Eleanor Gates-StuartCharles Sturt University · School of Social Work and Arts
Eleanor Gates-Stuart
PhD
About
40
Publications
5,396
Reads
How we measure 'reads'
A 'read' is counted each time someone views a publication summary (such as the title, abstract, and list of authors), clicks on a figure, or views or downloads the full-text. Learn more
47
Citations
Introduction
Eleanor Gates-Stuart, Adjunct Professor at Charles Sturt University and Honorary Professor at Edith Cowan University - research relating to the sciences, technology and art, working with major research organisations, museums, education, business and government. Her research includes multi-perspective, understanding concepts of looking through simple objects, artefacts, with analysis of its deeper meaning in data & visual research within interactive exhibits.
https://eleanorgatestuart.com
Additional affiliations
April 2023 - present
Edith Cowan University
Position
- Honorary Professor
Description
- Honorary Professor in the School of Arts and Humanities https://www.ecu.edu.au/schools/arts-and-humanities/staff/related-content/lists/adjunct-emeritus-and-honorary/adjunct-appointments/eleanor-gates-stuart
March 2017 - February 2020
Education
July 2008 - July 2015
Publications
Publications (40)
In a scenario where a person has limited ability to be independent and lacks the means to travel, other than with the help of others, the desire to go somewhere nevertheless remains. The question, “Where would you like to go?”, centred our thinking when designing a proof of concept, virtual reality (VR) artwork. People with dementia often express t...
If to Save Face centers on our fear of humiliation and reputation, then our instinct may be to change face, hide face, to become faceless. Yet, if we were to be fearless, would our strength be to protect our face, our visual identity, to confront matters face on and without concern that our human image will be harmed? Save Face, a stark photographi...
Deep Root Vision: Deep rooted vision, profound and ingrained, the splendour of human or artificial intelligence having the capacity to master and enrich innovative scientific solutions whilst unravelling problematic complexities. In creating these artworks: ‘Measure of Visibility’ and ‘Connectedness’, a mapping of intelligence systems disguised as...
Discussing 'Deep Rooted Vision' in the ACM SIGGRAPH Digital Arts Community online exhibition entitled The Earth, Our Home: Art, Technology and Critical Action.
The Earth, Our Home is a peer-reviewed art exhibition that explores environmental issues and humanity’s relationship to the earth and its inhabitants. The participants in the exhibition inc...
Move towards real-time 3D visualisation, exploring existing XR platforms and embrace the rapid technological change of game engines where appropriate.
Virtually Done: Planning the future with the eXtended Reality Collaborative (XRC)
Get real with virtual projects in creative practice, discusses the current state of technology for STEM education with real-world strategies that enable eXtended Reality (XR) projects. Showcasing an interdisciplinary and cross-disciplinary approach the artists, Eleanor Gates-Stuart and Andrew Hagan, share their collective expertise in realising cre...
Where does the arts fit into the world of Extended Reality? Extended Reality is immersive technology encompassing Augmented Reality (objects and information are overlaid in the real world), Virtual Reality (users are immersed in a simulated digital environment) and Mixed Reality (where digital and real-world objects exist). This panel will reveal h...
Charles Sturt University's new eXtended Reality Centre (XRC) will showcase how teachers can empower STEM by including the Arts to create STEAM-based learning. The workshop will demystify Virtual, Augmented, Mixed and eXtended Reality technologies (VR/AR/MR/XR) and demonstrate how the creative industries can empower teachers with the future of immer...
Exactly what I wanted you to see… 'My Face' by Artist, Eleanor Gates-Stuart © 2020 How many times have I looked into your face to be told "I do not know what you are thinking?" … Who says that I am thinking anything? At least that is the impression-smiling beyond your stare. These works run concurrently with the 'Catch Myself' and 'Growing Likeness...
This 016 issue of Fusion Journal focuses on how researchers engage with technologies in their practices, utilising digital entrepreneurship, technology transfer and data information in shifting ways, redefining traditional creative perspectives, visualisation and activities in creating visual narratives/storytelling. The call for content was driven...
The creative industries houses students from a variety of disciplines including animation, photography, graphic design, screen and acting. Although these disciplines have distinctive skills sets, one thing that is common is the ability to think creatively. Creative is a recent buzzword where the non-creative disciplines are staking their claim on h...
Mazoo, a mythological science-art spaceship laboratory travelling the galaxy (in this case the internet) on its journey, sharing knowledge of the wonderful Orchid plant species. Eight artists from the National Cheng Kung University (NCKU), now in orbit on the Mazoo Spaceship, collaborate with the Orchid Research and Development Center (ORDC), explo...
Science, Art and Science Art collaborations are generally presented and understood in terms of their products. The authors argue that the process of Science Art can be a significant—perhaps the principal—benefit of these collaborations even though the process may be largely invisible to anyone other than the collaborators. Hosting the Centenary of...
This talk was given at a TEDx event, produced independently of the TED Conferences. Using a combination of art and science as storytelling tools, Eleanor Gates-Stuart finds ways to celebrate William Farrer's legacy on the wheat industry in Australia
YouTube Link: https://www.youtube.com/watch?v=jtEciEiWl0o
Download from: Open Research: http://hdl.handle.net/1885/108922
Science and Art have a history of distinctive difference and
opposing notions of experimentation. Nevertheless these ‘two
cultures’, as described by C. P. Snow (1959), have more in
common than might be supposed. Both are highly creative, both are
exploratory, both have flashes of bril...
