Elisabeth Trinkl- PhD
- Professor at University of Graz
Elisabeth Trinkl
- PhD
- Professor at University of Graz
About
46
Publications
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Introduction
Elisabeth Trinkl currently works at the Institute of Classics, University of Graz. Elisabeth does research in Cultural History, History of Art and Digital Humanities. Current projects are dealing with Greek vases, esp. head vases, and finds from the Greek polis Pheneos in Arcadia.
Current institution
Publications
Publications (46)
The COST Action EuroWeb is a pan-European network, involving scientific disciplines in the humanities, social, and natural sciences and with links to crafts and industry aims to study textiles, from their raw materials to their secondhand use. Thus, it explores the social and economic relevance of textiles and their production throughout the millen...
This paper focuses on digitally-supported research methods for an important group of cultural heritage objects, the Greek pottery, especially with figured decoration. The design, development and application of new digital methods for searching, comparing, and visually exploring these vases need an interdisciplinary approach to effectively analyse t...
The analysis and understanding of artefact properties and their relationships is a key goal in archaeological analysis of cultural heritage objects. There are many aspects of concern, including shape properties of the objects, but also appearance properties stemming from paintings and ornamentations on the object surfaces. To date, these are consid...
Rapid progress in digitisation and computer techniques have enabled noteworthy new pottery analysis applications in recent decades. We focus on analytical techniques directed specifically at archaeological pottery research in this survey and review the specific benefits these have brought in the field. We consider techniques based on heterogeneous...
In Greek art, the phase from 900 to 700 BCE is referred to as the Geometric period due to the characteristically simple geometry-like ornamentations appearing on painted pottery surfaces during this era. Distinctive geometric patterns are typical for specific periods, regions, workshops as well as painters and are an important cue for archaeologica...
Visual codes, which vary with and within different societies, comprise aspects of the external appearance of people that are communicated non-verbally. This includes clothing (also shoes and headgear) as well as hairstyles and various accessories. Are there rules within a specific society that prescribe or even prohibit certain items of clothing, c...
The creation of drawings from the surface of painted pottery artifacts is an important practice in archaeological research and documentation. Traditional approaches include manual drawings using pen and paper, either directly on the physical surface, or from photographs, while more recent approaches are supported by photography or flattening of 3D...
The analysis of Cultural Heritage (CH) artefacts is an important task in the Digital Humanities. Increasingly, rich CH artefact data comprising metadata of different modalities becomes available in digital libraries and research data repositories. How- ever, the large amounts and heterogeneity of artefacts in these repositories compromise their acc...
With the growing amount of digital collections of visual CH data being available across different repositories, it becomes increasingly important to provide archaeologists with means to find relations and cross-correspondences between different digital records. In principle, existing shape- and image-based similarity search methods can aid such dom...
Aktuelle archäologische Forschung kommt ohne Interdisziplinarität und den gezielten Einsatz ursprünglich disziplinfremder Methoden und Verfahren kaum mehr aus. Dies ist jedoch keine Plage sondern eine Bereicherung: Nicht nur werden die archäo-logischen Erkenntnisse bereits im Team einer gründlichen Überprüfung unterzogen, bei der eine sich eventuel...
The paper presents an investigation about the combination of multispectral and 3D imaging aiming at the analysis of the condition and preservation of an ancient vase. Visible-reflected (VIS) and -induced luminescence (UVL) images are mapped to 3D models produced with image- and range-based 3D modelling techniques. The case study is an Attic vase, p...
To the fundamental paper of Sir John Beazley in 1929 we owe the classification of Attic head vases of archaic/classical time. He categorized the vases in the form of human heads in twenty groups and a miscellaneous list, according to the depicted figure and the stylistic development of the face.
The vast majority of the Attic pottery was thrown by...
Several hundred attic head vases are known worldwide and stored in museums and collections. In 1929, Beazley has categorized twenty groups (A-W) based on stylistic properties and historic methodology. Head vases are assembled in several steps, most important for our comparison is the moulding of the head area. While the other parts of head vases li...
Even archaeological matters are also subjected to prevailing trends and sociopolitical phenomena. In our time, when the relationship of individuals to their environment is increasingly a subject of discussion, it is amazing that it has not already been extensively examined.
Plants and animals are often chosen motives on Greek pottery. Animals are d...
Two small Attic red-figured vases reveal much about early 19th century history of science. Both vessels, a chous and a squat lekythos, are unbroken and barely damaged; they were created in the late 5th century B.C. and bear an identical, modern Italian inscription on the base which names both the location they were found at, as well as the excavato...
