Dominique Moulon

Paris 1 Panthéon-Sorbonne University | UNiVPARIS1 · Faculty of the Arts and Science of the Arts

Accueillir et diffuser les œuvres de la création contemporaine numérique, sous toutes ses formes, permet de repenser la bibliothèque. Fablabs artistiques, jeux vidéo, festivals, hackathons et « malles à pixels »… les expériences exposées au fil du livre concernent tous les publics et toutes les bibliothèques. Comment faire du soutien à la création...

Whereas the craftsmen of the Middle Ages completed their apprenticeships with the production of a masterpiece, in the 19th century, with the advent of the museum, the masterpiece took on its full dimension. The modern art avant-garde then diverted from it. However, this notion is re-emerging in the first quarter of the 21st century, and we can alre...

Digital technology has interfered in all the spheres, private, public and professional, of our society and shaped them. Artists have always used the techniques or technologies of their time to express themselves. To each appropriated innovation thus corresponds a range of works. Yet, it takes time for the art world to integrate new practices and ne...

(cover: Piotr Kowalski, Mesures à prendre (Measure to be taken), 1969 Courtesy of Andrea Kowalski)

How are we to understand works of art that are realized with viewers’ physical involvement? How are we to analyze a relationship between a work of art and its audience that is rooted in an experience both aesthetic and physical when “user experience” is a central concern of a society held in the grip of omnipresent interactivity? Between two seemin...