Emma Winston

Emma Winston
  • PhD Student at Goldsmiths University of London

About

6
Publications
16,344
Reads
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29
Citations
Introduction
I am currently in the latter stages of a PhD in the Popular Music Research unit at Goldsmiths, University of London. My research concerns the varied and distinct but often overlapping social worlds surrounding the 21st-century resurgence of the ukulele in the United Kingdom, and their impact upon musical and social identity.
Current institution
Goldsmiths University of London
Current position
  • PhD Student
Additional affiliations
October 2018 - July 2020
Goldsmiths University of London
Position
  • Lecturer
October 2015 - July 2017
King's College London
Position
  • Graduate Teaching Assistant
Education
October 2011 - September 2012
Goldsmiths University of London
Field of study
  • Popular Music Research
October 2008 - July 2011
University of Cambridge
Field of study
  • Music

Publications

Publications (6)
Article
Full-text available
Lofi hip hop is a musical genre which is distributed and mediated entirely via the internet, and which, to our knowledge, is currently unexamined academically. This article serves as an introductory investigation into the genre, which we hope may inspire further research and perhaps call into question existing trends in the analysis of “internet-bo...
Conference Paper
Full-text available
The ukulele has, in various guises, and amongst various overlapping and distinct social worlds, experienced a spectacular growth in popularity over the course of the last ten years. This is well-documented in journalistic and popular cultural sources, but remains virtually unexplored academically, which I aim to begin correcting in my ongoing docto...
Article
Full-text available
Nightcore is a previously academically unexamined music scene, which exists entirely online and operates as a unique micro-subculture within the broader context of internet-based electronic music. A scene born on the internet in the early 2000s, nightcore has recently experienced something of a surge in popularity, and now refers most broadly to hy...
Conference Paper
In the springtime of 2020, amid what I felt sure were the final throes of my research into the contemporary resurgence of the ukulele, my timeline (and, like millions of others, my world) was thrown into disarray by the emergence of the COVID-19 pandemic. Separated from my familiar support networks, I found myself invited by a London-based ukulele...

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