives
and experiences, and simultaneou...
This article explores the image of the queer cyborg in two works of speculative fiction about South Africa, Lauren Beukes's Moxyland (Johannesburg: Jacana, 2008) and Nicky Drayden's The Prey of Gods (London: Harper Voyager, 2017). These queer cyborg characters inhabit imagined futures where the interface between human and technology is both a condu...
In higher education institutions in South Africa, educators working in the fields of language and academic literacy need to be sensitive and responsive to the linguistic and cultural diversity of the student body, and traditional pedagogical approaches are often inappropriate to meet the needs of students and of the wider call to decolonise higher...
This paper argues for a feminist reading of Macbeth in order to critically interrogate the ways in which Lady Macbeth’s agency and feminist practices have been portrayed by educators, and where necessary, works to reframe contextual questions to promote critical feminist thought. This research report examines the ways in which Macbeth could be used...
This article traces how the character of the father in post-apartheid South African literature is symbolic of the spectral yet enduring legacy of apartheid and the types of rigid masculinities which underpinned the oppressive system. I use this framing to demonstrate the conflict between the traditional South African father and the queer son. Queer...
This study explores the different ways that South African novels have represented fatherhood across historical periods, from the dawn of apartheid to the post-transitional moment. It is argued that there is a link between narrative power and the father, especially in the way that the father figure is given authority and is central to dominant narra...
ENGLISH ABSTRACT: This thesis explores the themes of representation and identity in four post-9/11 novels: Khaled Hosseini’s The Kite Runner, Mohsin Hamid’s The Reluctant Fundamentalist, Frédéric Beigbeder’s Windows on the World and Don DeLillo’s Falling Man. The novels of Hosseini and Hamid represent the experience of two Muslim protagonists from...