A 3D reconstruction of a Christmas Beetle [Anoplognathus viridiaeneus] generated from an optical scanning rig. The Christmas Beetle model was reconstructed from 144 images of 18MP each. Number of vertices is 126,620; and number of faces is 253236. The dimension of the 3D model is in mm and the physical length of the original specimen is approximate...
Visualising the world of insects is at an exciting and innovative stage. New resources and technology allow exploration of intricate and complex detail at the miniscule scale of internal and external microscopic examination. In this project, a unique collaboration between a scientist and an artist has unified scientific and creative research intere...
We learn from the past that invasive species have caused tremendous damage to native species and serious disruption to agricultural industries. It is crucial for us to prevent this in the future. The first step of this process is to identify correctly an invasive species from native ones. Current identification methods, relying on mainly 2D images,...
Extended information relating to the StellrScope Exhibition, particularly as a guide for touring the exhibition.
Abstract—People tend to judge the benefits of Science Art collaborations by their tangible outputs, such as artworks, visualisations and other artefacts generally accessible to a wide audience. We argue that the process by which these artworks were created can be a significant, or even the principal benefit of these collaborations, even though it m...
Science Art works by Eleanor Gates-Stuart celebrating a hundred years of wheat innovation, from the early years of wheat experimentalist William Farrer through to the modern era and research at CSIRO. A Centenary of Canberra Commission project support by local ACT and Federal Government.
"StellrScope is to explore and build on the story connecting the Canberra region to Australia's major crop, wheat, from the times of William Farrer through to the modern era. StellrScope will focus on the physical and biochemical traits of organisms in physical plant structures, simplifying complex visualisation data and images to construct a publi...
Finger Codes is the title relating to the body of artwork produced by Eleanor Gates-Stuart as part of her artist residency at the University of California Santa Cruz. Using the fingerprint as a device for human identity, Gates-Stuart merged numerous reference information meshed into multiple grids and layers as a new visual translation of complex s...
A curriculum ideology that is often held in the arts, is that art is not driven by commercial demands or direction and, therefore, our curriculum need not address partnerships and linkage to industry in respect to real work experiences. In the Centre for New Media Arts (CNMA), Australian National University (ANU), you could argue that we exist as a...
Discipline boundaries are currently undergoing considerable redefinition, and the process of forging new frontiers results in both theoretical and practical challenges that require exploration. New and hybrid forms of interdisciplinary research not only test existing disciplinary limits, they also produce new objects for study which, in turn, requi...
The visible traces of the past in the present provide the essential material from which the video, Logical Aesthetics, constructs new new cultural narratives in which to rethink the relationship between ourselves and the material conditions of our existence. Logical Aesthetics is a result of a deconstructive and constructive process which gcw has a...
The inclusion of practice as a valid research activity within the academic community has not only established the academic credentials of art and design, but has also undermined the traditional binaries of theory and practice. This is of particular significance for art and design, because a broader understanding of the way in which creativity contr...
Finger Codes is the title relating to the body of artwork produced by Eleanor Gates-Stuart as part of her artist residency at the University of California Santa Cruz. Using the fingerprint as a device for human identity, Gates-Stuart merged numerous reference information meshed into multiple grids and layers as a new visual translation of complex s...
Finger Codes is the title relating to the body of artwork produced by Eleanor Gates-Stuart as part of her artist residency at the University of California Santa Cruz. Using the fingerprint as a device for human identity, Gates-Stuart merged numerous reference information meshed into multiple grids and layers as a new visual translation of complex s...
Finger Codes is the title relating to the body of artwork produced by Eleanor Gates-Stuart as part of her artist residency at the University of California Santa Cruz. Using the fingerprint as a device for human identity, Gates-Stuart merged numerous reference information meshed into multiple grids and layers as a new visual translation of complex s...
Finger Codes is the title relating to the body of artwork produced by Eleanor Gates-Stuart as part of her artist residency at the University of California Santa Cruz. Using the fingerprint as a device for human identity, Gates-Stuart merged numerous reference information meshed into multiple grids and layers as a new visual translation of complex s...
Finger Codes is the title relating to the body of artwork produced by Eleanor Gates-Stuart as part of her artist residency at the University of California Santa Cruz. Using the fingerprint as a device for human identity, Gates-Stuart merged numerous reference information meshed into multiple grids and layers as a new visual translation of complex s...
Finger Codes is the title relating to the body of artwork produced by Eleanor Gates-Stuart as part of her artist residency at the University of California Santa Cruz. Using the fingerprint as a device for human identity, Gates-Stuart merged numerous reference information meshed into multiple grids and layers as a new visual translation of complex s...
Finger Codes is the title relating to the body of artwork produced by Eleanor Gates-Stuart as part of her artist residency at the University of California Santa Cruz. Using the fingerprint as a device for human identity, Gates-Stuart merged numerous reference information meshed into multiple grids and layers as a new visual translation of complex s...
Finger Codes is the title relating to the body of artwork produced by Eleanor Gates-Stuart as part of her artist residency at the University of California Santa Cruz. Using the fingerprint as a device for human identity, Gates-Stuart merged numerous reference information meshed into multiple grids and layers as a new visual translation of complex s...